Leonora - Arnold Bennett (most life changing books .TXT) 📗

bound.

'Mr. Burgess,' the parlourmaid announced. The three women sank back, disappointed and yet relieved.

Harry Burgess, though barely of age, was one of the acknowledged dandies of Hillport. Slim and fair, with a frank, rather simple countenance, he supported his stylistic apparel with a natural grace that attracted sympathy. Just at present he was achieving a spirited effect by always wearing an austere black necktie fastened with a small gold safety-pin; he wore this necktie for weeks to a bewildering variety of suits, and then plunged into a wild polychromatic debauch of neckties. Upon all the niceties of masculine dress, the details of costume proper to a particular form of industry or recreation or ceremonial, he was a genuine authority. His cricketing flannels--he was a fine cricketer and lawn-tennis player of the sinuous oriental sort--were the despair of other dandies and the scorn of the sloven; he caused the material, before it was made up, to be boiled for many hours by the Burgess charwoman under his own superintendence. He had extraordinary aptitudes for drawing corks, lacing boots, putting ferrules on walking-sticks, opening latched windows from the outside, and rolling cigarettes; he could make a cigarette with one hand, and not another man in the Five Towns, it was said, could do that. His slender convex silver cigarette-case invariably contained the only cigarettes worthy of the palate of a connoisseur, as his pipes were invariably the only pipes fit for the combustion of truly high-class tobacco. Old women, especially charwomen, adored him, and even municipal seigniors admitted that Harry was a smart-looking youth. Fatherless, he was the heir to a tolerable fortune, the bulk of which, during his mother's life, he could not touch save with her consent; but his mother and his sister seemed to exist chiefly for his convenience. His fair hair and his facile smile vanquished them, and vanquished most other people also; and already, when he happened to be crossed, there would appear on his winning face the pouting, hard, resentful lines of the man who has learnt to accept compliance as a right. He had small intellectual power, and no ambition at all. A considerable part of his prospective fortune was invested in the admirable shares of the Birmingham, Sheffield and District Bank, and it pleased him to sit on a stool in the Bursley branch of this bank, since he wanted, _pro tempore_, a dignified avocation without either the anxieties of trade or the competitive tests of a profession. He was a beautiful bank clerk; but he had once thrown a bundle of cheques into the office fire while aiming at a basket on the mantelpiece; the whole banking world would have been agitated and disorganised had not another clerk snatched the bundle from peril at the expense of his own fingers: the incident, still legendary behind the counter of the establishment at the top of St. Luke's Square, kept Harry awake to the seriousness of life for several weeks.

'Well, Harry,' said Leonora with languid good nature. He paid his homage in form to the mistress of the house; raised his eyebrows at Milly, who returned the gesture; smiled upon Ethel, who feebly waved a hand as if too exhausted to do more; and then sat down on the piano-stool, carefully easing the strain on his trousers at the knees and exposing an inch of fine wool socks above his American boots. He was a familiar of the house, and had had the unconditional _entree_ since he and the Stanway girls first went to the High Schools at Oldcastle.

'I hope I haven't disturbed your beauty sleep--any of you,' was his opening remark.

'Yes, you have,' said Ethel.

He continued: 'I just came in to seek a little temporary relief from the excellent Quain. Quain at breakfast, Quain at chapel, Quain at dinner.... I got him to slumber on one side of the hearth and mother on the other, and then I slipped away in case they awoke. If they do, I've told Cissie to say that I've gone out to take a tract to a sick friend--back in five minutes.'

'Oh, Harry, you are silly!' Millicent laughed. Every one, including the narrator, was amused by this elaborate fiction of the managing of those two impressive persons, Mrs. Burgess and the venerable Christian geologist, by a kind, indulgent, bored Harry. Leonora, who had resumed her magazine, looked up and smiled the guarded smile of the mother.

'I'm afraid you're getting worse,' she murmured, and his candid seductive face told her that while he was on no account not to be regarded as a gay dog, and a sad dog, and a worldly dog, yet nevertheless he and she thoroughly appreciated and understood each other. She did indeed like him, and she found pleasure in his presence; he gratified the eye.

'I wish you'd sing something, Milly,' he began again after a pause.

'No,' said Milly, 'I'm not going to sing now.'

'But do. Can't she, Mrs. Stanway?'

'Well, what do you want me to sing?'

'Sing "Love is a plaintive song," out of the second act.'

Harry was the newly appointed secretary of the Bursley Amateur Operatic Society, of which both Ethel and Millicent were members. In a few weeks' time the Society was to render _Patience_ in the Town Hall for the benefit of local charities, and rehearsals were occurring frequently.

'Oh! I'm not Patience,' Milly objected stiffly; she was only Ella. 'Besides, I mayn't, may I, mamma?'

'Your father might not like it,' said Leonora.

'The dad has taken Bran out for a walk, so it won't trouble him,' Ethel interjected sleepily under her breath.

'Well, but look here, Mrs. Stanway,' said Harry conclusively, 'the organist at the Wesleyan chapel actually plays the sextet from _Patience_ for a voluntary. What about that? If there's no harm in that----' Leonora surrendered. 'Come on, Mill,' he commanded. 'I shall have to return to my muttons directly,' and he opened the piano.

'But I tell you I'm not Patience.'

'Come _on_! You know the music all right. Then we'll try Ella's bit in the first act. I'll play.'

Millicent arose, shook her hair, and walked to the piano with the mien of a prima donna who has the capitals of Europe at her feet, exultant in her youth, her charm, her voice, revelling unconsciously in the vivacity of her blood, and consciously in her power over Harry, which Harry strove in vain to conceal under an assumed equanimity.

And as Millicent sang the ballad Leonora was beguiled, by her singing, into a mood of vague but overpowering melancholy. It seemed tragic that that fresh and pure voice, that innocent vanity, and that untested self-confidence should change and fade as maturity succeeded adolescence and decay succeeded maturity; it seemed intolerable that the ineffable charm of the girl's youth must be slowly filched away by the thefts of time. 'I was like that once! And Jack too!' she thought, as she gazed absently at the pair in front of the piano. And it appeared incredible to her that she was the mother of that tall womanly creature, that the little morsel of a child which she had borne one night had become a daughter of Eve, with a magic to mesmerise errant glances and desires. She had a glimpse of the significance of Nature's eternal iterance. Then her mood developed a bitterness against Millicent. She thought cruelly that Millicent's magic was no part of the girl's soul, no talent acquired by loving exertion, but something extrinsic, unavoidable, and unmeritorious. Why was it so? Why should fate treat Milly like a godchild? Why should she have prettiness, and adorableness, and the lyric gift, and such abounding confident youth? Why should circumstances fall out so that she could meet her unacknowledged lover openly at all seasons? Leonora's eyes wandered to the figure of Ethel reclining with shut eyes in the arm-chair. Ethel in her graver and more diffident beauty had already begun to taste the sadness of the world. Ethel might not stand victoriously by her lover in the midst of the drawing-room, nor joyously flip his ear when he struck a wrong note on the piano. Ethel, far more passionate than the active Milly, could only dream of her lover, and see him by stealth. Leonora grieved for Ethel, and envied her too, for her dreams, and for her solitude assuaged by clandestine trysts. Those trysts lay heavy on Leonora's mind; although she had discovered them, she had done nothing to prevent them; from day to day she had put off the definite parental act of censure and interdiction. She was appalled by the serene duplicity of her girls. Yet what could she say? Words were so trivial, so conventional. And though she objected to the match, wishing with ardour that Ethel might marry far more brilliantly, she believed as fully in the honest warm kindliness of Fred Ryley as in that of Ethel. 'And what else matters after all?' she tried to think.... Her reverie shifted to Rose, unfortunate Rose, victim of peculiar ambitions, of a weak digestion, and of a harsh temperament that repelled the sympathy it craved but was too proud to invite. She felt that she ought to go upstairs and talk to the prostrate Rose in the curt matter-of-fact tone that Rose ostensibly preferred, but she did not wish to talk to Rose. 'Ah well!' she reflected finally with an inward sigh, as though to whisper the last word and free herself of this preoccupation, 'they will all be as old as me one day.'

'Mr. Twemlow,' said the parlourmaid.

Milly deliberately lengthened a high full note and then stopped and turned towards the door.

'Bravo!' Arthur Twemlow answered at once the challenge of her whole figure; but he seemed to ignore the fact that he had caused an interruption, and there was something in his voice that piqued the cantatrice, something that sent her back to the days of short frocks. She glanced nervously aside at Harry, who had struck a few notes and then dropped his hands from the keyboard. Twemlow's demeanour towards the blushing Ethel when Leonora brought her forward was much more decorous and simple. As for Harry, to whom his arrival was a surprise, at first rather annoying, Twemlow treated the young buck as one man of the world should treat another, and Harry's private verdict upon him was extremely favourable. Nevertheless Leonora noticed that the three young ones seemed now to shrink into themselves, to become passive instead of active, and by a common instinct to assume the character of mere spectators.

'May I choose this place?' said Twemlow, and sat down by Leonora in the other corner of the Chesterfield and looked round. She could see that he was admiring the spacious room and herself in her beautiful afternoon dress, and the pensive and the sprightly comeliness of her daughters. His wandering eyes returned to hers, and their appreciation pleased her and increased her charm.

'I am expecting my husband every minute,' she said.

'Papa's gone out for a walk with Bran,' Milly added.

'Oh! Bran!' He repeated the word in a voice that humorously appealed for further elucidation, and both Ethel and Harry laughed.

'The St. Bernard, you know,' Milly explained, annoyed.

'I wouldn't be surprised if that was a St. Bernard out there,' he said pointing to the French window. 'What a fine fellow! And what a fine garden!'

Bran was to be seen nosing low down at the window; and alternately lifting two huge white paws in his futile anxiety to enter the room.

'Then I dare say John is in the garden,' Leonora exclaimed, with sudden animation, glad to be able to dismiss the faint uneasy suspicion