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waiting, with Bonetti also dressed and waiting on the other side of the room, Scylla and Charybdis all over again, but by no possibility could I force Miss Andrews to appear. Why it was, I do not pretend to be able to say--she may have known that Bonetti was there, she may have realized that I was trying to force Osborne upon her; but whatever it was that enabled her to do so, she resisted me successfully--or my pen did; for that situation upon which I had based the opening scene of my story of compulsion I found beyond my ability to depict; and as Harley had done before me, so was I now forced to do--to change my plan.

"I'll have her run away with!" I cried, growing vicious in my wrath; "and both Bonetti and Osborne shall place her under eternal obligations by rushing out to stop the horse, one from either side of the street. She'll have to meet Bonetti then," I added, with a chuckle.

And I tried that plan. As docile as a lamb she entered the phaeton, which I conjured up out of my ink-pot, and like a veteran Jehu did she seize the reins. I could not help admiring her as I wrote of it- -she was so like a goddess; but I did not relent. Run away with she must be, and run away with she was. But again did this extraordinary woman assert herself to my discomfiture; for the moment she saw Bonetti rushing out to rescue her from the east, she jerked the left rein so violently that the horse swerved to one side, toppled over on Osborne, who had sprung gallantly to the rescue from the west; and Bonetti, missing his aim as the horse turned, fell all in a heap in the roadway two yards back of the phaeton. Miss Andrews was not hurt, but my story was, for she had not even observed the unhappy Osborne; and as for Bonetti, he cut so ridiculous a figure that, Italian though he was, even he seemed aware of it, and he shrank dejectedly out of sight. Again had this supernaturally elusive heroine upset the plans of one who had essayed to embalm her virtues in a literary mould. I could not bring her into contact with either of my heroes.

I threw my pen down in disgust, slammed to the cover of my ink-well, and for two hours paced madly through the maze-like walks of the Central Park, angry and depressed; and from that moment until I undertook the narration of this pathetic story I gave Harley's heroine up as unavailable material for my purposes. She was worse, if anything, in imaginative work than in realism, because she absolutely defied the imagination, while the realist she would be glad to help so long as his realism was kept in strict accord with her ideas of what the real really was.

It was some days before I saw Harley again, and I thought he looked tired and anxious--so anxious, indeed, that I was afraid he might possibly be in financial straits, for I knew that for three weeks he had not turned out any of his usual pot-boilers, having been too busy trying to write the story for Messrs. Herring, Beemer, & Chadwick. It happened, oddly enough, that I had two or three uncashed checks in my pocket; so, feeling like a millionaire, I broached the subject to him.

"What's the matter, old fellow?" I said. "You seem in a blue funk. Has the mint stopped? If it has, command me. I'm overburdened with checks this week."

"Not at all; thanks just the same," he said, wearily. "My Tiffin royalties came in Wednesday, and I'm all right for a while, anyhow."

"What's up, then, Stuart?" I asked. "You look worried. I've just offered to share my prosperity with you, you might share your grief with me. Lend me a peck of trouble overnight, will you?"

"Oh, it's nothing much," he said. "It's that rebellious heroine of mine. She's weighing on my mind, that's all. She's very real to me, that woman; and, by Jove! I've been as jealous as a lover for two days over a fancy that came into my head. You'll laugh when I tell you, but I've been half afraid somebody else would take her up and-- well, treat her badly. There is something that tells me that she has been forced into some brutal situation by somebody, somewhere, within the past two or three days. I believe I'd want to kill a man who did that."

I didn't laugh at him. I was the man who was in a fair way to get killed for "doing that," and I thought laughter would be a little bit misplaced; but I am not a coward, and I didn't flinch. I confessed. I tried to ease his mind by telling him what I had attempted to do.

"It was a mistake," he said, shortly, when I had finished. "And you must promise me one thing," he added, very seriously.

"I'll promise anything," I said, meekly.

"Don't ever try anything of the sort again," he went on, gravely. "If you had succeeded in writing that story, and subjected her to all that horror, I should never have spoken to you again. As it is, I realize that what you did was out of the kindness of your heart, prompted by a desire to be of service to me, and I'm just as much obliged as I can be, only I don't want any assistance."

"Until you ask me to, Stuart," I replied, "I'll never write another line about her; but you'd better keep very mum about her yourself, or get her copyrighted. The way she upset that horse on Osborne, completely obliterating him, and at the same time getting out of the way of that little simian Count, in spite of all I could do to place her under obligations to both of them, was what the ancients would have called a caution. She has made a slave of me forever, and I venture to predict that if you don't hurry up and get her into a book, somebody else will; and whoever does will make a name for himself alongside of which that of Smith will sink into oblivion."

"Count on me for that," said he. "'Faint heart never won fair lady,' and I don't intend to stop climbing just because I fear a few more falls."



CHAPTER VI: ANOTHER CHAPTER FROM HARLEY




"Was ever woman in this humour woo'd? Was ever woman in this humour won? I'll have her,--but I will not keep her long." - "Richard III."


There was no doubt about it that Harley, true to his purpose, was making a good fight to conquer without compulsion, and appreciated as much as I the necessity of reducing his heroine to concrete form as speedily as possible, lest some other should prove more successful, and so deprive him of the laurels for which he had worked so hard and suffered so much. In his favor was his disposition. He was a man of great determination, and once he set about doing something he was not an easy man to turn aside, and now that, for the first time in his life, he found himself baffled at every point, and by a heroine of no very great literary importance, he became more determined than ever.

"I'll conquer yet," he said to me, a week or so later; but the weariness with which he spoke made me fear that victory was afar off.

"I've no doubt of it--ultimately," I answered, to encourage him; "but don't you think you'll stand a better chance if you let her rest for a while, and then steal in upon her unawares, and catch her little romance as it flies? She is apparently nerved up against you now, and the more conscious she is of your efforts to put her on paper, the more she will rebel. In fact, her rebelliousness will become more and more a matter of whim than of principle, unless you let up on her for a little while. Half of her opposition now strikes me as obstinacy, and the more you try to break her spirit, even though you do it gently, the more stubborn will she become. Put this book aside for a few weeks anyhow. Why not tackle something else? You'd do better work, too, after a little variety."

"This must be finished by September 1st, that's why not," said Stuart. "I've promised Herring, Beemer, & Chadwick to send them the completed manuscript by that time. Besides, no heroine of mine shall ever say that she swerved me from doing what I have set about doing. It is now or never with Marguerite Andrews."

So I left him at his desk, and for a week was busy with my own affairs. Late the following Friday night I dropped in at Harley's rooms to see how matters were progressing. As I entered I saw him at his desk, his back turned towards me, silhouetted in the lamp-light, scratching away furiously with his pen.

"Ah!" I thought, as my eye took in the picture, "it goes at last. I guess I won't disturb his train of thought."

And I tried to steal softly out, for he had not observed my entrance. As luck would have it, I stepped upon the sill of the door as I passed out, and it creaked.

"Hello!" cried Harley, wheeling about in his chair, startled by the sound.

"Oh! It's you, is it?" he added, as he recognized me. "What are you up to? Come back here. I want to see you."

His manner was cheerful, but I could see that the cheerfulness was assumed. The color had completely left his cheeks, and great rings under his eyes betokened weariness of spirit.

"I didn't want to disturb you," said I, returning. "You seem to have your pen on a clear track, with full steam up."

"I had," he said, quietly. "I was just finishing up that Herring, Beemer, & Chadwick business."

"Aha!" I cried, grasping his hand and shaking it. "I congratulate you. Success at last, eh?"

"Well, I've got something done--and that's it," he said, and he tossed the letter block upon which he had been writing across the table to me. "Read that, and tell me what you think of it."

I read it over carefully. It was a letter to Messrs. Herring, Beemer, & Chadwick, in which Stuart asked to be relieved of the commission he had undertaken:

"I find myself utterly unable to complete the work in the stipulated time," he wrote, "for reasons entirely beyond my control. Nor can I at this writing say with any degree of certainty when I shall be able to finish the story. I have made constant and conscientious effort to carry out my agreement with you, but fruitlessly, and I beg that you will relieve me of the obligation into which I entered at the signing of our contract. Of course I could send you something long enough to cover the required space--words come easy enough for that-- but the result would be unsatisfactory to you and injurious to me were I to do so. Please let me hear from you, releasing me from the obligation,

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