Look at that - - (dar e dil novel online reading .txt) 📗
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- That’s all fine and dandy, but the reader will wonder, what does that have to do with all the rest?
- The reader needs to do us the favour not to rush ahead.
Simos Panopoulos - Look at that
140
Chapter 20
The foreigner had just turned the shower faucet off and the spigot in Babis’s brain, from where ideas poured out one after the other, had opened up. And although interpreting his desires as reality had recent-ly become his bread and butter, it cannot have been all in his mind. Now, as to whether they were also bright, he did not have the slightest idea. In any case, she had barely turned her back to him, and he wanted his notepad urgently by his side. With as many as he hadn’t filled it up with up until now, he would liter-ally blacken it with them in a matter of minutes. In its absence, as he was in his swimming shorts, he set out while still in her presence to memorize keywords, parroting them, just in case any of the ideas slipped out of his mind. Now, to what extent they would, if any, be organically included in the novel was a matter of chemistry and as such a different story, (that’s why, despite the “eurekas”, he avoided for the time being the “whoopees”, the “bingos” and the “yesses”) just like something much more burning, namely whether the ideas automatically meant or were the signal or the sign that after a misfire that seemed to have lasted
+ even though, according to one of them, there was a good chance it was.
The problem with wordplay is that if you do it in one phrase you have to do it in the next too, otherwise it’ll just look like a poor relation.
Simos Panopoulos - Look at that
141
a bit too long, his mind got started again. And that because, if all three were to apply objectively but not subjectively, it would never get started no matter how much he tried.
In any event, for days now, he’d been fooling around with writing like a sexless man does with the sexual ob-ject, who worries less about its lack then the lack itself.
To cause it (regardless of the fact that by causing it, he further dulled it) and through it his longing for writing and therefore – as the two went hand in hand – the inspiration of what about, he used the same means as the sexless man, without of course avoiding his mistakes. Thus, in order to awaken
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