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parents. To some the perception comes with their children; to others with the pang of seeing them walk away light-hearted out into the world, as they themselves turned their backs on their parents: they had been all their own, and now they have done with them! Less or more, have we not all thus taken our journey into a far country? But many a man of sixty is more of a son to the father gone from the earth, than he was while under his roof. What a disintegrated mass were the world, what a lump of half-baked brick, if death were indeed the end of affection! if there were no chance more of setting right what was so wrong in the loveliest relations! How gladly would many a son who once thought it a weariness to serve his parents, minister now to their lightest need! and in the boundless eternity is there no help?

Walter was not a prodigal; he was a well-behaved youth. He was only proud, only thought much of himself; was only pharisaical, not hypocritical; was only neglectful of those nearest him, always polite to those comparatively nothing to him! Compassionate and generous to necessity, he let his father and his sister-cousin starve for the only real food a man can give, that is, himself . As to him who thought his very thoughts into him, he heeded him not at all, or mocked him by merest ceremony. There are who refuse God the draught of water He desires, on the ground that their vessel is not fit for Him to drink from: Walter thought his too good to fill with the water fit for God to drink.

He had the feeling, far from worded, not even formed, but certainly in him, that he was a superior man to his father. But it is a fundamental necessity of the kingdom of heaven, impossible as it must seem to all outside it, that each shall count other better than himself; it is the natural condition of the man God made, in relation to the other men God has made. Man is made, not to contemplate himself, but to behold in others the beauty of the Father. A man who lives to meditate upon and worship himself, is in the slime of hell. Walter knew his father a reading man, but because he had not been to a university, placed no value on his reading. Yet this father was a man who had intercourse with high countries, intercourse in which his son would not have perceived the presence of an idea.

In like manner, Richard's carriage of mind, and the expression of the same in his modes and behavior, must have been far other than objectionable to the ushers of those high countries; his was a certain quiet, simply, direct way, reminding one of Nathanael, in whom was no guile. In another man Walter would have called it bucolic; in his father he shut his eyes to it as well as he could, and was ashamed of it. He would scarcely, in his circle, be regarded as a gentleman! he would look odd! He therefore had not encouraged the idea of his coming to see him. He was not satisfied with the father by whom the Father of fathers had sent him into the world! But Richard was the truest of gentlemen even in his outward carriage, for he was not only courteous and humble, but that rare thing-natural; and the natural, be it old as the Greek, must be beautiful. The natural dwells deep, and is not the careless, any more than the studied or assumed.

Walter loved his father, but the root of his love did not go deep enough to send aloft a fine flower: deep in is high out. He seldom wrote, and wrote briefly. He did not make a confidant of his father. He did not even tell him what he was doing, or what he hoped to do. He might mention a success, but of hopes, fears, aspirations, or defeats, or thoughts or desires, he said nothing. As to his theories, he never imagined his father entering into such things as occupied his mind! The ordinary young man takes it for granted that he and the world are far ahead of "the governor;" the father may have left behind him, as nebulae sinking below the horizon of youth, questions the world is but just waking to put.

The blame, however, may lie in part at the parent's door. The hearts of the fathers need turning to the children, as much as the hearts of the children need turning to the fathers. Few men open up to their children; and where a man does not, the schism, the separation begins with him, for all his love be deep and true. That it is unmanly to show one's feelings, is a superstition prevalent with all English-speaking people. Now, wherever feeling means weakness, falsehood, or excitement, it ought not merely not be shown, but not to exist; but for a man to hide from his son his loving and his loathing, is to refuse him the divinest fashion of teaching. Richard read the best things, and loved best the best writers: never once had he read a poem with his son, or talked to him about any poet! If Walter had even suspected his father's insight into certain things, he would have loved him more. Closely bound as they were, neither knew the other. Each would have been astonished at what he might have found in the other. The father might have discovered many handles by which to lay hold of his son; the son might have seen the lamp bright in his father's chamber which he was but trimming in his.


CHAPTER XI.


THE SONG.

AT length came the summons from Lady Lufa to hear her music to his verses.

It was not much of a song, neither did he think it was.

Mist and vapor and cloud
Filled the earth and the air!
My heart was wrapt in a shroud.
And death was everywhere.

The sun went silently down
To his rest in the unseen wave;
But my heart, in its purple and crown.
Lay already in its grave.

For a cloud had darkened the brow
Of the lady who is my queen;
I had been a monarch, but now
All things had only been!

I sprung from the couch of death:
Who called my soul? Who spake?
No sound! no answer! no breath!
Yet my soul was wide awake!

And my heart began to blunder
Into rhythmic pulse the while;
I turned-away was the wonder-
My queen had begun to smile!

Outbrake the sun in the west!
Outlaughed the crested sea!
And my heart was alive in my breast
With light, and love, and thee!

There was a little music in the verses, and they had a meaning-though not a very new or valuable one.

He went in the morning-the real, not the conventional-and was shown into the drawing-room, his heart beating with expectation. Lady Lufa was alone, and already at the piano. She was in a gray stuff with red rosebuds, and looked as simple as any country parson's daughter. She gave him no greeting beyond a little nod, at once struck a chord or two, and began to sing.

Walter was charmed. The singing, and the song through the singing, altogether exceeded his expectation. He had feared he should not be able to laud heartily, for he had not lost his desire to be truthful-but she was an artist! There was indeed nothing original in her music; it was mainly a reconstruction of common phrases afloat in the musical atmosphere; but she managed the slight dramatic element in the lyric with taste and skill, following tone and sentiment with chord and inflection; so that the music was worthy of the verses-which is not saying very much for either; while the expression the girl threw into the song went to the heart of the youth, and made him foolish.

She ceased; he was silent for a moment, then fervent in thanks and admiration.

"The verses are mine no more," he said. "I shall care for them now!"

"You won't mind if I publish them with the music?"

"I shall feel more honored than I dare tell you. But how am I to go to my work after this taste of paradise! It was too cruel of you, Lady Lufa, to make me come in the morning!"

"I am very sorry!"

"Will you grant me one favor to make up?"

"Yes."

"Never to sing the song to any one when I am present. I could not bear it."

"I promise," she answered, looking up in his face with a glance of sympathetic consciousness.

There was an acknowledged secret between them, and Walter hugged it.

"I gave you a frozen bird," he said, "and you have warmed it, and made it soar and sing."

"Thank you; a very pretty compliment!" she answered-and there was a moment's silence.

"I am so glad we know each other!" she resumed. "You could help me so much if you would! Next time you come, you must tell me something about those old French rhymes that have come into fashion of late! They say a pretty thing so much more prettily for their quaint, antique, courtly liberty! The triolet now-how deliriously impertinent it is! Is it not?"

Walter knew nothing about the old French modes of versifying; and, unwilling to place himself at a disadvantage, made an evasive reply, and went. But when at length he reached home, it was with several ancient volumes, among the rest "Clement Marot," in pockets and hands. Ere an hour was over, he was in delight with the variety of dainty modes in which, by shape and sound, a very pretty French something was carved out of nothing at all. Their fantastic surprises, the ring of their bell-like returns upon themselves, their music of triangle and cymbal, gave him quite a new pleasure. In some of them poetry seemed to approach the nearest possible to bird-song-to unconscious seeming through most conscious art, imitating the carelessness and impromptu of warblings as old as the existence of birds, and as new as every fresh individual joy; for each new generation grows its own feathers, and sings its own song, yet always the feathers of its kind, and the song of its kind.

The same night he sent her the following triolet

Oh, why is the moon
Awake when thou sleepest?
To the nightingale's tune,
Why is the moon
Making a noon,
When night is the deepest
Why is the moon
Awake when thou sleepest?

In the evening came a little note, with a coronet on the paper, but neither date nor signature:

"Perfectly delicious! How can such a little gem hold so much color? Thank you a thousand times!"


CHAPTER XII.


LOVE.

By this Walter was in love with Lady Lufa. He said as much to himself, at least; and in truth he was almost possessed