The Club of Queer Trades - G. K. Chesterton (best e book reader for android .TXT) 📗

so wildly funny. If I thought of such things, I’m sure I should laugh outright when the thought first came.”

“I agree with Miss Beaumont,” said Sir Walter, suddenly exploding with indignation. “If I had thought of anything so futile, I should find it difficult to keep my countenance.”

“Difficult to keep your countenance,” cried Mr Wimpole, with an air of alarm; “oh, do keep your countenance! Keep it in the British Museum.”

Every one laughed uproariously, as they always do at an already admitted readiness, and Sir Walter, turning suddenly purple, shouted out:

“Do you know who you are talking to, with your confounded tomfooleries?”

“I never talk tomfooleries,” said the other, “without first knowing my audience.”

Grant walked across the room and tapped the red-moustached secretary on the shoulder. That gentleman was leaning against the wall regarding the whole scene with a great deal of gloom; but, I fancied, with very particular gloom when his eyes fell on the young lady of the house rapturously listening to Wimpole.

“May I have a word with you outside, Drummond?” asked Grant. “It is about business. Lady Beaumont will excuse us.”

I followed my friend, at his own request, greatly wondering, to this strange external interview. We passed abruptly into a kind of side room out of the hall.

“Drummond,” said Basil sharply, “there are a great many good people, and a great many sane people here this afternoon. Unfortunately, by a kind of coincidence, all the good people are mad, and all the sane people are wicked. You are the only person I know of here who is honest and has also some common sense. What do you make of Wimpole?”

Mr Secretary Drummond had a pale face and red hair; but at this his face became suddenly as red as his moustache.

“I am not a fair judge of him,” he said.

“Why not?” asked Grant.

“Because I hate him like hell,” said the other, after a long pause and violently.

Neither Grant nor I needed to ask the reason; his glances towards Miss Beaumont and the stranger were sufficiently illuminating. Grant said quietly:

“But before—before you came to hate him, what did you really think of him?”

“I am in a terrible difficulty,” said the young man, and his voice told us, like a clear bell, that he was an honest man. “If I spoke about him as I feel about him now, I could not trust myself. And I should like to be able to say that when I first saw him I thought he was charming. But again, the fact is I didn’t. I hate him, that is my private affair. But I also disapprove of him—really I do believe I disapprove of him quite apart from my private feelings. When first he came, I admit he was much quieter, but I did not like, so to speak, the moral swell of him. Then that jolly old Sir Walter Cholmondeliegh got introduced to us, and this fellow, with his cheap-jack wit, began to score off the old man in the way he does now. Then I felt that he must be a bad lot; it must be bad to fight the old and the kindly. And he fights the poor old chap savagely, unceasingly, as if he hated old age and kindliness. Take, if you want it, the evidence of a prejudiced witness. I admit that I hate the man because a certain person admires him. But I believe that apart from that I should hate the man because old Sir Walter hates him.”

This speech affected me with a genuine sense of esteem and pity for the young man; that is, of pity for him because of his obviously hopeless worship of Miss Beaumont, and of esteem for him because of the direct realistic account of the history of Wimpole which he had given. Still, I was sorry that he seemed so steadily set against the man, and could not help referring it to an instinct of his personal relations, however nobly disguised from himself.

In the middle of these meditations, Grant whispered in my ear what was perhaps the most startling of all interruptions.

“In the name of God, let’s get away.”

I have never known exactly in how odd a way this odd old man affected me. I only know that for some reason or other he so affected me that I was, within a few minutes, in the street outside.

“This,” he said, “is a beastly but amusing affair.”

“What is?” I asked, baldly enough.

“This affair. Listen to me, my old friend. Lord and Lady Beaumont have just invited you and me to a grand dinner-party this very night, at which Mr Wimpole will be in all his glory. Well, there is nothing very extraordinary about that. The extraordinary thing is that we are not going.”

“Well, really,” I said, “it is already six o’clock and I doubt if we could get home and dress. I see nothing extraordinary in the fact that we are not going.”

“Don’t you?” said Grant. “I’ll bet you’ll see something extraordinary in what we’re doing instead.”

I looked at him blankly.

“Doing instead?” I asked. “What are we doing instead?”

“Why,” said he, “we are waiting for one or two hours outside this house on a winter evening. You must forgive me; it is all my vanity. It is only to show you that I am right. Can you, with the assistance of this cigar, wait until both Sir Walter Cholmondeliegh and the mystic Wimpole have left this house?”

“Certainly,” I said. “But I do not know which is likely to leave first. Have you any notion?”

“No,” he said. “Sir Walter may leave first in a glow of rage. Or again, Mr Wimpole may leave first, feeling that his last epigram is a thing to be flung behind him like a firework. And Sir Walter may remain some time to analyse Mr Wimpole’s character. But they will both have to leave within reasonable time, for they will both have to get dressed and come back to dinner here tonight.”

As he spoke the shrill double whistle from the porch of the great house drew a dark cab to the dark portal. And then a thing happened that we really had not expected. Mr Wimpole and Sir Walter Cholmondeliegh came out at the same moment.

They paused for a second or two opposite each other in a natural doubt; then a certain geniality, fundamental perhaps in both of them, made Sir Walter smile and say: “The night is foggy. Pray take my cab.”

Before I could count twenty the cab had gone rattling up the street with both of them. And before I could count twenty-three Grant had hissed in my ear:

“Run after the cab; run as if you were running from a mad dog— run.”

We pelted on steadily, keeping the cab in sight, through dark mazy streets. God only, I thought, knows why we are running at all, but we are running hard. Fortunately we did not run far. The cab pulled up at the fork of two streets and Sir Walter paid the cabman, who drove away rejoicing, having just come in contact with the more generous among the rich. Then the two men talked together as men do talk together after giving and receiving great insults, the talk which leads either to forgiveness or a duel—at least so it seemed as we watched it from ten yards off. Then the two men shook hands heartily, and one went down one fork of the road and one down another.

Basil, with one of his rare gestures, flung his arms forward.

“Run after that scoundrel,” he cried; “let us catch him now.”

We dashed across the open space and reached the juncture of two paths.

“Stop!” I shouted wildly to Grant. “That’s the wrong turning.”

He ran on.

“Idiot!” I howled. “Sir Walter’s gone down there. Wimpole has slipped us. He’s half a mile down the other road. You’re wrong … Are you deaf? You’re wrong!”

“I don’t think I am,” he panted, and ran on.

“But I saw him!” I cried. “Look in front of you. Is that Wimpole? It’s the old man … What are you doing? What are we to do?”

“Keep running,” said Grant.

Running soon brought us up to the broad back of the pompous old baronet, whose white whiskers shone silver in the fitful lamplight. My brain was utterly bewildered. I grasped nothing.

“Charlie,” said Basil hoarsely, “can you believe in my common sense for four minutes?”

“Of course,” I said, panting.

“Then help me to catch that man in front and hold him down. Do it at once when I say `Now’. Now!”

We sprang on Sir Walter Cholmondeliegh, and rolled that portly old gentleman on his back. He fought with a commendable valour, but we got him tight. I had not the remotest notion why. He had a splendid and full-blooded vigour; when he could not box he kicked, and we bound him; when he could not kick he shouted, and we gagged him. Then, by Basil’s arrangement, we dragged him into a small court by the street side and waited. As I say, I had no notion why.

“I am sorry to incommode you,” said Basil calmly out of the darkness; “but I have made an appointment here.”

“An appointment!” I said blankly.

“Yes,” he said, glancing calmly at the apoplectic old aristocrat gagged on the ground, whose eyes were starting impotently from his head. “I have made an appointment here with a thoroughly nice young fellow. An old friend. Jasper Drummond his name is—you may have met him this afternoon at the Beaumonts. He can scarcely come though till the Beaumonts’ dinner is over.”

For I do not know how many hours we stood there calmly in the darkness. By the time those hours were over I had thoroughly made up my mind that the same thing had happened which had happened long ago on the bench of a British Court of Justice. Basil Grant had gone mad. I could imagine no other explanation of the facts, with the portly, purple-faced old country gentleman flung there strangled on the floor like a bundle of wood.

After about four hours a lean figure in evening dress rushed into the court. A glimpse of gaslight showed the red moustache and white face of Jasper Drummond.

“Mr Grant,” he said blankly, “the thing is incredible. You were right; but what did you mean? All through this dinner-party, where dukes and duchesses and editors of Quarterlies had come especially to hear him, that extraordinary Wimpole kept perfectly silent. He didn’t say a funny thing. He didn’t say anything at all. What does it mean?”

Grant pointed to the portly old gentleman on the ground.

“That is what it means,” he said.

Drummond, on observing a fat gentleman lying so calmly about the place, jumped back, as from a mouse.

“What?” he said weakly, “… what?”

Basil bent suddenly down and tore a paper out of Sir Walter’s breastpocket, a paper which the baronet, even in his hampered state, seemed to make some effort to retain.

It was a large loose piece of white wrapping paper, which Mr Jasper Drummond read with a vacant eye and undisguised astonishment. As far as he could make out, it consisted of a series of questions and answers, or at least of remarks and replies, arranged in the manner of a catechism. The greater part of the document had been torn and obliterated in the struggle, but the termination remained. It ran as follows:

C. Says … Keep countenance.

W. Keep … British Museum.

C. Know whom talk … absurdities.

W. Never talk absurdities without

“What is it?” cried Drummond, flinging the paper down in a sort of final fury.

“What is it?” replied Grant, his voice rising into a kind