The Last Days of Pompeii by Baron Edward Bulwer Lytton Lytton (freda ebook reader .TXT) 📗

'Pardon me—your name?' said he.

'Arbaces; it is well known methinks in Pompeii. Passing through the grove, I beheld before me the Greek and the priest in earnest conversation. I was struck by the reeling motions of the first, his violent gestures, and the loudness of his voice; he seemed to me either drunk or mad. Suddenly I saw him raise his stilus—I darted forward—too late to arrest the blow. He had twice stabbed his victim, and was bending over him, when, in my horror and indignation, I struck the murderer to the ground. He fell without a struggle, which makes me yet more suspect that he was not altogether in his senses when the crime was perpetrated; for, recently recovered from a severe illness, my blow was comparatively feeble, and the frame of Glaucus, as you see, is strong and youthful.'

'His eyes are open now—his lips move,' said the soldier. 'Speak, prisoner, what sayest thou to the charge?'

'The charge—ha—ha! Why, it was merrily done; when the old hag set her serpent at me, and Hecate stood by laughing from ear to ear—what could I do? But I am ill—I faint—the serpent's fiery tongue hath bitten me. Bear me to bed, and send for your physician; old AEsculapius himself will attend me if you let him know that I am Greek. Oh, mercy—mercy! I burn!—marrow and brain, I burn!'

And, with a thrilling and fierce groan, the Athenian fell back in the arms of the bystanders.

'He raves,' said the officer, compassionately; 'and in his delirium he has struck the priest. Hath any one present seen him to-day!'

'I,' said one of the spectators, 'beheld him in the morning. He passed my shop and accosted me. He seemed well and sane as the stoutest of us!'

'And I saw him half an hour ago,' said another, 'passing up the streets, muttering to himself with strange gestures, and just as the Egyptian has described.'

'A corroboration of the witness! it must be too true. He must at all events to the praetor; a pity, so young and so rich! But the crime is dreadful: a priest of Isis, in his very robes, too, and at the base itself of our most ancient chapel!'

At these words the crowd were reminded more forcibly, than in their excitement and curiosity they had yet been, of the heinousness of the sacrilege. They shuddered in pious horror.

'No wonder the earth has quaked,' said one, 'when it held such a monster!'

'Away with him to prison—away!' cried they all.

And one solitary voice was heard shrilly and joyously above the rest: 'The beasts will not want a gladiator now, Ho, ho, for the merry, merry show!

It was the voice of the young woman whose conversation with Medon has been repeated.

'True—true—it chances in season for the games!' cried several; and at that thought all pity for the accused seemed vanished. His youth, his beauty, but fitted him better for the purpose of the arena.

'Bring hither some planks—or if at hand, a litter—to bear the dead,' said Arbaces: 'a priest of Isis ought scarcely to be carried to his temple by vulgar hands, like a butchered gladiator.'

At this the bystanders reverently laid the corpse of Apaecides on the ground, with the face upwards; and some of them went in search of some contrivance to bear the body, untouched by the profane.

It was just at that time that the crowd gave way to right and left as a sturdy form forced itself through, and Olinthus the Christian stood immediately confronting the Egyptian. But his eyes, at first, only rested with inexpressible grief and horror on that gory side and upturned face, on which the agony of violent death yet lingered.

'Murdered!' he said. 'Is it thy zeal that has brought thee to this? Have they detected thy noble purpose, and by death prevented their own shame?'

He turned his head abruptly, and his eyes fell full on the solemn features of the Egyptian.

As he looked, you might see in his face, and even the slight shiver of his frame, the repugnance and aversion which the Christian felt for one whom he knew to be so dangerous and so criminal. It was indeed the gaze of the bird upon the basilisk—so silent was it and so prolonged. But shaking off the sudden chill that had crept over him, Olinthus extended his right arm towards Arbaces, and said, in a deep and loud voice:

'Murder hath been done upon this corpse! Where is the murderer? Stand forth, Egyptian! For, as the Lord liveth, I believe thou art the man!'

An anxious and perturbed change might for one moment be detected on the dusky features of Arbaces; but it gave way to the frowning expression of indignation and scorn, as, awed and arrested by the suddenness and vehemence of the charge, the spectators pressed nearer and nearer upon the two more prominent actors.

'I know,' said Arbaces, proudly, 'who is my accuser, and I guess wherefore he thus arraigns me. Men and citizens, know this man for the most bitter of the Nazarenes, if that or Christians be their proper name! What marvel that in his malignity he dares accuse even an Egyptian of the murder of a priest of Egypt!'

'I know him! I know the dog!' shouted several voices. 'It is Olinthus the Christian—or rather the Atheist—he denies the gods!'

'Peace, brethren,' said Olinthus, with dignity, 'and hear me! This murdered priest of Isis before his death embraced the Christian faith—he revealed to me the dark sins, the sorceries of yon Egyptian—the mummeries and delusions of the fane of Isis. He was about to declare them publicly. He, a stranger, unoffending, without enemies! who should shed his blood but one of those who feared his witness? Who might fear that testimony the most?—Arbaces, the Egyptian!'

'You hear him!' said Arbaces; 'you hear him! he blasphemes! Ask him if he believes in Isis!'

'Do I believe in an evil demon?' returned Olinthus, boldly.

A groan and shudder passed through the assembly. Nothing daunted, for prepared at every time for peril, and in the present excitement losing all prudence, the Christian continued:

'Back, idolaters! this clay is not for your vain and polluting rites—it is to us—to the followers of Christ, that the last offices due to a Christian belong. I claim this dust in the name of the great Creator who has recalled the spirit!'

With so solemn and commanding a voice and aspect the Christian spoke these words, that even the crowd forbore to utter aloud the execration of fear and hatred which in their hearts they conceived. And never, perhaps, since Lucifer and the Archangel contended for the body of the mighty Lawgiver, was there a more striking subject for the painter's genius than that scene exhibited. The dark trees—the stately fane—the moon full on the corpse of the deceased—the torches tossing wildly to and fro in the rear—the various faces of the motley audience—the insensible form of the Athenian, supported, in the distance, and in the foreground, and above all, the forms of Arbaces and the Christian: the first drawn to its full height, far taller than the