England's Antiphon - George MacDonald (brene brown rising strong .TXT) 📗

to Cedron must submit
His flowery shore; nor can he envy it,
If, when Apollo sings, his swans do silent sit.[91]

That heavenly voice I more delight to hear
Than gentle airs to breathe; or swelling waves
Against the sounding rocks their bosoms tear;[92]
Or whistling reeds that rutty[93] Jordan laves,
And with their verdure his white head embraves; adorns.
To chide the winds; or hiving bees that fly
About the laughing blossoms[94] of sallowy,[95]
Rocking asleep the idle grooms[96] that lazy lie.

And yet how can I hear thee singing go,
When men, incensed with hate, thy death foreset?
Or else, why do I hear thee sighing so,
When thou, inflamed with love, their life dost get,[97]
That love and hate, and sighs and songs are met?
But thus, and only thus, thy love did crave
To send thee singing for us to thy grave,
While we sought thee to kill, and thou sought'st us to save.

When I remember Christ our burden bears,
I look for glory, but find misery;
I look for joy, but find a sea of tears;
I look that we should live, and find him die;
I look for angels' songs, and hear him cry:
Thus what I look, I cannot find so well;
Or rather, what I find I cannot tell,
These banks so narrow are, those streams so highly swell.

We would gladly eliminate the few common-place allusions; but we must take them with the rest of the passage. Besides far higher merits, it is to my ear most melodious.

One more passage of two stanzas from Giles Fletcher, concerning the glories of heaven: I quote them for the sake of earth, not of heaven.

Gaze but upon the house where man embowers:
With flowers and rushes pavéd is his way;
Where all the creatures are his servitours:
The winds do sweep his chambers every day,
And clouds do wash his rooms; the ceiling gay,
Starréd aloft, the gilded knobs embrave:
If such a house God to another gave,
How shine those glittering courts he for himself will have!

And if a sullen cloud, as sad as night,
In which the sun may seem embodiéd,
Depured of all his dross, we see so white,
Burning in melted gold his watery head,
Or round with ivory edges silvered;
What lustre super-excellent will he
Lighten on those that shall his sunshine see
In that all-glorious court in which all glories be!

These brothers were intense admirers of Spenser. To be like him Phineas must write an allegory; and such an allegory! Of all the strange poems in existence, surely this is the strangest. The Purple Island is man, whose body is anatomically described after the allegory of a city, which is then peopled with all the human faculties personified, each set in motion by itself. They say the anatomy is correct: the metaphysics are certainly good. The action of the poem is just another form of the Holy War of John Bunyan-all the good and bad powers fighting for the possession of the Purple Island. What renders the conception yet more amazing is the fact that the whole ponderous mass of anatomy and metaphysics, nearly as long as the Paradise Lost , is put as a song, in a succession of twelve cantos, in the mouth of a shepherd, who begins a canto every morning to the shepherds and shepherdesses of the neighbourhood, and finishes it by folding-time in the evening. And yet the poem is full of poetry. He triumphs over his difficulties partly by audacity, partly by seriousness, partly by the enchantment of song. But the poem will never be read through except by students of English literature. It is a whole; its members are well-fitted; it is full of beauties-in parts they swarm like fire-flies; and yet it is not a good poem. It is like a well-shaped house, built of mud, and stuck full of precious stones. I do not care, in my limited space, to quote from it. Never was there a more incongruous dragon of allegory.

Both brothers were injured, not by their worship of Spenser, but by the form that worship took-imitation. They seem more pleased to produce a line or stanza that shall recall a line or stanza of Spenser, than to produce a fine original of their own. They even copy lines almost word for word from their great master. This is pure homage: it was their delight that such adaptations should be recognized-just as it was Spenser's hope, when he inserted translated stanzas from Tasso's
Jerusalem Delivered in The Fairy Queen , to gain the honour of a true reproduction. Yet, strange fate for imitators! both, but Giles especially, were imitated by a greater than their worship-even by Milton. They make Spenser's worse; Milton makes theirs better. They imitate Spenser, faults and all; Milton glorifies their beauties.

From the smaller poems of Phineas, I choose the following version of


PSALM CXXX.

From the deeps of grief and fear,
O Lord, to thee my soul repairs:
From thy heaven bow down thine ear;
Let thy mercy meet my prayers.
Oh! if thou mark'st what's done amiss,
What soul so pure can see thy bliss?

But with thee sweet Mercy stands,
Sealing pardons, working fear.
Wait, my soul, wait on his hands;
Wait, mine eye; oh! wait, mine ear:
If he his eye or tongue affords,
Watch all his looks, catch all his words.

As a watchman waits for day,
And looks for light, and looks again:
When the night grows old and gray,
To be relieved he calls amain:
So look, so wait, so long, mine eyes,
To see my Lord, my sun, arise.

Wait, ye saints, wait on our Lord,
For from his tongue sweet mercy flows;
Wait on his cross, wait on his word;
Upon that tree redemption grows:
He will redeem his Israel
From sin and wrath, from death and hell.

I shall now give two stanzas of his version of the 127th Psalm.

If God build not the house, and lay
The groundwork sure-whoever build,
It cannot stand one stormy day.
If God be not the city's shield,
If he be not their bars and wall,
In vain is watch-tower, men, and all.

Though then thou wak'st when others rest,
Though rising thou prevent'st the sun,
Though with lean care thou daily feast,
Thy labour's lost, and thou undone;
But God his child will feed and keep,
And draw the curtains to his sleep.

Compare this with a version of the same portion by Dr. Henry King, Bishop of Chichester, who, no great poet, has written some good verse. He was about the same age as Phineas Fletcher.

Except the Lord the house sustain,
The builder's labour is in vain;
Except the city he defend,
And to the dwellers safety send,
In vain are sentinels prepared,
Or arméd watchmen for the guard.

You vainly with the early light
Arise, or sit up late at night
To find support, and daily eat
Your bread with sorrow earned and sweat;
When God, who his beloved keeps,
This plenty gives with quiet sleeps.

What difference do we find? That the former has the more poetic touch, the latter the greater truth. The former has just lost the one precious thing in the psalm; the latter has kept it: that care is as useless as painful, for God gives us while we sleep, and not while we labour.


CHAPTER XII.

WITHER, HERRICK, AND QUARLES.


George Wither, born in 1588, therefore about the same age as Giles Fletcher, was a very different sort of writer indeed. There could hardly be a greater contrast. Fancy, and all her motley train, were scarcely known to Wither, save by the hearing of the ears.

He became an eager Puritan towards the close of his life, but his poetry chiefly belongs to the earlier part of it. Throughout it is distinguished by a certain straightforward simplicity of good English thought and English word. His hymns remind me, in the form of their speech, of Gascoigne. I shall quote but little; for, although there is a sweet calm and a great justice of reflection and feeling, there is hardly anything of that warming glow, that rousing force, that impressive weight in his verse, which is the chief virtue of the lofty rhyme.

The best in a volume of ninety Hymns and Songs of the Church , is, I think, The Author's Hymn at the close, of which I give three stanzas. They manifest the simplicity and truth of the man, reflecting in their very tone his faithful, contented, trustful nature.

By thy grace, those passions, troubles,
And those wants that me opprest,
Have appeared as water-bubbles,
Or as dreams, and things in jest:
For, thy leisure still attending,
I with pleasure saw their ending.

Those afflictions and those terrors,
Which to others grim appear,
Did but show me where my errors
And my imperfections were;
But distrustful could not make me
Of thy love, nor fright nor shake me.

Those base hopes that would possess me,
And those thoughts of vain repute
Which do now and then oppress me,
Do not, Lord, to me impute;
And though part they will not from me,
Let them never overcome me.

He has written another similar volume, but much larger, and of a somewhat extraordinary character. It consists of no fewer than two hundred and thirty-three hymns, mostly long, upon an incredible variety of subjects, comprehending one for every season of nature and of the church,