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deliverer, what gates would be closed, what obedience refused! What jealousies opposed, what homage denied. Love, courage, and fixed fidelity await you, and under your standards shall the voice of Petrarch be fulfilled:

Virtu contro al furore
Prenderà l'arme e fia il combatter corto:
Chè l'antico valore
Negl' Italici cor non è ancor morto.

Such is The Prince of Machiavelli. The vision of its breathless exhortation seemed then as but a landscape to a blind man's eye. But the passing of three hundred and fifty years of the misery he wept for brought at the last, almost in perfect exactness, the fulfilment of that impossible prophecy.

[Sidenote: The Attack.]

There is no great book in the world of smaller compass than The Prince of Machiavelli. There is no book more lucidly, directly, and plainly written. There is no book that has aroused more vehement, venomous, and even truculent controversy from the moment of its publication until to-day. And it is asserted with great probability that The Prince has had a more direct action upon real life than any other book in the world, and a larger share in breaking the chains and lighting the dark places of the Middle Ages. It is a truism to say that Machiavellism existed before Machiavelli. The politics of Gian Galeazzo Visconti, of Louis XI. of France, of Ferdinand of Spain, of the Papacy, of Venice, might have been dictated by the author of The Prince. But Machiavelli was the first to observe, to compare, to diagnose, to analyse, and to formulate their principles of government. The first to establish, not a divorce, but rather a judicial separation between the morals of a man and the morals of a government. It is around the purpose and possible results of such a separation in politics, ethics, and religion that the storm has raged most fiercely. To follow the path of that storm through near four centuries many volumes would be needed, and it will be more convenient to deal with the more general questions in summing up the influence of Machiavelli as a whole. But the main lines and varying fortunes of the long campaign may be indicated. During the period of its manuscript circulation and for a few years after its publication The Prince was treated with favour or at worst with indifference, and the first mutterings were merely personal to the author. He was a scurvy knave and turncoat with neither bowels nor conscience, almost negligible. But still men read him, and a change in conditions brought a change in front. He had in The Prince, above all in the Discorsi, accused the Church of having ruined Italy and debauched the world. In view of the writer's growing popularity, of the Reformation and the Pagan Renaissance, such charges could no longer be lightly set aside. The Churchmen opened the main attack. Amongst the leaders was Cardinal Pole, to whom the practical precepts of The Prince had been recommended in lieu of the dreams of Plato, by Thomas Cromwell, the malleus monachorum of Henry VIII. The Catholic attack was purely theological, but before long the Jesuits joined in the cry. Machiavelli was burnt in effigy at Ingoldstadt. He was subdolus diabolicarum cogitationum faber, and irrisor et atheos to boot. The Pope himself gave commissions to unite against him, and his books were placed on the Index, together, it must be admitted, with those of Boccaccio, Erasmus, and Savonarola so the company was goodly. But meanwhile, and perhaps in consequence, editions and translations of The Prince multiplied apace. The great figures of the world were absorbed by it. Charles V., his son, and his courtiers studied the book. Catherine de Medici brought it to France. A copy of The Prince was found on the murdered bodies of Henry III. and Henry IV. Richelieu praised it. Sextus V. analysed it in his own handwriting. It was read at the English Court; Bacon was steeped in it, and quotes or alludes to it constantly. Hobbes and Harrington studied it.

But now another change. So then, cried Innocent Gentillet, the Huguenot, the book is a primer of despotism and Rome, and a grammar for bigots and tyrants. It doubtless is answerable for the Massacre of St. Bartholomew. The man is a chien impur. And in answer to this new huntsman the whole Protestant pack crashed in pursuit. Within fifty years of his death The Prince and Machiavelli himself had become a legend and a myth, a haunting, discomforting ghost that would not be laid. Machiavellism had grown to be a case of conscience both to Catholic and Protestant, to Theologian, Moralist, and Philosopher. In Spain the author, damned in France for his despotism and popery, was as freshly and freely damned for his civil and religious toleration. In England to the Cavaliers he was an Atheist, to the Roundheads a Jesuit. Christina of Sweden annotated him with enthusiasm. Frederick the Great published his Anti-Machiavel brimming with indignation, though it is impossible not to wonder what would have become of Prussia had not the Prussian king so closely followed in practice the precepts of the Florentine, above all perhaps, as Voltaire observed, in the publication of the Anti-Machiavel itself. No doubt in the eighteenth century, when monarchy was so firmly established as not to need Machiavelli, kings and statesmen sought to clear kingship of the supposed stain he had besmirched them with. But their reading was as little as their misunderstanding was great, and the Florentine Secretary remained the mysterious necromancer. It was left for Rousseau to describe the book of this 'honnête homme et bon citoyen' as 'le livre des Républicains,' and for Napoleon, the greatest of the author's followers if not disciples, to draw inspiration and suggestion from his Florentine forerunner and to justify the murder of the Due d'Enghien by a quotation from The Prince. 'Mais après tout,' he said, 'un homme d'Etat est-il fait pour être sensible? N'est-ce pas un personnage-complètement excentrique, toujours seul d'un côté, avec le monde de l'autre?' and again 'Jugez done s'il doit s'amuser à ménager certaines convenances de sentiments si importantes pour le commun des hommes? Peut-il considérer les liens du sang, les affections, les puérils ménagements de la société? Et dans la situation où il se trouve, que d'actions séparées de l'ensemble et qu'on blâme, quoiqu'elles doivent contribuer au grand oeuvre que tout le monde n'aperçoit pas? ... Malheureux que vous êtes! vous retiendrez vos éloges parce que vous craindrez que le mouvement de cette grande machine ne fasse sur vous l'effet de Gulliver, qui, lorsqu'il déplaçait sa jambe, écrasait les Lilliputiens. Exhortez-vous, devancez le temps, agrandissez votre imagination, regardez de loin, et vous verrez que ces grands personnages que vous croyez violents, cruels, que sais-je? ne sont que des politiques. Ils se connaissent, se jugent mieux que vous, et, quand ils sont réellement habiles, ils savent se rendre maîtres de leurs passions car ils vont jusqu'à en calculer les effets.' Even in his carriage at Waterloo was found a French translation of The Prince profusely annotated.

[Sidenote: The Defence.]

But from the first the defence was neither idle nor weak. The assault was on the morals of the man: the fortress held for the ideas of the thinker. He does not treat of morals, therefore he is immoral, cried the plaintiff. Has he spoken truth or falsehood? Is his word the truth and will his truth prevail? was the rejoinder. In Germany and Italy especially and in France and England in less degree, philosophers and critics have argued and written without stint and without cease. As history has grown wider and more scientific so has the preponderance of opinion leaned to the Florentine's favour.

It would be impossible to recapitulate the arguments or even to indicate the varying points of view. And indeed the main hindrance in forming a just idea of The Prince is the constant treatment of a single side of the book and the preconceived intent of the critic. Bacon has already been mentioned. Among later names are Hobbes, Spinoza, Leibnitz. Herder gives qualified approval, while Fichte frankly throws down the glove as The Prince's champion. 'Da man weiss dass politische Machtfragen nie, am wenigsten in einem verderbten Volke, mit den Mitteln der Moral zu lösen sind, so ist es unverständig das Buch von Fürsten zu verschreien. Macchiavelli hatte einen Herrscher zu schildern, keinen Klosterbruder.' The last sentence may at least be accepted as a last word by practical politicians. Ranke and Macaulay, and a host of competent Germans and Italians have lent their thought and pens to solve the riddle in the Florentine's favour. And lastly, the course of political events in Europe have seemed to many the final justification of the teaching of The Prince. The leaders of the Risorgimento thought that they found in letters, 'writ with a stiletto,' not only the inspirations of patriotism and the aspirations to unity, but a sure and trusted guide to the achievement. Germany recognised in the author a schoolmaster to lead them to unification, and a military instructor to teach them of an Armed People. Half Europe snatched at the principle of Nationality. For in The Prince, Machiavelli not only begat ideas but fertilised the ideas of others, and whatever the future estimation of the book may be, it stands, read or unread, as a most potent, if not as the dominant, factor in European politics for four hundred years.

[Sidenote: The Discorsi.]

The Discorsi, printed in Rome by Blado, 1537, are not included in the present edition, as the first English translation did not appear until 1680, when almost the entire works of Machiavelli were published by an anonymous translator in London. But some account and consideration of their contents is imperative to any review of the Florentine's political thoughts. Such Discorsi and Relazioni were not uncommon at the time. The stronger and younger minds of the Renaissance wearied of discussing in the lovely gardens of the Rucellai the ideas of Plato or the allegories of Plotinus. The politics of Aristotle had just been intelligibly translated by Leonardo Bruni (1492). And to-day the young ears and eyes of Florence were alert for an impulse to action. They saw glimpses, in reopened fields of history, of quarries long grown over where the ore of positive politics lay hid. The men who came to-day to the Orti Oricellarii were men versed in public affairs, men of letters, historians, poets, living greatly in a great age, with Raphael, Michael Angelo, Ariosto, Leonardo going up and down amongst them. Machiavelli was now in fair favour with the Medici, and is described by Strozzi as una persona per sorgere (a rising man). He was welcomed into the group with enthusiasm, and there read and discussed the Discorsi. Nominally mere considerations upon the First Decade of Livy, they rapidly encircled all that was known and thought of policy and state-craft, old and living.

[Sidenote: Their Plan.]

Written concurrently with The Prince, though completed later, the Discorsi contain almost the whole of the thoughts and intents of the more famous book, but with a slightly different application. 'The Prince traces the progress of an ambitious man, the Discorsi the progress of an ambitious people,' is an apt if inadequate criticism. Machiavelli was not the first Italian who thought and wrote upon the problems of his time. But he was the first who discussed grave questions in modern language. He was the first modern political writer who wrote of men and not of man, for the Prince himself is a collective individuality.

'This must be regarded as a general rule,' is ever in Machiavelli's mouth, while Guicciardini finds no value in a general rule, but only in 'long experience and
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