A History of China - Wolfram Eberhard (e reader for manga .TXT) 📗
- Author: Wolfram Eberhard
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Thus in the years between 440 and 490 there were great changes not only in the economic but in the social sphere. The Toba declined in number and influence. Many of them married into rich families of the Chinese gentry and regarded themselves as no longer belonging to the Toba. In the course of time the court was completely sinified.
The Chinese at the court now formed the leading element, and they tried to persuade the emperor to claim dominion over all China, at least in theory, by installing his capital in Loyang, the old centre of China. This transfer had the advantage for them personally that the territories in which their properties were situated were close to that capital, so that the grain they produced found a ready market. And it was indeed no longer possible to rule the great Toba empire, now covering the whole of North China from North Shansi. The administrative staff was so great that the transport system was no longer able to bring in sufficient food. For the present capital did not lie on a navigable river, and all the grain had to be carted, an expensive and unsafe mode of transport. Ultimately, in 493-4, the Chinese gentry officials secured the transfer of the capital to Loyang. In the years 490 to 499 the Toba emperor Wen Ti (471-499) took further decisive steps required by the stage reached in internal development. All aliens were prohibited from using their own language in public life. Chinese became the official language. Chinese clothing and customs also became general. The system of administration which had largely followed a pattern developed by the Wei dynasty in the early third century, was changed and took a form which became the model for the T'ang dynasty in the seventh century. It is important to note that in this period, for the first time, an office for religious affairs was created which dealt mainly with Buddhistic monasteries. While after the Toba period such an office for religious affairs disappeared again, this idea was taken up later by Japan when Japan accepted a Chinese-type of administration.
[Illustration: 6 Sun Ch'üan, ruler of Wu. From a painting by Yen
Li-pen (c. 640-680).]
[Illustration: 7 General view of the Buddhist cave-temples of Yün-kang. In the foreground, the present village; in the background, the rampart. Photo H. Hammer-Morrisson.]
Owing to his bringing up, the emperor no longer regarded himself as Toba but as Chinese; he adopted the Chinese culture, acting as he was bound to do if he meant to be no longer an alien ruler in North China. Already he regarded himself as emperor of all China, so that the South Chinese empire was looked upon as a rebel state that had to be conquered. While, however, he succeeded in everything else, the campaign against the south failed except for some local successes.
The transfer of the capital to Loyang was a blow to the Toba nobles. Their herds became valueless, for animal products could not be carried over the long distance to the new capital. In Loyang the Toba nobles found themselves parted from their tribes, living in an unaccustomed climate and with nothing to do, for all important posts were occupied by Chinese. The government refused to allow them to return to the north. Those who did not become Chinese by finding their way into Chinese families grew visibly poorer and poorer.
5 Victory and retreat of Buddhism
What we said in regard to the religious position of the other alien peoples applied also to the Toba. As soon, however, as their empire grew, they, too, needed an "official" religion of their own. For a few years they had continued their old sacrifices to Heaven; then another course opened to them. The Toba, together with many Chinese living in the Toba empire, were all captured by Buddhism, and especially by its shamanist element. One element in their preference of Buddhism was certainly the fact that Buddhism accepted all foreigners alike—both the Toba and the Chinese were "foreign" converts to an essentially Indian religion; whereas the Confucianist Chinese always made the non-Chinese feel that in spite of all their attempts they were still "barbarians" and that only real Chinese could be real Confucianists.
Secondly, it can be assumed that the Toba rulers by fostering Buddhism intended to break the power of the Chinese gentry. A few centuries later, Buddhism was accepted by the Tibetan kings to break the power of the native nobility, by the Japanese to break the power of a federation of noble clans, and still later by the Burmese kings for the same reason. The acceptance of Buddhism by rulers in the Far East always meant also an attempt to create a more autocratic, absolutistic regime. Mahayana Buddhism, as an ideal, desired a society without clear-cut classes under one enlightened ruler; in such a society all believers could strive to attain the ultimate goal of salvation.
Throughout the early period of Buddhism in the Far East, the question had been discussed what should be the relations between the Buddhist monks and the emperor, whether they were subject to him or not. This was connected, of course, with the fact that to the early fourth century the Buddhist monks were foreigners who, in the view prevalent in the Far East, owed only a limited allegiance to the ruler of the land. The Buddhist monks at the Toba court now submitted to the emperor, regarding him as a reincarnation of Buddha. Thus the emperor became protector of Buddhism and a sort of god. This combination was a good substitute for the old Chinese theory that the emperor was the Son of Heaven; it increased the prestige and the splendour of the dynasty. At the same time the old shamanism was legitimized under a Buddhist reinterpretation. Thus Buddhism became a sort of official religion. The emperor appointed a Buddhist monk as head of the Buddhist state church, and through this "Pope" he conveyed endowments on a large scale to the church. T'an-yao, head of the state church since 460, induced the state to attach state slaves, i.e. enslaved family members of criminals, and their families to state temples. They were supposed to work on temple land and to produce for the upkeep of the temples and monasteries. Thus, the institution of "temple slaves" was created, an institution which existed in South Asia and Burma for a long time, and which greatly strengthened the economic position of Buddhism.
Like all Turkish peoples, the Toba possessed a myth according to which their ancestors came into the world from a sacred grotto. The Buddhists took advantage of this conception to construct, with money from the emperor, the vast and famous cave-temple of Yün-kang, in northern Shansi. If we come from the bare plains into the green river valley, we may see to this day hundreds of caves cut out of the steep cliffs of the river bank. Here monks lived in their cells, worshipping the deities of whom they had thousands of busts and reliefs sculptured in stone, some of more than life-size, some diminutive. The majestic impression made today by the figures does not correspond to their original effect, for they were covered with a layer of coloured stucco.
We know only few names of the artists and craftsmen who made these objects. Probably some at least were foreigners from Turkestan, for in spite of the predominantly Chinese character of these sculptures, some of them are reminiscent of works in Turkestan and even in the Near East. In the past the influences of the Near East on the Far East—influences traced back in the last resort to Greece—were greatly exaggerated; it was believed that Greek art, carried through Alexander's campaign as far as the present Afghanistan, degenerated there in the hands of Indian imitators (the so-called Gandhara art) and ultimately passed on in more and more distorted forms through Turkestan to China. Actually, however, some eight hundred years lay between Alexander's campaign and the Toba period sculptures at Yün-kang and, owing to the different cultural development, the contents of the Greek and the Toba-period art were entirely different. We may say, therefore, that suggestions came from the centre of the Greco-Bactrian culture (in the present Afghanistan) and were worked out by the Toba artists; old forms were filled with a new content, and the elements in the reliefs of Yün-kang that seem to us to be non-Chinese were the result of this synthesis of Western inspiration and Turkish initiative. It is interesting to observe that all steppe rulers showed special interest in sculpture and, as a rule, in architecture; after the Toba period, sculpture flourished in China in the T'ang period, the period of strong cultural influence from Turkish peoples, and there was a further advance of sculpture and of the cave-dwellers' worship in the period of the "Five Dynasties" (906-960; three of these dynasties were Turkish) and in the Mongol period.
But not all Buddhists joined the "Church", just as not all Taoists had joined the Church of Chang Ling's Taoism. Some Buddhists remained in the small towns and villages and suffered oppression from the central Church. These village Buddhist monks soon became instigators of a considerable series of attempts at revolution. Their Buddhism was of the so-called "Maitreya school", which promised the appearance on earth of a new Buddha who would do away with all suffering and introduce a Golden Age. The Chinese peasantry, exploited by the gentry, came to the support of these monks whose Messianism gave the poor a hope in this world. The nomad tribes also, abandoned by their nobles in the capital and wandering in poverty with their now worthless herds, joined these monks. We know of many revolts of Hun and Toba tribes in this period, revolts that had a religious appearance but in reality were simply the result of the extreme impoverishment of these remaining tribes.
In addition to these conflicts between state and popular Buddhism, clashes between Buddhists and representatives of organized Taoism occurred. Such fights, however, reflected more the power struggle between cliques than between religious groups. The most famous incident was the action against the Buddhists in 446 which brought destruction to many temples and monasteries and death to many monks. Here, a mighty Chinese gentry faction under the leadership of the Ts'ui family had united with the Taoist leader K'ou Ch'ien-chih against another faction under the leadership of the crown prince.
With the growing influence of the Chinese gentry, however, Confucianism gained ground again, until with the transfer of the capital to Loyang it gained a complete victory, taking the place of Buddhism and becoming once more as in the past the official religion of the state. This process shows us once more how closely the social order of the gentry was associated with Confucianism.
(E) Succession States of the Toba (A.D. 550-580): Northern Ch'i dynasty,
Northern Chou dynasty
1 Reasons for the splitting of the Toba empire
Events now pursued their logical course. The contrast between the central power, now become entirely Chinese, and the remains of the tribes who were with their herds mainly in Shansi and the Ordos region and were hopelessly impoverished, grew more and more acute. From 530 onward the risings became more and more formidable. A few Toba who still remained with their old tribes placed themselves at the head of the rebels and conquered not only the whole of Shansi but also the capital, where there was a great massacre of Chinese and pro-Chinese Toba. The rebels were driven back; in this a man of the Kao family distinguished himself, and all the Chinese and pro-Chinese gathered round him. The Kao family, which may have been originally a Hsien-pi family, had its estates in eastern China and so was closely associated with the eastern Chinese gentry, who were the actual rulers of the Toba State. In 534 this group took the impotent emperor of their own creation to the city of Yeh in
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