The Immortal - Alphonse Daudet (best motivational books .TXT) 📗

imitates it wonderfully.
In the midst of the laughter and the exclamations, 'Charming! Ah, what a man Lavaux is!' etc., I asked Madame Ancelin, who was sitting near me, who Lavaux was, and what he did. The good lady was amazed. 'Lavaux? You don't know him? He is the Duchess's zebra.' Thereupon she departed in pursuit of Danjou, and left me much the wiser! Really Parisian society is a most extraordinary thing; its vocabulary alters every season. Zebra--a zebra--what can it possibly mean? But I began to see that I was staying much too long, and that my old master was not going to appear; it was time I went. I made my way through the chairs to say good-bye to my hostess, and as I passed saw Mademoiselle Moser whimpering before Bretigny's white waistcoat. Poor Moser became a candidate ten years ago, and now has lost all hopes. So he goes nowhere himself, but sends his daughter, a lady of a certain age, not at all pretty, who plays the part of Antigone, climbs up to the top floors, makes herself general messenger and drudge to the Academicians and their wives, corrects proofs, nurses the rheumatic, and spends her forlorn maidenhood in running after the Academic chair which her father will never get. Dressed quietly in black, with an unbecoming bonnet, she stood in the doorway; and near her was Dalzon, very much excited, between two members of the Academie who looked judicial. He was protesting violently and with a choking voice. 'It's not true, it's a shame, I never wrote it!' Here was a mystery; and Madame Astier, who might have enlightened me, was herself engaged in close confabulation with Lavaux and the Prince d'Athis. You must have seen the Prince d'Athis driving about Mousseaux with the Duchess. 'Sammy,' as he is called, is a long, thin, bald man, with stooping shoulders, a crinkled face as white as wax, and a black beard reaching half down his chest, as if his hair, falling from his head, had lodged upon his chin. He never speaks, and when he looks at you seems shocked at your daring to breathe the same air as he. He is high in the service, has a close, mysterious, English air which reminds you that he is Lord Palmerston's great-nephew, and is in high repute at the Institute and on the Quai d'Orsay. He is said to be the only French diplomatist whom Bismarck never dared to look in the face. It is supposed that he will very shortly have one of the great Embassies. Then what will become of the Duchess? To leave Paris and follow him would be a serious thing for a leader of society. And then abroad the world might refuse to accept their equivocal relations, which here are looked upon almost as marriage, in consideration of the propriety of their conduct and their respect for appearances, and considering also the sad state of the Duke, half paralysed and twenty-years older than his wife, who is also his niece.
The Prince, was no doubt discussing these grave matters with Lavaux and Madame Astier when I drew near. A man just arrived in any society, no matter where, soon finds how much he is 'out of it,' He understands neither the phrases current nor the thoughts, and is a nuisance. I was just leaving when that kind Madame Astier called me back, saying, 'Will you not go up and see him? He will be so glad.' So I went up a narrow staircase in the wall to see my old master. I heard his loud voice from the end of the passage, 'Is that you, Fage?'
'No, sir,' said I.
'Why, it's Freydet! Take care; keep your head down.'
It was in fact impossible to stand upright under the sloping roof. What a different place from the Foreign Office, where I last saw him, in a lofty gallery lined with portfolios.
'A kennel, is it not?' said the worthy man with a smile; 'but if you knew what treasures I have here,'--and he waved his hand towards a large set of pigeonholes containing at least 10,000 important MS. documents, collected by him during the last few years. 'There is history in those drawers,' he went on, growing more animated and playing with his magnifying glass; 'history new and authentic, let them say what they will.' But in spite of his words he seemed to me gloomy and uncomfortable. He has been treated very badly. First came that cruel dismissal; and now, as he has continued to publish historical works based on new documents, people say that he has plundered from the Bourbon papers. This calumny was started in the Institute, and is traced to Baron Huchenard, who calls his collection of MSS. 'the first in France,' and hates to be outdone by that of Astier. He tries to revenge himself by treacherous criticisms, launched, like an assegai, from the bush. 'Even my letters of Charles V.,' said Astier, 'even those they want now to prove false. And on what ground if you please? For a mere trifling error, "Maitre Rabelais" instead of "Frere Rabelais." As if an emperor's pen never made a slip! It's dishonest, that's what it is!' And, seeing that I shared his indignation, my good old master grasped me by both hands and said, 'But there! enough of these slanders. Madame Astier told you, I suppose, about your book? There is still a little too much for my taste; but I am pleased with it on the whole.' What there is 'too much' of in my poetry is what he calls 'the weed' of the fancy. At school he was always at it, plucking it out, and rooting it up. Now, dear Germaine, attend. I give you the last part of our conversation, word for word.
_I._ Do you think, sir, that I have any chance of the Boisseau prize?
_M. A._ After such a book as that, my dear boy, it is not a prize you deserve, but a seat. Loisillon is hard hit; Ripault cannot last much longer. Don't move; leave it to me; henceforward I look upon you as a candidate.
I don't know what I said in reply. I was so confused that I feel still as if I were dreaming. Me, me, in the Academie Francaise! Take good care of yourself, dearest, and get your naughty legs well again; for you must come to Paris on the great occasion, and see your brother, with his sword at his side and his green coat embroidered with palms, take his place among all the greatest men of France! Why, it makes me dizzy now! So I send you a kiss, and am off to bed.
Your affectionate brother,
ABEL DE FREYDET.
You may imagine that among all these doings I have quite forgotten the seeds, matting, shrubs, and all the rest of my purchases. But I will see about them soon, as I shall stay here some time. Astier-Rehu advised me to say nothing, but to go about in Academic society. To show myself and be seen is the great point.


CHAPTER IV.
'Don't trust them, my dear Freydet. I know that trick; it's the recruiting trick. The fact is, these people feel that their day is past, and that under their cupola they are beginning to get mouldy. The Academie is a taste that is going out, an ambition no longer in fashion. Its success is only apparent. And indeed for the last few years the distinguished company has given up waiting at home for custom, and comes down into the street to tout. Everywhere, in society, in the studios, at the publishers', in the greenroom, in every literary or artistic centre, you will find the Recruiting-Academician, smiling on young budding talent. "The Academie has its eye on you, my young friend." If a man has got some reputation, and has just written his third or fourth book, like you, then the invitation takes a more direct form. "Don't forget us, my dear fellow; now's your time." Or perhaps, brusquely, with a friendly scolding, "Well, so you don't mean to be one of us." When it's a man in society who is to be caught a translator of Ariosto or a writer of amateur plays, there is a gentler and more insinuating way of playing off the trick. And if our fashionable writer protests that he is not a gun of sufficient calibre, the Recruiting-Academidan brings out the regular phrase, that "the Academie is a club." Lord bless us, how useful that phrase has been! "The Academie is a club, and its admission is not only for the work, but the worker." Meantime the Recruiting-Academician is welcomed everywhere, made much of, asked to dinner and other entertainments. He becomes a parasite, fawned upon by those whose hopes he arouses--and is careful to maintain.'
But at this point kind-hearted Freydet protested indignantly. Never would his old master lend himself to such base uses. Vedrine shrugged his shoulders: 'Why, the worst of the lot is the recruiter who is sincere and disinterested. He believes in the Academie; his whole life is centred in the Academie; and when he says to you, "If you only knew the joy of it," with a smack of the tongue like a man eating a ripe peach, he is saying what he really means, and so his bait is the more alluring and dangerous. But when once the hook has been swallowed and struck, then the Academician takes no more notice of the victim, but leaves him to struggle and dangle at the end of the line. You are an angler; well, when you have taken a fine perch or a big pike, and you drag it along behind your boat, what do you call that?'
'Drowning your fish.'
'Just so. Well, look at Moser! Does he not look like a drowned fish? He has been carried along in tow for these ten years. And there's De Salele, and Guerineau, and I don't know how many others, who have even given up struggling.'
'But still people do get into the Academie sooner or later.'
'Not those once taken in tow. And suppose a man does succeed, where's the good? What does it bring you? Money? Not as much as your hay-crop. Fame? Yes, a hole-and-corner fame within a space no bigger than your hat. It would be something if it gave talent, but those who have talent lose it when once they get inside and are chilled by the air of the place. The Academie is a club, you know; so there is a tone that must be adopted, and things which must be left unsaid, or watered down. There's an end to originality, an end to bold neck-or-nothing strokes. The liveliest spirits never move for fear of tearing their green coats. It is like putting children into their Sunday clothes and saying "Amuse yourselves, my dears, but don't get dirty." And they do amuse themselves, I can tell you. Of course, they have the adulation of the Academical taverns, and their fair hostesses. But what a bore it is! I speak from experience, for I have let myself be dragged there occasionally. I can say with old Rehu, "That's a thing I have seen." Silly pretentious women have favoured me with ill-digested scraps from magazine articles, coming out of their little beaks like the written remarks of characters in a comic paper. I have heard fat, good natured Madame Ancelin, a woman as stupid as anything, cackle with admiration at the epigrams of Danjou, regular stage manufacture, about as natural as the curling of his wig.'