Gone to Earth - Mary Webb (easy books to read in english .TXT) 📗

she sprang up feverishly. 'Let's practise till we're as hoarse as a young rook!' she cried.

So amid the hammering their voices sprang up, like two keen flames. Then Abel threw away the hammer and began to harp madly, till the little shanty throbbed with the sound of the wires and the lament of the voices that rose and fell with artless cunning. The cottage was like a tree full of thrushes.

After their twelve o'clock dinner, Abel cut holly for the wreaths, and Hazel began to make them. For the first time home seemed dull. She thought wistfully of the green silk dress and the supper in the old, stately room. She thought of Vessons, and of Reddin's eyes as he pulled her back from the door. She thought of Undern as a refuge for Foxy.

'Maybe sometime I'll go and see 'em,' she thought.

She went to the door and looked out. Frost tingled in the air; icicles had formed round the water-butt; the strange humming stillness of intense cold was about her. It froze her desire for adventure.

'I'll stay as I be,' she thought. 'I wunna be his'n.'

To her, Reddin was a terror and a fascination. She returned to the prickly wreath, sewing on the variegated holly-leaves one by one, with clusters of berries at intervals.

'What good'll it do 'im?' she asked; 'he canna see it.'

'Who wants him to see it?' Abel was amused. 'When his father died he 'ad his enjoyment--proud as proud was Samson, for there were seven wreaths, no less.'

Hazel's thoughts returned to the coming festivity. Her hair and her peacock-blue dress would be admired. To be admired was a wonderful new sensation. She fetched a cloth and rubbed at the brown mark. It would not come out. As long as she wore the dress it would be there, like the stigma of pain that all creatures bear as long as they wear the garment of the flesh.

At last she burst into tears.

'I want another dress with no blood on it!' she wailed. And so wailing she voiced the deep lament, old as the moan of forests and falling water, that goes up through the centuries to the aloof and silent sky, and remains, as ever, unassuaged.

* * * * *

Hazel hated a burying, for then she had to go with Abel to help in carrying the coffin to the house of mourning. They set out on the second day after her return. The steep road down to the plain--called the Monkey's Ladder--was a river, for a thaw had set in. But Hazel did not mind that, though her boots let in the water, as she minded the atmosphere of gloom at old Samson's blind house. She would never, as Abel always did, 'view the corpse,' and this was always taken as an insult. So she waited in the road, half snow and half water, and thought with regret of Undern and its great fire of logs, and the green rich dress, and Reddin with his force and virility, loud voice, and strong teeth. He was so very much alive in a world where old men would keep dying.

Abel came out at last, very gay, for he had been given, over and above the usual payment, glove-money and a glass of beer.

'Us'll get a drop at the public,' he said.

So they turned in there. Hazel thought the red-curtained, firelit room, with its crudely coloured jugs and mugs, a most wonderful place. She sat in a corner of the settle and watched her boots steam, growing very sleepy. But suddenly there was a great clatter outside, the sound of a horse, pulled up sharply, slipping on the cobbles, and a shout for the landlord.

'Oh, my mortal life!' said Hazel, 'it met be the Black Huntsman himself.' 'No, I won't come in,' said the rider, 'a glass out here.'

Hazel knew who it was.

'Can you tell me,' he went on, 'if there's any young lady about here with auburn hair? Father plays the fiddle.'

'He's got it wrong,' thought Hazel.

'Young lady!' repeated the landlord. 'Hawburn? No, there's no lady of that colour hereabouts. And what ladies there be are weathered and case-hardened.'

'The one I'm looking for's young--young as a kitten, and as troublesome.'

Hazel clapped her hands to her mouth.

'There's no fiddler chap hereabouts, then?'

Abel rose and went to the door.

'If it's music you want, I know better music than fiddles, and that's harps,' he said. 'Saw! saw! The only time as ever I liked a fiddle was when the fellow snabbed at the strings with his ten fingers--despert-like.'

'Oh, damn you!' said Reddin. 'I didn't come to hear about harps.'

'If it's funerals or a forester's supper, a concert or a wedding,' Abel went on, quite undaunted, 'I'm your man.'

Reddin laughed.

'It might be the last,' he said.

'Wedding or bedding, either or both, I suppose,' said the publican, who was counted a wit.

Reddin gave a great roar of laughter.

'Both!' he said.

'Neither!' whispered Hazel, who had been poised indecisively, as if half prepared to go to the door. She sat further into the shadow. In another moment he was gone.

'Whoever she be,' said the publican, nodding his large head wisely, 'have her he will, for certain sure!'

All through the night, murmurous with little rivulets of snow-water, the gurgling of full troughing, and the patter of rain on the iron roof of the house and the miniature roofs of the beehives, Hazel, waking from uneasy slumber, heard those words and muttered them.

In her frightened dreams she reached out to something that she felt must be beyond the pleasant sound of falling water, so small and transitory; beyond the drip and patter of human destinies--something vast, solitary, and silent. How should she find that which none has ever named or known? Men only stammer of it in such words as Eternity, Fate, God. All the outcries of all creatures, living and dying, sink in its depth as in an unsounded ocean. Whether this listening silence, incurious, yet hearing all, is benignant or malevolent, who can say? The wistful dreams of men haunt this theme for ever; the creeds of men are so many keys that do not fit the lock. We ponder it in our hearts, and some find peace, and some find terror. The silence presses upon us ever more heavily until Death comes with his cajoling voice and promises us the key. Then we run after him into the stillness, and are heard no more.

Hazel and her father practised hard through the dark, wet evenings. She was to sing 'Harps in Heaven,' a song her mother had taught her. He was to accompany the choir, or glee-party, that met together at different places, coming from the villages and hillsides of a wide stretch of country.

'Well,' said Abel on the morning of their final rehearsal, 'it's a miserable bit of a silly song, but you mun make the best of it. Give it voice, girl! Dunna go to sing it like a mouse in milk!'

His musical taste was offended by Hazel's way of being more dramatic than musical. She would sink her voice in the sad parts almost to a whisper, and then rise to a kind of keen.

'You'm like nought but Owen's old sheep-dog,' he said, 'wowing the moon!'

But Hazel's idea of music continued to be that of a bird. She was a wild thing, and she sang according to instinct, and not by rule, though her good ear kept her notes true.

They set out early, for they had a good walk in front of them, and the April sun was hot. Hazel, under the pale green larch-trees, in her bright dress, with her crown of tawny hair, seemed to be an incarnation of the secret woods.

Abel strode ahead in his black cut-away coat, snuff-coloured trousers, and high-crowned felt hat with its ornamental band. This receded to the back of his head as he grew hotter. The harp was slung from his shoulder, the gilding looking tawdry in the open day. Twice during the walk, once in a round clearing fringed with birches, and once in a pine-glade, he stopped, put the harp down and played, sitting on a felled tree. Hazel, quite intoxicated with excitement, danced between the slender boles till her hair fell down and the long plait swung against her shoulder.

'If folks came by, maybe they'd think I was a fairy!' she cried.

'Dunna kick about so!' said Abel, emerging from his abstraction. 'It inna decent, now you're an 'ooman growd.'

'I'm not an 'ooman growd!' cried Hazel shrilly. 'I dunna want to be, and I won't never be.'

The pine-tops bent in the wind like attentive heads, as gods, sitting stately above, might nod thoughtfully over a human destiny. Someone, it almost seemed, had heard and registered Hazel's cry, 'I'll never be an 'ooman,' assenting, sardonic.

They came to the quarry at the mountain; the deserted mounds and chasms looked more desolate than ever in the spring world. Here and there the leaves of a young tree lipped the grey-white steeps, as if wistfully trying to love them, as a child tries to caress a forbidding parent.

They climbed round the larger heaps and skirted a precipitous place.

'I canna bear this place,' said Hazel; 'it's so drodsome.'

'Awhile since, afore you were born, a cow fell down that there place, hundreds of feet.'

'Did they save her?'

'Laws, no! She was all of a jelly.'

Hazel broke out with sudden passionate crying. 'Oh, dunna, dunna!' she sobbed. So she did always at any mention of helpless suffering, flinging herself down in wild rebellion and abandonment so that epilepsy had been suspected. But it was not epilepsy. It was pity. She, in her inexpressive, childish way, shared with the love-martyr of Galilee the heartrending capacity for imaginative sympathy. In common with Him and others of her kind, she was not only acquainted with grief, but reviled and rejected. In her schooldays boys brought maimed frogs and threw them in her lap, to watch, from a safe distance, her almost crazy grief and rage.

'Whatever's come o'er ye?' said her father now. 'You're too nesh, that's what you be, nesh-spirited.'

He could not understand; for the art in him was not that warm, suffering thing, creation, but hard, brightly polished talent.

Hazel stood at the edge of the steep grey cliff, her hands folded, a curious fatalism in her eyes.

'There'll be summat bad'll come to me hereabouts,' she said--'summat bad and awful.'

The dark shadows lying so still on the dirty white mounds had a stealthy, crouching look, and the large soft leaves of a plane-tree flapped helplessly against the shale with the air of important people who whisper 'Alas!'

Abel was on ahead. Suddenly he turned round, excited as a boy.

'They've started!' he cried. 'Hark at the music! They allus begin with the organ.'

Hazel followed him, eager for joy, running obedient and hopeful at the heels of life as a young lamb runs with its mother. She forgot her dark intuitions; she only remembered that she wanted to enjoy herself, and that if she was a good girl, surely, surely God would let her.


Chapter 8