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mind. What silly things he said, what bitter retorts he provoked, how at one place he was troubled with evil presentiments which came to nothing, how at another place, on waking from a drunken doze, he read the prayer-book and took a hair of the dog that had bitten him, how he went to see men hanged and came away maudlin, how he added five hundred pounds to the fortune of one of his babies because she was not scared at Johnson's ugly face, how was frightened out of his wits at sea, and how the sailors quieted him as they would have quieted a child, how tipsy he was at Lady Cork's one evening and how much his merriment annoyed the ladies, how impertinent he was to the Duchess of Argyll and with what stately contempt she put down his impertinence, how Colonel Macleod sneered to his face at his impudent obtrusiveness, how his father and the very wife of his bosom laughed and fretted at his fooleries; all these things he proclaimed to all the world, as if they had been subjects for pride and ostentatious rejoicing. All the caprices of his temper, all the illusions of his vanity, all his hypochondriac whimsies, all his castles in the air, he displayed with a cool self- complacency, a perfect unconsciousness that he was making a fool of himself, to which it is impossible to find a parallel in the whole history of mankind. He has used many people ill; but assuredly he has used nobody so ill as himself.

That such a man should have written one of the best books in the world is strange enough. But this is not all. Many persons who have conducted themselves foolishly in active life, and whose conversation has indicated no superior powers of mind, have left us valuable works. Goldsmith was very justly described by one of his contemporaries as an inspired idiot, and by another as a being

"Who wrote like an angel, and talked like poor Poll."

La Fontaine was in society a mere simpleton. His blunders would not come in amiss among the stories of Hierocles. But these men attained literary eminence in spite of their weaknesses. Boswell attained it by reason of his weaknesses. If he had not been a great fool, he would never have been a great writer. Without all the qualities which made him the jest and the torment of those among whom he lived, without the officiousness, the inquisitiveness, the effrontery, the toad-eating, the insensibility to all reproof, he never could have produced so excellent a book. He was a slave, proud of his servitude, a Paul Pry, convinced that his own curiosity and garrulity were virtues, an unsafe companion who never scrupled to repay the most liberal hospitality by the basest violation of confidence, a man without delicacy, without shame, without sense enough to know when he was hurting the feelings of others or when he was exposing himself to derision; and because he was all this, he has, in an important department of literature, immeasurably surpassed such writers as Tacitus, Clarendon, Alfieri, and his own idol Johnson.

Of the talents which ordinarily raise men to eminence as writers, Boswell had absolutely none. There is not in all his books a single remark of his own on literature, politics, religion, or society, which is not either commonplace or absurd. His dissertations on hereditary gentility, on the slave-trade, and on the entailing of landed estates, may serve as examples. To say that these passages are sophistical would be to pay them an extravagant compliment. They have no pretence to argument, or even to meaning. He has reported innumerable observations made by himself in the course of conversation. Of those observations we do not remember one which is above the intellectual capacity of a boy of fifteen. He has printed many of his own letters, and in these letters he is always ranting or twaddling. Logic, eloquence, wit, taste, all those things which are generally considered as making a book valuable, were utterly wanting to him. He had, indeed, a quick observation and a retentive memory. These qualities, if he had been a man of sense and virtue would scarcely of themselves have sufficed to make him conspicuous; but because he was a dunce, a parasite, and a coxcomb, they have made him immortal.

Those parts of his book which, considered abstractedly, are most utterly worthless, are delightful when we read them as illustrations of the character of the writer. Bad in themselves, they are good dramatically, like the nonsense of justice Shallow, the clipped English of Dr. Caius, or the misplaced consonants of Fluellen. Of all confessors, Boswell is the most candid. Other men who have pretended to lay open their own hearts, Rousseau, for example, and Lord Byron, have evidently written with a constant view to effect, and are to be then most distrusted when they seem to be most sincere. There is scarcely any man who would not rather accuse himself of great crimes and of dark and tempestuous passions than proclaim all his little vanities and wild fancies. It would be easier to find a person who would avow actions like those of Caesar Borgia, or Danton, than one who would publish a daydream like those of Alnaschar and Malvolio. Those weaknesses which most men keep covered up in the most secret places of the mind, not to be disclosed to the eye of friendship or of love, were precisely the weaknesses which Boswell paraded before all the world. He was perfectly frank, because the weakness of his understanding and the tumult of his spirits prevented him from knowing when he made himself ridiculous. His book resembles nothing so much as the conversation of the inmates of the Palace of Truth.

His fame is great; and it will, we have no doubt, be lasting; but it is fame of a peculiar kind, and indeed marvellously resembles infamy. We remember no other case in which the world has made so great a distinction between a book and its author. In general, the book and the author are considered as one. To admire the book is to admire the author. The case of Boswell is an exception, we think the only exception, to this rule. His work is universally allowed to be interesting, instructive, eminently original: yet it has brought him nothing but contempt. All the world reads it, all the world delights in it: yet we do not remember ever to have read or ever to have heard any expression of respect and admiration for the man to whom we owe so much instruction and amusement. While edition after edition of his book was coming forth, his son, as Mr. Croker tells us, was ashamed of it, and hated to hear it mentioned. This feeling was natural and reasonable. Sir Alexander saw that in proportion to the celebrity of the work, was the degradation of the author. The very editors of this unfortunate gentleman's books have forgotten their allegiance, and, like those Puritan casuists who took arms by the authority of the king against his person, have attacked the writer while doing homage to the writings. Mr. Croker, for example, has published two thousand five hundred notes on the life of Johnson, and yet scarcely ever mentions the biographer, whose performance he has taken such pains to illustrate, without some expression of contempt.

An ill-natured man Boswell certainly was not. Yet the malignity of the most malignant satirist could scarcely cut deeper than his thoughtless loquacity. Having himself no sensibility to derision and contempt, he took it for granted that all others were equally callous. He was not ashamed to exhibit himself to the whole world as a common spy, a common tattler, a humble companion without the excuse of poverty, and to tell a hundred stories of his own pertness and folly, and of the insults which his pertness and folly brought upon him. It was natural that he should show little discretion in cases in which the feelings or the honour of others might be concerned. No man, surely, ever published such stories respecting persons whom he professed to love and revere. He would infallibly have made his hero as contemptible as he has made himself, had not his hero really possessed some moral and intellectual qualities of a very high order. The best proof that Johnson was really an extraordinary man is that his character, instead of being degraded, has, on the whole, been decidedly raised by a work in which all his vices and weaknesses are exposed more unsparingly than they ever were exposed by Churchill or by Kenrick.

Johnson grown old, Johnson in the fulness of his fame and in the enjoyment of a competent fortune, is better known to us than any other man in history. Everything about him, his coat, his wig, his figure, his face, his scrofula, his St. Vitus's dance, his rolling walk, his blinking eye, the outward signs which too clearly marked his approbation of his dinner, his insatiable appetite for fish-sauce and veal-pie with plums, his inextinguishable thirst for tea, his trick of touching the posts as he walked, his mysterious practice of treasuring up scraps of orange-peel, his morning slumbers, his midnight disputations, his contortions, his mutterings, his gruntings, his puffings, his vigorous, acute, and ready eloquence, his sarcastic wit, his vehemence, his insolence, his fits of tempestuous rage, his queer inmates, old Mr. Levett and blind Mrs. Williams, the cat Hodge and the negro Frank, all are as familiar to us as the objects by which we have been surrounded from childhood.

But we have no minute information respecting those years of Johnson's life during which his character and his manners became immutably fixed. We know him, not as he was known to the men of his own generation, but as he was known to men whose father he might have been. That celebrated club of which he was the most distinguished member contained few persons who could remember a time when his fame was not fully established and his habits completely formed. He had made himself a name in literature while Reynolds and the Wartons were still boys. He was about twenty years older than Burke, Goldsmith, and Gerard Hamilton, about thirty years older than Gibbon, Beauclerk, and Langton, and about forty years older than Lord Stowell, Sir William Jones, and Windham. Boswell and Mrs. Thrale, the two writers from whom we derive most of our knowledge respecting him, never saw him till long after he was fifty years old, till most of his great works had become classical, and till the pension bestowed on him by the Crown had placed him above poverty. Of those eminent men who were his most intimate associates towards the close of his life, the only one, as far as we remember, who knew him during the first ten or twelve years of his residence in the capital, was David Garrick; and it does not appear that, during those years, David Garrick saw much of his fellow-townsman.

Johnson came up to London precisely at the time when the condition of a man of letters was most miserable and degraded. It was a dark night between two sunny days. The age of patronage had passed away. The age of general curiosity and intelligence had not arrived. The number of readers is at present so great that a popular author may subsist in comfort and opulence on the profits of his works. In the reigns of William the Third, of Anne, and of George the First, even such men as Congreve and Addison would scarcely have been able to live like gentlemen by the mere sale of their writings. But the deficiency of the natural demand for literature was, at the close of the seventeenth and at the beginning of the eighteenth century,
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