Sir Gibbie - George MacDonald (top 5 books to read .txt) 📗

before," said Ginevra.

"Come an' I'll lat ye see't," rejoined Donal. "It's weel worth luikin' intill. Ye hae nae notion sic a place as 'tis. It micht be amo' the grenite muntains o' Aigypt, though they takna freely sic fine blocks oot o' this ane as they tuik oot o' that at Syene. Ye wadna be fleyt to come an' see what the meen maks o' 't, wad ye, mem?"

"No, Donal. I would not be frightened to go anywhere with you. But - "

"Eh, mem! it maks me richt prood to hear ye say that. Come awa' than."

So saying, he turned aside, and led her into the narrow passage, cut through a friable sort of granite. Gibbie, thinking they had gone to have but a peep and return, stood in the road, looking at the clouds and the moon, and crooning to himself. By and by, when he found they did not return, he followed them.

When they reached the end of the cutting, Ginevra started at sight of the vast gulf, the moon showing the one wall a ghastly gray, and from the other throwing a shadow half across the bottom. But a winding road went down into it, and Donal led her on. She shrunk at first, drawing back from the profound, mysterious-looking abyss, so awfully still; but when Donal looked at her, she was ashamed to refuse to go farther, and indeed almost afraid to take her hand from his arm; so he led her down the terrace road. The side of the quarry was on one hand, and on the other she could see only into the gulf.

"Oh, Donal!" she said at length, almost in a whisper, "this is like a dream I once had, of going down and down a long roundabout road, inside the earth, down and down, to the heart of a place full of the dead - the ground black with death, and between horrible walls."

Donal looked at her; his face was in the light reflected from the opposite gray precipice: she thought it looked white and strange, and grew more frightened, but dared not speak. Presently Donal again began to sing, and this is something like what he sang: -

"Death! whaur do ye bide, auld Death?" "I bide in ilka breath," Quo' Death. "No i' the pyramids, An' no the worms amids, 'Neth coffin-lids; I bidena whaur life has been, An' whaur's nae mair to be dune."

"Death! whaur do ye bide, auld Death?" "Wi' the leevin', to dee 'at's laith," Quo' Death. "Wi' the man an' the wife 'At lo'e like life, But strife; (without) Wi' the bairns 'at hing to their mither, An' a' 'at lo'e ane anither."

"Death! whaur do ye bide, auld Death?" "Abune an' aboot an' aneath," Quo' Death. "But o' a' the airts, An' o' a' the pairts, In herts, Whan the tane to the tither says na, An' the north win' begins to blaw."

"What a terrible song, Donal!" said Ginevra.

He made no reply, but went on, leading her down into the pit: he had been afraid she was going to draw back, and sang the first words her words suggested, knowing she would not interrupt him. The aspect of the place grew frightful to her.

"Are you sure there are no holes - full of water, down there?" she faltered.

"Ay, there's ane or twa," replied Donal, "but we'll haud oot o' them."

Ginevra shuddered, but was determined to show no fear: Donal should not reproach her with lack of faith! They stepped at last on the level below, covered with granite chips and stones and great blocks. In the middle rose a confused heap of all sorts. To this, and round to the other side of it, Donal led her. There shone the moon on the corner of a pool, the rest of which crept away in blackness under an overhanging mass. She caught his arm with both hands. He told her to look up. Steep granite rock was above them all round, on one side dark, on the other mottled with the moon and the thousand shadows of its own roughness; over the gulf hung vaulted the blue, cloud-blotted sky, whence the moon seemed to look straight down upon her, asking what they were about, away from their kind, in such a place of terror.

Suddenly Donal caught her hand. She looked in his face. It was not the moon that could make it so white.

"Ginevra!" he said, with trembling voice.

"Yes, Donal," she answered.

"Ye're no angry at me for ca'in ye by yer name? I never did it afore."

"I always call you Donal," she answered.

"That's nait'ral. Ye're a gran' leddy, an' I'm naething abune a herd-laddie."

"You're a great poet, Donal, and that's much more than being a lady or a gentleman."

"Ay, maybe," answered Donal listlessly, as if he were thinking of something far away; "but it winna mak up for the tither; they're no upo' the same side o' the watter, like. A puir lad like me daurna lift an ee till a gran' leddy like you, mem. A' the warl' wad but scorn him, an' lauch at the verra notion. My time's near ower at the college, an' I see naething for 't but gang hame an' fee (hire myself). I'll be better workin' wi' my han's nor wi' my heid whan I hae nae houp left o' ever seein' yer face again. I winna lowse a day aboot it. Gien I lowse time I may lowse my rizon. Hae patience wi' me ae meenute, mem; I'm jist driven to tell ye the trowth. It's mony a lang sin' I hae kent mysel' wantin' you. Ye're the boady, an' I'm the shaidow. I dinna mean nae hyperbolics - that's the w'y the thing luiks to me i' my ain thouchts. Eh, mem, but ye're bonnie! Ye dinna ken yersel' hoo bonnie ye are, nor what a subversion you mak i' my hert an' my heid. I cud jist cut my heid aff, an' lay 't aneth yer feet to haud them aff o' the cauld flure."

Still she looked him in the eyes, like one bewildered, unable to withdraw her eyes from his. Her face too had grown white.

"Tell me to haud my tongue, mem, an' I'll haud it," he said.

Her lips moved, but no sound came.

"I ken weel," he went on, "ye can never luik upo' me as onything mair nor a kin' o' a human bird, 'at ye wad hing in a cage, an' gie seeds an' bits o' sugar till, an' hearken till whan he sang. I'll never trouble ye nae mair, an' whether ye grant me my prayer or no, ye'll never see me again. The only differ 'ill be 'at I'll aither hing my heid or haud it up for the rest o' my days. I wad fain ken 'at I wasna despised, an' 'at maybe gien things had been different, - but na, I dinna mean that; I mean naething 'at wad fricht ye frae what I wad hae. It sudna mean a hair mair nor lies in itsel'."

"What is it, Donal?" said Ginevra, half inaudibly, and with effort: she could scarcely speak for a fluttering in her throat.

"I cud beseech ye upo' my k-nees," he went on, as if she had not spoken, "to lat me kiss yer bonnie fut; but that ye micht grant for bare peety, an' that wad dee me little guid; sae for ance an' for a', till maybe efter we're a' ayont the muckle sea, I beseech at the fauvour o' yer sweet sowl, to lay upo' me, as upo' the lips o' the sowl 'at sang ye the sangs ye likit sae weel to hear whan ye was but a leddy-lassie - ae solitary kiss. It shall be holy to me as the licht; an' I sweir by the Trowth I'll think o' 't but as ye think, an' man nor wuman nor bairn, no even Gibbie himsel', sall ken - "

The last word broke the spell upon Ginevra.

"But, Donal," she said, as quietly as when years ago they talked by the Lorrie side, "would it be right? - a secret with you I could not tell to any one? - not even if afterwards - "

Donal's face grew so ghastly with utter despair that absolute terror seized her; she turned from him and fled, calling "Gibbie! Gibbie!"

He was not many yards off, approaching the mound as she came from behind it. He ran to meet her. She darted to him like a dove pursued by a hawk, threw herself into his arms, laid her head on his shoulder, and wept. Gibbie held her fast, and with all the ways in his poor power sought to comfort her. She raised her face at length. It was all wet with tears which glistened in the moonlight. Hurriedly Gibbie asked on his fingers:

"Was Donal not good to you?"

"He's beautiful," she sobbed; "but I couldn't, you know, Gibbie, I couldn't. I don't care a straw about position and all that - who would with a poet? - but I couldn't, you know, Gibbie. I couldn't let him think I might have married him - in any case: could I now, Gibbie?"

She laid her head again on his shoulder and sobbed. Gibbie did not well understand her. Donal, where he had thrown himself on a heap of granite chips, heard and understood, felt and knew and resolved all in one. The moon shone, and the clouds went flitting like ice-floe about the sky, now gray in distance, now near the moon and white, now in her very presence and adorned with her favour on their bosoms, now drifting again into the gray; and still the two, Ginevra and Gibbie, stood motionless - Gibbie with the tears in his eyes, and Ginevra weeping as if her heart would break; and behind the granite blocks lay Donal.

Again Ginevra raised her head.

"Gibbie, you must go and look after poor Donal," she said.

Gibbie went, but Donal was nowhere to be seen. To escape the two he loved so well, and be alone as he felt, he had crept away softly into one of the many recesses of the place. Again and again Gibbie made the noise with which he was accustomed to call him, but he gave back no answer, and they understood that wherever he was he wanted to be left to himself. They climbed again the winding way out of the gulf, and left him the heart of its desolation.

"Take me home, Gibbie," said Ginevra, when they reached the high road.

As they went, not a word more passed between them. Ginevra was as dumb as Gibbie, and Gibbie was sadder than he had ever been in his life - not only for Donal's sake, but because, in his inexperienced heart, he feared that Ginevra would not listen to Donal because she could not - because she had already promised herself to Fergus Duff; and with all his love to his kind, he could not think it well that Fergus should be made happy at such a price. He left her