Coningsby - Benjamin Disraeli (web based ebook reader TXT) 📗

several codicils which did not materially affect the previous disposition; one of them leaving a legacy of 20,000_l._ to the Princess Colonna; until they arrived at the latter part of the year 1832, when a codicil increased the 10,000_l._ left under the will to Coningsby to 50,000_l._.

After Coningsby's visit to the Castle in 1836 a very important change occurred in the disposition of Lord Monmouth's estate. The legacy of 50,000_l._ in his favour was revoked, and the same sum left to the Princess Lucretia. A similar amount was bequeathed to Mr. Rigby; and Coningsby was left sole residuary legatee.

The marriage led to a considerable modification. An estate of about nine thousand a year, which Lord Monmouth had himself purchased, and was therefore in his own disposition, was left to Coningsby. The legacy to Mr. Rigby was reduced to 20,000_l._, and the whole of his residue left to his issue by Lady Monmouth. In case he died without issue, the estate bequeathed to Coningsby to be taken into account, and the residue then to be divided equally between Lady Monmouth and his grandson. It was under this instrument that Sidonia had been appointed an executor and to whom Lord Monmouth left, among others, the celebrated picture of the Holy Family by Murillo, as his friend had often admired it. To Lord Eskdale he left all his female miniatures, and to Mr. Ormsby his rare and splendid collection of French novels, and all his wines, except his Tokay, which he left, with his library, to Sir Robert Peel; though this legacy was afterwards revoked, in consequence of Sir Robert's conduct about the Irish corporations.

The solicitor paused and begged permission to send for a glass of water. While this was arranging there was a murmur at the lower part of the room, but little disposition to conversation among those in the vicinity of the lawyer. Coningsby was silent, his brow a little knit. Mr. Rigby was pale and restless, but said nothing. Mr. Ormsby took a pinch of snuff, and offered his box to Lord Eskdale, who was next to him. They exchanged glances, and made some observation about the weather. Sidonia stood apart, with his arms folded. He had not, of course attended the funeral, nor had he as yet exchanged any recognition with Coningsby.

'Now, gentlemen,' said the solicitor, 'if you please, I will proceed.'

They came to the year 1839, the year Coningsby was at Hellingsley. This appeared to be a critical period in the fortunes of Lady Monmouth; while Coningsby's reached to the culminating point. Mr. Rigby was reduced to his original legacy under the will of 10,000_l._; a sum of equal amount was bequeathed to Armand Villebecque, in acknowledgment of faithful services; all the dispositions in favour of Lady Monmouth were revoked, and she was limited to her moderate jointure of 3,000_l._ per annum, under the marriage settlement; while everything, without reserve, was left absolutely to Coningsby.

A subsequent codicil determined that the 10,000_l._ left to Mr. Rigby should be equally divided between him and Lucian Gay; but as some compensation Lord Monmouth left to the Right Honourable Nicholas Rigby the bust of that gentleman, which he had himself presented to his Lordship, and which, at his desire, had been placed in the vestibule at Coningsby Castle, from the amiable motive that after Lord Monmouth's decease Mr. Rigby might wish, perhaps, to present it to some other friend.

Lord Eskdale and Mr. Ormsby took care not to catch the eye of Mr. Rigby. As for Coningsby, he saw nobody. He maintained, during the extraordinary situation in which he was placed, a firm demeanour; but serene and regulated as he appeared to the spectators, his nerves were really strung to a high pitch.

There was yet another codicil. It bore the date of June 1840, and was made at Brighton, immediately after the separation with Lady Monmouth. It was the sight of this instrument that sustained Rigby at this great emergency. He had a wild conviction that, after all, it must set all right. He felt assured that, as Lady Monmouth had already been disposed of, it must principally refer to the disinheritance of Coningsby, secured by Rigby's well-timed and malignant misrepresentations of what had occurred in Lancashire during the preceding summer. And then to whom could Lord Monmouth leave his money? However he might cut and carve up his fortunes, Rigby, and especially at a moment when he had so served him, must come in for a considerable slice.

His prescient mind was right. All the dispositions in favour of 'my grandson Harry Coningsby' were revoked; and he inherited from his grandfather only the interest of the sum of 10,000_l._ which had been originally bequeathed to him in his orphan boyhood. The executors had the power of investing the principal in any way they thought proper for his advancement in life, provided always it was not placed in 'the capital stock of any manufactory.'

Coningsby turned pale; he lost his abstracted look; he caught the eye of Rigby; he read the latent malice of that nevertheless anxious countenance. What passed through the mind and being of Coningsby was thought and sensation enough for a year; but it was as the flash that reveals a whole country, yet ceases to be ere one can say it lightens. There was a revelation to him of an inward power that should baffle these conventional calamities, a natural and sacred confidence in his youth and health, and knowledge and convictions. Even the recollection of Edith was not unaccompanied with some sustaining associations. At least the mightiest foe to their union was departed.

All this was the impression of an instant, simultaneous with the reading of the words of form with which the last testamentary disposition of the Marquess of Monmouth left the sum of 30,000_l._ to Armand Villebecque; and all the rest, residue, and remainder of his unentailed property, wheresoever and whatsoever it might be, amounting in value to nearly a million sterling, was given, devised, and bequeathed to Flora, commonly called Flora Villebecque, the step-child of the said Armand Villebecque, 'but who is my natural daughter by Marie Estelle Matteau, an actress at the Theatre Francais in the years 1811-15, by the name of Stella.'


CHAPTER III.

'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.

'This time next year you will not think so,' said Sidonia.

Coningsby shrugged his shoulders.

'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.

They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.

'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'

In this way some twenty minutes passed; their meal was over, and they were alone together.

'I have been thinking all this time of your position,' said Sidonia.

'A sorry one, I fear,' said Coningsby.

'I really cannot see that,' said his friend. 'You have experienced this morning a disappointment, but not a calamity. If you had lost your eye it would have been a calamity: no combination of circumstances could have given you another. There are really no miseries except natural miseries; conventional misfortunes are mere illusions. What seems conventionally, in a limited view, a great misfortune, if subsequently viewed in its results, is often the happiest incident in one's life.'

'I hope the day may come when I may feel this.'

'Now is the moment when philosophy is of use; that is to say, now is the moment when you should clearly comprehend the circumstances which surround you. Holiday philosophy is mere idleness. You think, for example, that you have just experienced a great calamity, because you have lost the fortune on which you counted?'

'I must say I do.'

'I ask you again, which would you have rather lost, your grandfather's inheritance or your right leg?'

'Most certainly my inheritance,'

'Or your left arm?'

'Still the inheritance.'

'Would you have received the inheritance on condition that your front teeth should be knocked out?'

'No.'

'Would you have given up a year of your life for that fortune trebled?'

'Even at twenty-three I would have refused the terms.'

'Come, come, Coningsby, the calamity cannot be very great.'

'Why, you have put it in an ingenious point of view; and yet it is not so easy to convince a man, that he should be content who has lost everything.'

'You have a great many things at this moment that you separately prefer to the fortune that you have forfeited. How then can you be said to have lost everything?'

'What have I?' said Coningsby, despondingly.

'You have health, youth, good looks, great abilities, considerable knowledge, a fine courage, a lofty spirit, and no contemptible experience. With each of these qualities one might make a fortune; the combination ought to command the highest.'

'You console me,' said Coningsby, with a faint blush and a fainter smile.

'I teach you the truth. That is always solacing. I think you are a most fortunate young man; I should not have thought you more fortunate if you had been your grandfather's heir; perhaps less so. But I wish you to comprehend your position: if you understand it you will cease to lament.'

'But what should I do?'

'Bring your intelligence to bear on the right object. I make you no offers of fortune, because I know you would not accept them, and indeed I have no wish to see you a lounger in life. If you had inherited a great patrimony, it is possible your natural character and previous culture might have saved you from its paralysing influence; but it is a question, even with you. Now you are free; that is to say, you are free, if you are not in debt. A man who has not seen the world, whose fancy is harassed with glittering images of pleasures he has never experienced, cannot live on 300_l._ per annum; but you can. You have nothing to haunt your thoughts, or disturb the abstraction of your studies. You have seen the most beautiful women; you have banqueted in palaces; you know what heroes, and wits, and statesmen are made of: and you can draw on your memory instead of your imagination for all those dazzling and interesting objects that make the inexperienced restless, and are the cause of what are called scrapes. But you can do nothing if you be in debt. You must be free. Before, therefore, we proceed, I must beg you to be frank on this head. If you have any absolute or contingent incumbrances, tell me of them without reserve, and permit me to clear them at once to any amount. You will sensibly oblige me in so doing: because I am interested in watching your career, and