The Unbearable Bassington - Hector Hugh Munro (Saki) (books to read in a lifetime TXT) 📗

suddenly, with an air of affectionate regret; "I always knew you'd get on in the House, but I hardly expected you to come to the front so soon."

"I'm coming to the front," admitted Youghal, judicially; "the problem is, shall I be able to stay there. Unless something happens in the financial line before long, I don't see how I'm to stay in Parliament at all. Economy is out of the question. It would open people's eyes, I fancy, if they knew how little I exist on as it is. And I'm living so far beyond my income that we may almost be said to be living apart."

"It will have to be a rich wife, I suppose," said Molly, slowly; "that's the worst of success, it imposes so many conditions. I rather knew, from something in your manner, that you were drifting that way."

Youghal said nothing in the way of contradiction; he gazed steadfastly at the aviary in front of him as though exotic pheasants were for the moment the most absorbing study in the world. As a matter of fact, his mind was centred on the image of Elaine de Frey, with her clear untroubled eyes and her Leonardo da Vinci air. He was wondering whether he was likely to fall into a frame of mind concerning her which would be in the least like falling in love.

"I shall mind horribly," continued Molly, after a pause, "but, of course, I have always known that something of the sort would have to happen one of these days. When a man goes into politics he can't call his soul his own, and I suppose his heart becomes an impersonal possession in the same way."

"Most people who know me would tell you that I haven't got a heart," said Youghal.

"I've often felt inclined to agree with them," said Molly; "and then, now and again, I think you have a heart tucked away somewhere."

"I hope I have," said Youghal, "because I'm trying to break to you the fact that I think I'm falling in love with somebody."

Molly McQuade turned sharply to look at her companion, who still fixed his gaze on the pheasant run in front of him.

"Don't tell me you're losing your head over somebody useless, someone without money," she said; "I don't think I could stand that."

For the moment she feared that Courtenay's selfishness might have taken an unexpected turn, in which ambition had given way to the fancy of the hour; he might be going to sacrifice his Parliamentary career for a life of stupid lounging in momentarily attractive company. He quickly undeceived her.

"She's got heaps of money."

Molly gave a grunt of relief. Her affection for Courtenay had produced the anxiety which underlay her first question; a natural jealousy prompted the next one.

"Is she young and pretty and all that sort of thing, or is she just a good sort with a sympathetic manner and nice eyes? As a rule that's the kind that goes with a lot of money."

"Young and quite good-looking in her way, and a distinct style of her own. Some people would call her beautiful. As a political hostess I should think she'd be splendid. I imagine I'm rather in love with her."

"And is she in love with you?"

Youghal threw back his head with the slight assertive movement that Molly knew and liked.

"She's a girl who I fancy would let judgment influence her a lot. And without being stupidly conceited, I think I may say she might do worse than throw herself away on me. I'm young and quite good- looking, and I'm making a name for myself in the House; she'll be able to read all sorts of nice and horrid things about me in the papers at breakfast-time. I can be brilliantly amusing at times, and I understand the value of silence; there is no fear that I shall ever degenerate into that fearsome thing - a cheerful talkative husband. For a girl with money and social ambitions I should think I was rather a good thing."

"You are certainly in love, Courtenay," said Molly, "but it's the old love and not a new one. I'm rather glad. I should have hated to have you head-over-heels in love with a pretty woman, even for a short time. You'll be much happier as it is. And I'm going to put all my feelings in the background, and tell you to go in and win. You've got to marry a rich woman, and if she's nice and will make a good hostess, so much the better for everybody. You'll be happier in your married life than I shall be in mine, when it comes; you'll have other interests to absorb you. I shall just have the garden and dairy and nursery and lending library, as like as two peas to all the gardens and dairies and nurseries for hundreds of miles round. You won't care for your wife enough to be worried every time she has a finger-ache, and you'll like her well enough to be pleased to meet her sometimes at your own house. I shouldn't wonder if you were quite happy. She will probably be miserable, but any woman who married you would be."

There was a short pause; they were both staring at the pheasant cages. Then Molly spoke again, with the swift nervous tone of a general who is hurriedly altering the disposition of his forces for a strategic retreat.

"When you are safely married and honey-mooned and all that sort of thing, and have put your wife through her paces as a political hostess, some time, when the House isn't sitting, you must come down by yourself, and do a little hunting with us. Will you? It won't be quite the same as old times, but it will be something to look forward to when I'm reading the endless paragraphs about your fashionable political wedding."

"You're looking forward pretty far," laughed Youghal; "the lady may take your view as to the probable unhappiness of a future shared with me, and I may have to content myself with penurious political bachelorhood. Anyhow, the present is still with us. We dine at Kettner's to-night, don't we?"

"Rather," said Molly, "though it will be more or less a throat- lumpy feast as far as I am concerned. We shall have to drink to the health of the future Mrs. Youghal. By the way, it's rather characteristic of you that you haven't told me who she is, and of me that I haven't asked. And now, like a dear boy, trot away and leave me. I haven't got to say good-bye to you yet, but I'm going to take a quiet farewell of the Pheasantry. We've had some jolly good talks, you and I, sitting on this seat, haven't we? And I know, as well as I know anything, that this is the last of them. Eight o'clock to-night, as punctually as possible."

She watched his retreating figure with eyes that grew slowly misty; he had been such a jolly comely boy-friend, and they had had such good times together. The mist deepened on her lashes as she looked round at the familiar rendezvous where they had so often kept tryst since the day when they had first come there together, he a schoolboy and she but lately out of her teens. For the moment she felt herself in the thrall of a very real sorrow.

Then, with the admirable energy of one who is only in town for a fleeting fortnight, she raced away to have tea with a world-faring naval admirer at his club. Pluralism is a merciful narcotic.


CHAPTER VI


Elaine de Frey sat at ease - at bodily ease - at any rate - in a low wicker chair placed under the shade of a group of cedars in the heart of a stately spacious garden that had almost made up its mind to be a park. The shallow stone basin of an old fountain, on whose wide ledge a leaden-moulded otter for ever preyed on a leaden salmon, filled a conspicuous place in the immediate foreground. Around its rim ran an inscription in Latin, warning mortal man that time flows as swiftly as water and exhorting him to make the most of his hours; after which piece of Jacobean moralising it set itself shamelessly to beguile all who might pass that way into an abandonment of contemplative repose. On all sides of it a stretch of smooth turf spread away, broken up here and there by groups of dwarfish chestnut and mulberry trees, whose leaves and branches cast a laced pattern of shade beneath them. On one side the lawn sloped gently down to a small lake, whereon floated a quartette of swans, their movements suggestive of a certain mournful listlessness, as though a weary dignity of caste held them back from the joyous bustling life of the lesser waterfowl. Elaine liked to imagine that they re-embodied the souls of unhappy boys who had been forced by family interests to become high ecclesiastical dignitaries and had grown prematurely Right Reverend. A low stone balustrade fenced part of the shore of the lake, making a miniature terrace above its level, and here roses grew in a rich multitude. Other rose bushes, carefully pruned and tended, formed little oases of colour and perfume amid the restful green of the sward, and in the distance the eye caught the variegated blaze of a many-hued hedge of rhododendron. With these favoured exceptions flowers were hard to find in this well-ordered garden; the misguided tyranny of staring geranium beds and beflowered archways leading to nowhere, so dear to the suburban gardener, found no expression here. Magnificent Amherst pheasants, whose plumage challenged and almost shamed the peacock on his own ground, stepped to and fro over the emerald turf with the assured self-conscious pride of reigning sultans. It was a garden where summer seemed a part-proprietor rather than a hurried visitor.

By the side of Elaine's chair under the shadow of the cedars a wicker table was set out with the paraphernalia of afternoon tea. On some cushions at her feet reclined Courtenay Youghal, smoothly preened and youthfully elegant, the personification of decorative repose; equally decorative, but with the showy restlessness of a dragonfly, Comus disported his flannelled person over a considerable span of the available foreground.

The intimacy existing between the two young men had suffered no immediate dislocation from the circumstance that they were tacitly paying court to the same lady. It was an intimacy founded not in the least on friendship or community of tastes and ideas, but owed its existence to the fact that each was amused and interested by the other. Youghal found Comus, for the time being at any rate, just as amusing and interesting as a rival for Elaine's favour as he had been in the role of scapegrace boy-about-Town; Comus for his part did not wish to lose touch with Youghal, who among other attractions possessed the recommendation of being under the ban of Comus's mother. She disapproved, it is true, of a great many of her son's friends and associates, but this particular one was a special and persistent source of irritation to her from the fact that he figured prominently and more or less successfully in the public life of the day. There was something peculiarly exasperating