The Woman in White - Wilkie Collins (best non fiction books of all time TXT) 📗

at the solitary station, and set forth alone on foot by the well-remembered road. The waning sun was shining faintly through thin white clouds—the air was warm and still—the peacefulness of the lonely country was overshadowed and saddened by the influence of the falling year.

I reached the moor—I stood again on the brow of the hill—I looked on along the path—and there were the familiar garden trees in the distance, the clear sweeping semicircle of the drive, the high white walls of Limmeridge House. The chances and changes, the wanderings and dangers of months and months past, all shrank and shrivelled to nothing in my mind. It was like yesterday since my feet had last trodden the fragrant heathy ground. I thought I should see her coming to meet me, with her little straw hat shading her face, her simple dress fluttering in the air, and her well-filled sketch-book ready in her hand.

Oh death, thou hast thy sting! oh, grave, thou hast thy victory!

I turned aside, and there below me in the glen was the lonesome grey church, the porch where I had waited for the coming of the woman in white, the hills encircling the quiet burial-ground, the brook bubbling cold over its stony bed. There was the marble cross, fair and white, at the head of the tomb—the tomb that now rose over mother and daughter alike.

I approached the grave. I crossed once more the low stone stile, and bared my head as I touched the sacred ground. Sacred to gentleness and goodness, sacred to reverence and grief.

I stopped before the pedestal from which the cross rose. On one side of it, on the side nearest to me, the newly-cut inscription met my eyes—the hard, clear, cruel black letters which told the story of her life and death. I tried to read them. I did read as far as the name. “Sacred to the Memory of Laura----” The kind blue eyes dim with tears—the fair head drooping wearily—the innocent parting words which implored me to leave her—oh, for a happier last memory of her than this; the memory I took away with me, the memory I bring back with me to her grave!

A second time I tried to read the inscription. I saw at the end the date of her death, and above it----

Above it there were lines on the marble—there was a name among them which disturbed my thoughts of her. I went round to the other side of the grave, where there was nothing to read, nothing of earthly vileness to force its way between her spirit and mine.

I knelt down by the tomb. I laid my hands, I laid my head on the broad white stone, and closed my weary eyes on the earth around, on the light above. I let her come back to me. Oh, my love! my love! my heart may speak to you NOW! I It is yesterday again since we parted—yesterday, since your dear hand lay in mine—yesterday, since my eyes looked their last on you. My love! my love!

* * * * * * * * *

Time had flowed on, and silence had fallen like thick night over its course.

The first sound that came after the heavenly peace rustled faintly like a passing breath of air over the grass of the burial-ground. I heard it nearing me slowly, until it came changed to my ear— came like footsteps moving onward—then stopped.

I looked up.

The sunset was near at hand. The clouds had parted—the slanting light fell mellow over the hills. The last of the day was cold and clear and still in the quiet valley of the dead.

Beyond me, in the burial-ground, standing together in the cold clearness of the lower light, I saw two women. They were looking towards the tomb, looking towards me.

Two.

They came a little on, and stopped again. Their veils were down, and hid their faces from me. When they stopped, one of them raised her veil. In the still evening light I saw the face of Marian Halcombe.

Changed, changed as if years had passed over it! The eyes large and wild, and looking at me with a strange terror in them. The face worn and wasted piteously. Pain and fear and grief written on her as with a brand.

I took one step towards her from the grave. She never moved—she never spoke. The veiled woman with her cried out faintly. I stopped. The springs of my life fell low, and the shuddering of an unutterable dread crept over me from head to foot.

The woman with the veiled face moved away from her companion, and came towards me slowly. Left by herself, standing by herself, Marian Halcombe spoke. It was the voice that I remembered—the voice not changed, like the frightened eyes and the wasted face.

“My dream! my dream!” I heard her say those words softly in the awful silence. She sank on her knees, and raised her clasped hands to heaven. “Father! strengthen him. Father! help him in his hour of need.”

The woman came on, slowly and silently came on. I looked at her— at her, and at none other, from that moment.

The voice that was praying for me faltered and sank low—then rose on a sudden, and called affrightedly, called despairingly to me to come away.

But the veiled woman had possession of me, body and soul. She stopped on one side of the grave. We stood face to face with the tombstone between us. She was close to the inscription on the side of the pedestal. Her gown touched the black letters.

The voice came nearer, and rose and rose more passionately still. “Hide your face! don’t look at her! Oh, for God’s sake, spare him----”

The woman lifted her veil.

“Sacred to the Memory of Laura, Lady Glyde----”

Laura, Lady Glyde, was standing by the inscription, and was looking at me over the grave.

[The Second Epoch of the Story closes here.]

THE THIRD EPOCH

THE STORY CONTINUED BY WALTER HARTRIGHT.

I

I open a new page. I advance my narrative by one week.

The history of the interval which I thus pass over must remain unrecorded. My heart turns faint, my mind sinks in darkness and confusion when I think of it. This must not be, if I who write am to guide, as I ought, you who read. This must not be, if the clue that leads through the windings of the story is to remain from end to end untangled in my hands.

A life suddenly changed—its whole purpose created afresh, its hopes and fears, its struggles, its interests, and its sacrifices all turned at once and for ever into a new direction—this is the prospect which now opens before me, like the burst of view from a mountain’s top. I left my narrative in the quiet shadow of Limmeridge church—I resume it, one week later, in the stir and turmoil of a London street.

The street is in a populous and a poor neighbourhood. The ground floor of one of the houses in it is occupied by a small newsvendor’s shop, and the first floor and the second are let as furnished lodgings of the humblest kind.

I have taken those two floors in an assumed name. On the upper floor I live, with a room to work in, a room to sleep in. On the lower floor, under the same assumed name, two women live, who are described as my sisters. I get my bread by drawing and engraving on wood for the cheap periodicals. My sisters are supposed to help me by taking in a little needlework. Our poor place of abode, our humble calling, our assumed relationship, and our assumed name, are all used alike as a means of hiding us in the house-forest of London. We are numbered no longer with the people whose lives are open and known. I am an obscure, unnoticed man, without patron or friend to help me. Marian Halcombe is nothing now but my eldest sister, who provides for our household wants by the toil of her own hands. We two, in the estimation of others, are at once the dupes and the agents of a daring imposture. We are supposed to be the accomplices of mad Anne Catherick, who claims the name, the place, and the living personality of dead Lady Glyde.

That is our situation. That is the changed aspect in which we three must appear, henceforth, in this narrative, for many and many a page to come.

In the eye of reason and of law, in the estimation of relatives and friends, according to every received formality of civilised society, “Laura, Lady Glyde,” lay buried with her mother in Limmeridge churchyard. Torn in her own lifetime from the list of the living, the daughter of Philip Fairlie and the wife of Percival Glyde might still exist for her sister, might still exist for me, but to all the world besides she was dead. Dead to her uncle, who had renounced her; dead to the servants of the house, who had failed to recognise her; dead to the persons in authority, who had transmitted her fortune to her husband and her aunt; dead to my mother and my sister, who believed me to be the dupe of an adventuress and the victim of a fraud; socially, morally, legally— dead.

And yet alive! Alive in poverty and in hiding. Alive, with the poor drawing-master to fight her battle, and to win the way back for her to her place in the world of living beings.

Did no suspicion, excited by my own knowledge of Anne Catherick’s resemblance to her, cross my mind, when her face was first revealed to me? Not the shadow of a suspicion, from the moment when she lifted her veil by the side of the inscription which recorded her death.

Before the sun of that day had set, before the last glimpse of the home which was closed against her had passed from our view, the farewell words I spoke, when we parted at Limmeridge House, had been recalled by both of us—repeated by me, recognised by her. “If ever the time comes, when the devotion of my whole heart and soul and strength will give you a moment’s happiness, or spare you a moment’s sorrow, will you try to remember the poor drawing- master who has taught you?” She, who now remembered so little of the trouble and terror of a later time, remembered those words, and laid her poor head innocently and trustingly on the bosom of the man who had spoken them. In that moment, when she called me by my name, when she said, “They have tried to make me forget everything, Walter, but I remember Marian, and I remember YOU”—in that moment, I, who had long since given her my love, gave her my life, and thanked God that it was mine to bestow on her. Yes! the time had come. From thousands on thousands of miles away—through forest and wilderness, where companions stronger than I had fallen by my side, through peril of death thrice renewed, and thrice escaped, the Hand that leads men on the dark road to the future had led me to meet that time. Forlorn