History of King Charles the Second of England - Jacob Abbott (readnow .txt) 📗

scarcely credible. For instance, it is said that a thief one day found his way, in the guise of a gentleman, into one of the royal drawing rooms, and contrived to get a gold snuff box out of the pocket of one of the noblemen there. Just as he had successfully accomplished his object, unobserved, as he supposed, he looked up, and saw the king's eyes fastened upon him. Knowing his majesty's character, the thief had the presence of mind to give him a wink, with a sly gesture enjoining secrecy. The king nodded assent, and the thief went away with his prize. When the nobleman missed his snuff box, the king amused himself some time with his perplexity and surprise, and then told him that it was of no use for him to search for his snuff box, for a thief had gone off with it half an hour ago. "I saw him," said the king, with a countenance full of fun, "but I could not do any thing. The rascal made me his confidant, and, of course, you know, I could not betray him."

Under the government of such a sovereign, it could not be expected that the public affairs of the realm would have gone on very prosperously. Still, however, they might have been conducted with ordinary success by his ministers, and perhaps they were, in fact, managed as well as was usual with the governments of Europe in those days. It happened, however, that three great public calamities occurred, all of a most marked and signal character, which were, perhaps, not owing at all to causes for which Charles was responsible, but which have nevertheless connected such associations in men's minds with this unfortunate reign, as that Englishmen have since looked back upon it with very little pleasure. These three calamities were the plague, the fire, and the Dutch invasion.

There have been a great many seasons of plague in London, all inconceivably dreadful; but as King Charles's fire was first among conflagrations, so his plague was the greatest pestilence that ever ravaged the city. London was, in those days, in a condition which exactly adapted it to be the easy prey of pestilence, famine, and fire. The people were crowded together in vast masses, with no comforts, no cleanliness, no proper organization. The enormous vegetable and animal accumulations of such a multitude, living more like brutes than men, produced a continual miasma, which prepared the constitutions of thousands for any infection which might chance to light among them. Pestilence is, in fact, the rude and dreadful remedy which nature provides for the human misery which man himself can not or will not cure. When the dictates of reason and conscience are neglected or disobeyed, and the ills which they might have averted sink the social state into a condition of degradation and wretchedness so great that the denser accumulations of the people become vast and corrupted swarms of vermin instead of organized communities of men, then plague and fever come in as the last resort--half remedy, half retribution--devised by that mysterious principle which struggles perpetually for the preservation of the human race, to thin off the excessive accumulation by destroying a portion of the surplus in so frightful a way as to drive away the rest in terror.

The great plague of London took place in 1665, one year before the fire. The awful scenes which the whole city presented, no pen can describe. A hundred thousand persons are said to have died. The houses where cases of the plague existed were marked with a red cross and shut up, the inmates being all fastened in, to live or die, at the mercy of the infection. Every day carts rolled through the otherwise silent and desolate streets, men accompanying them to gather up with pitchforks the dead bodies which had been dragged out from the dwellings, and crying "Bring out your dead" as they went along. [Footnote: Sometimes the living were pitched into the cart by mistake instead of the dead. There is a piece of sculpture in the Tottenham Court road in London intended to commemorate the following case. A Scotch piper, who had been wandering in homeless misery about the streets, with nothing but his bagpipes and his dog, got intoxicated at last, as such men always do, if they can, in times of such extreme and awful danger, and laid down upon the steps of a public building and went to sleep. The cart came along in the night, by torchlight, and one of the men who attended it, inserting the point of his fork under the poor vagabond's belt, tossed him into the cart, bagpipes and all. The dog did all he could to defend his master, but in vain. The cart went thundering on, the men walking along by its side, examining the ways for new additions to their load. The piper, half awakened by the shock of his precipitation into the cart, and aroused still more by the joltings of the road, sat up, attempted in vain to rally his bewildered faculties, looked about him, wondering where he was, and then instinctively began to play. The men, astonished and terrified at such sounds from a cart loaded with the dead, fled in all directions, leaving the cart in the middle of the street alone.

What a mysterious and inconsistent principle is fear. Here are men braving, unconcerned and at their ease, the most absolutely appalling of all possible human dangers, and yet terrified out of their senses at an unexpected sound.]Thousands went mad with their uncontrollable terror, and roamed about the streets in raving delirium, killing themselves, and mothers killing their children, in an insane and frenzied idea of escaping by that means, somehow or other, from the dreadful destroyer.

Every body whose reason remained to them avoided all possible contact or communication with others. Even in the country, in the exchange of commodities, a thousand contrivances were resorted to, to avoid all personal connection. In one place there was a stone, where those who had any thing to sell placed their goods and then retreated, while he who wished to buy came up, and, depositing his money on the stone in the place of the merchandise, took what he had thus bought away.

The great fire took place in 1666, about a year after the plague, and burned a very large part of London. It commenced accidentally in a baker's shop, where a great store of fagots had been collected, and spread so rapidly among the buildings which surrounded the spot that it was soon entirely beyond control. The city of London was then composed of an immense mass of mean buildings, crowded densely together, with very narrow streets intervening, and the wind carried the flames, with inconceivable rapidity, far and wide. The people seemed struck universally with a sense of terror and despair, and nothing was to be heard but shrieks, outcries, and wild lamentations. The sky was one vast lurid canopy, like molten brass, day and night, for four days, while the whole city presented a scene of indescribable and awful din; the cracking and thundering of the flames, the frenzied screams of the women and children, the terrific falling of spires, towers, walls, and lofty battlements, the frightful explosions of the houses, blown up by gunpowder in the vain hope of stopping the progress of the flames, all formed a scene of grandeur so terrific and dreadful, that they who witnessed the spectacle were haunted by the recollection of it long afterward, as by a frightful dream. A tall monument was built upon the spot where the baker's shop stood, to commemorate the calamity. The fire held, in fact, in the estimation of mankind, the rank of the greatest and most terrible of all conflagrations, until the burning of Moscow, in the time of Napoleon, in some degree eclipsed its fame.

The Dutch invasion was the third great calamity which signalized King Charles's unfortunate reign. The ships of the enemy came up the Thames and the Medway, which is a branch of the Thames; they took possession of a fort at Sheerness, near the mouth of the river, and, after seizing all the military stores, which had been collected there to an enormous amount, they set fire to the powder magazine, and blew up the whole fortress with a terrific explosion. The way was now open to them to London, unless the English could contrive some way to arrest their progress. They attempted to do this by sinking some ships in the river, and drawing a strong chain across from one sunken vessel to the other, and fastening the ends to the shores. The Dutch, however, broke through this obstruction. They seized an opportunity when the tide was setting strongly up the river, and a fresh wind was blowing; their ships, impelled thus by a double force, broke through the chains, passed safely between the sunken ships, and came on in triumph up the river, throwing the city of London into universal consternation. There were several English ships of war, and several Dutch ships, which had been captured and brought up the Thames as prizes, lying in the river; these vessels were all seized by the Dutch, and burned; one of the English ships which they thus destroyed was called the Royal Oak.

Of course, there was now a universal scene of confusion and terror in London. Every body laid the blame of the calamity upon the king; the money which he had received for building ships, and other national defenses, he had squandered, they said, upon his guilty pleasures; then the war, which had resulted in this invasion, was caused by the political mismanagement of his reign. While the people, however, thus loudly condemned the conduct of their monarch, they went energetically at work to arrest the progress of their invaders; they sunk other ships in greater numbers, and built platforms, on which they raised batteries of cannon. At length the further progress of the enemy was stopped, and the ships were finally compelled to retire.

Among the other events which occurred during the reign of King Charles the Second, and which tended to connect unfavorable associations with the recollection of it in the minds of men, was a very extraordinary affair, which is known in history by the name of Titus Oates's Popish Plot. It was the story of a plot, said to have been formed by the Catholics, to put King Charles to death, and place his brother James, who, it will be recollected, was a Catholic, upon the throne in his stead. The story of this plot was told by a man named Titus Oates, and as it was at first generally believed, it occasioned infinite trouble and difficulty. In after times, however, the whole story came to be regarded as the fabrication of Oates, without there being any foundation for it whatever; hence the name of Titus Oates's Popish Plot, by which the affair has always since been designated in history. The circumstances were these:

Among his other various accomplishments, King Charles was quite a chemist and philosopher. He had a laboratory where he amused himself with experiments, having, of course, several persons associated with him, and attendant upon him in these researches. Among these was a man named Kirby. Mr. Kirby was an intelligent man, of agreeable manners, and of considerable scientific attainments. Charles devoted, at some periods of his life, a considerable portion of his time to these researches in experimental philosophy, and he took, likewise, an interest in facilitating the progress of others in the same pursuits. There was a small society of philosophers that was accustomed to meet sometimes in Oxford and sometimes in London. The object of this society was to provide apparatus and other facilities for making experiments, and to communicate to each other