History of Julius Caesar - Jacob Abbott (best books for 7th graders .txt) 📗

wrong to such a quarrel. And now, after being hunted through half the world by his triumphant enemy, he had been treacherously murdered by men pretending to receive him as a friend. The natural sense of justice, which formed originally so strong a trait in Caesar's character, was not yet wholly extinguished. He could not but feel some remorse at the thoughts of the long course of violence and wrong which he had pursued against his old champion and friend, and which had led at last to so dreadful an end. Instead of being pleased with the horrid trophy which the Egyptians sent him, he mourned the death of his great rival with sincere and unaffected grief, and was filled with indignation against his murderers.

[Sidenote: Pompey's signet ring.] [Sidenote: Caesar's respect for Pompey's memory.] [Sidenote: Pompey's Pillar.] [Sidenote: Origin of Pompey's Pillar.]

[Illustration: Pompey's Pillar.]

Pompey had a signet ring upon his finger at the time of his assassination, which was taken off by the Egyptian officers and carried away to Ptolemy, together with the other articles of value which had been found upon his person. Ptolemy sent this seal to Caesar to complete the proof that its possessor was no more. Caesar received _this_ memorial with eager though mournful pleasure, and he preserved it with great care. And in many ways, during all the remainder of his life, he manifested every outward indication of cherishing the highest respect for Pompey's memory. There stands to the present day, among the ruins of Alexandria, a beautiful column, about one hundred feet high, which has been known in all modern times as POMPEY'S PILLAR. It is formed of stone, and is in three parts. One stone forms the pedestal, another the shaft, and a third the capital. The beauty of this column, the perfection of its workmanship, which still continues in excellent preservation, and its antiquity, so great that all distinct record of its origin is lost, have combined to make it for many ages the wonder and admiration of mankind. Although no history of its origin has come down to us, a tradition has descended that Caesar built it during his residence in Egypt, to commemorate the name of Pompey; but whether it was his own victory over Pompey, or Pompey's own character and military fame which the structure was intended to signalize to mankind, can not now be known. There is even some doubt whether it was erected by Caesar at all.

[Sidenote: Surrender of Pompey's officers.] [Sidenote: Caesar's generosity.]

While Caesar was in Alexandria, many of Pompey's officers, now that their master was dead, and there was no longer any possibility of their rallying again under his guidance and command, came in and surrendered themselves to him. He received them with great kindness, and, instead of visiting them with any penalties for having fought against him, he honored the fidelity and bravery they had evinced in the service of their own former master. Caesar had, in fact, shown the same generosity to the soldiers of Pompey's army that he had taken prisoners at the battle of Pharsalia. At the close of the battle, he issued orders that each one of his soldiers should have permission to _save_ one of the enemy. Nothing could more strikingly exemplify both the generosity and the tact that marked the great conqueror's character than this incident. The hatred and revenge which had animated his victorious soldiery in the battle and in the pursuit, were changed immediately by the permission to compassion and good will. The ferocious soldiers turned at once from the pleasure of hunting their discomfited enemies to death, to that of protecting and defending them; and the way was prepared for their being received into his service, and incorporated with the rest of his army as friends and brothers.

[Sidenote: His position at Alexandria.] [Sidenote: Caesar's interference in Egyptian affairs.]

Caesar soon found himself in so strong a position at Alexandria, that he determined to exercise his authority as Roman consul to settle the dispute in respect to the succession of the Egyptian crown. There was no difficulty in finding pretexts for interfering in the affairs of Egypt. In the first place, there was, as he contended, great anarchy and confusion at Alexandria, people taking different sides in the controversy with such fierceness as to render it impossible that good government and public order should be restored until this great question was settled. He also claimed a debt due from the Egyptian government, which Photinus, Ptolemy's minister at Alexandria, was very dilatory in paying. This led to animosities and disputes; and, finally, Caesar found, or pretended to find, evidence that Photinus was forming plots against his life. At length Caesar determined on taking decided action. He sent orders both to Ptolemy and to Cleopatra to disband their forces, to repair to Alexandria, and lay their respective claims before him for his adjudication.

[Sidenote: Cleopatra.]

Cleopatra complied with this summons, and returned to Egypt with a view to submitting her case to Caesar's arbitration. Ptolemy determined to resist. He advanced toward Egypt, but it was at the head of his army, and with a determination to drive Caesar and all his Roman followers away.

[Sidenote: Caesar's guilty passion for Cleopatra.]

When Cleopatra arrived, she found that the avenues of approach to Caesar's quarters were all in possession of her enemies, so that, in attempting to join him, she incurred danger of falling into their hands as a prisoner. She resorted to a stratagem, as the story is, to gain a secret admission. They rolled her up in a sort of bale of bedding or carpeting, and she was carried in in this way on the back of a man, through the guards, who might otherwise have intercepted her. Caesar was very much pleased with this device, and with the successful result of it. Cleopatra, too, was young and beautiful, and Caesar immediately conceived a strong but guilty attachment to her, which she readily returned. Caesar espoused her cause, and decided that she and Ptolemy should jointly occupy the throne.

[Sidenote: Resistance of Ptolemy.] [Sidenote: The Alexandrine war.]

Ptolemy and his partisans were determined not to submit to this award. The consequence was, a violent and protracted war. Ptolemy was not only incensed at being deprived of what he considered his just right to the realm, he was also half distracted at the thought of his sister's disgraceful connection with Caesar. His excitement and distress, and the exertions and efforts to which they aroused him, awakened a strong sympathy in his cause among the people, and Caesar found himself involved in a very serious contest, in which his own life was brought repeatedly into the most imminent danger, and which seriously threatened the total destruction of his power. He, however, braved all the difficulty and dangers, and recklessly persisted in the course he had taken, under the influence of the infatuation in which his attachment to Cleopatra held him, as by a spell.

[Sidenote: The Pharos.] [Sidenote: Great splendor of the Pharos.]

The war in which Caesar was thus involved by his efforts to give Cleopatra a seat with her brother on the Egyptian throne, is called in history the Alexandrine war. It was marked by many strange and romantic incidents. There was a light-house, called the Pharos, on a small island opposite the harbor of Alexandria, and it was so famed, both on account of the great magnificence of the edifice itself, and also on account of its position at the entrance to the greatest commercial port in the world, that it has given its name, as a generic appellation, to all other structures of the kind--any light-house being now called a Pharos, just as any serious difficulty is called a Gordian knot. The Pharos was a lofty tower--the accounts say that it was five hundred feet in height, which would be an enormous elevation for such a structure--and in a lantern at the top a brilliant light was kept constantly burning, which could be seen over the water for a hundred miles. The tower was built in several successive stories, each being ornamented with balustrades, galleries, and columns, so that the splendor of the architecture by day rivaled the brilliancy of the radiation which beamed from the summit by night. Far and wide over the stormy waters of the Mediterranean this meteor glowed, inviting and guiding the mariners in; and both its welcome and its guidance were doubly prized in those ancient days, when there was neither compass nor sextant on which they could rely. In the course of the contest with the Egyptians, Caesar took possession of the Pharos, and of the island on which it stood; and as the Pharos was then regarded as one of the seven wonders of the world, the fame of the exploit, though it was probably nothing remarkable in a military point of view, spread rapidly throughout the world.

[Sidenote: It is captured by Caesar.]

And yet, though the capture of a light-house was no very extraordinary conquest, in the course of the contests on the harbor which were connected with it Caesar had a very narrow escape from death. In all such struggles he was accustomed always to take personally his full share of the exposure and the danger. This resulted in part from the natural impetuosity and ardor of his character, which were always aroused to double intensity of action by the excitement of battle, and partly from the ideas of the military duty of a commander which prevailed in those days. There was besides, in this case, an additional inducement to acquire the glory of extraordinary exploits, in Caesar's desire to be the object of Cleopatra's admiration, who watched all his movements, and who was doubly pleased with his prowess and bravery, since she saw that they were exercised for her sake and in her cause.

[Sidenote: Situation of the Pharos.] [Sidenote: Caesar's personal danger.] [Sidenote: Caesar's narrow escape.]

The Pharos was built upon an island, which was connected by a pier or bridge with the main land. In the course of the attack upon this bridge, Caesar, with a party of his followers, got driven back and hemmed in by a body of the enemy that surrounded them, in such a place that the only mode of escape seemed to be by a boat, which might take them to a neighboring galley. They began, therefore, all to crowd into the boat in confusion, and so overloaded it that it was obviously in imminent danger of being upset or of sinking. The upsetting or sinking of an overloaded boat brings almost certain destruction upon most of the passengers, whether swimmers or not, as they seize each other in their terror, and go down inextricably entangled together, each held by the others in the convulsive grasp with which drowning men always cling to whatever is within their reach. Caesar, anticipating this danger, leaped over into the sea and swam to the ship. He had some papers in his hand at the time--plans, perhaps, of the works which he was assailing. These he held above the water with his left hand, while he swam with the right. And to save his purple cloak or mantle, the emblem of his imperial dignity, which he supposed the enemy would eagerly seek to obtain as a trophy, he seized it by a corner between his teeth, and drew it after him through the water as he swam toward the galley. The boat which he thus escaped from soon after went down, with all on board.

[Sidenote: The Alexandrian library.] [Sidenote: Burning of the Alexandrian library.]

During the progress of this Alexandrine war one great disaster occurred, which has given to the contest a most melancholy celebrity in all subsequent ages: this disaster was the destruction