Four Ghost Stories - Mrs. Molesworth (beginner reading books for adults txt) 📗

a moment or two he said no more, and even pretty, spoilt Mrs. Snowdon looked a little uneasy.

"You shouldn't have persisted, Nina," she whispered.

Mr. Marischal must have had unusually quick ears. He looked up and smiled.

"I really don't mind telling you all there is to hear," he said. "At one time I had a sort of dislike to mentioning the story, for the sake of others. The details would have led to its being recognised—and it might have been painful. But there is no one now living to whom it would matter—you know," he added, turning to his sister; "her husband is dead too."

Lady Denholme shook her head.

"No," she said, "I did not hear."

"Yes," said her brother, "I saw his death in the papers last year. He had married again, I believe. There is not now, therefore, any reason why I should not tell the story, if it will interest you," he went on, turning to the others. "And there is not very much to tell. Not worth making such a preamble about. It was—let me see—yes, it must be nearly fifteen years ago."

"Wait a moment, Uncle Paul," said Nina. "Yes, that's all right, Gladys. You and I will hold each other's hands, and pinch hard if we get very frightened."

"Thank you," Miss Lloyd replied. "On the whole I should prefer for you not to hold my hand."

"But I won't pinch you so as to hurt," said Nina reassuringly; "and it isn't as if we were in the dark."

"Shall I turn down the lamps?" asked Mr. Snowdon.

"No, no," exclaimed his wife.

"There really is nothing frightening—scarcely even 'creepy,' in my story at all," said Mr. Marischal, half apologetically. "You make me feel like an impostor."

"Oh no, Uncle Paul, don't say that. It is all my fault for interrupting," said Nina. "Now go on, please. I have Gladys's hand all the same," she added sotto voce, "it's just as well to be prepared."

"Well, then," began Mr. Marischal once more, "it must be nearly fifteen years ago; and I had not seen her for fully ten years before that again! I was not thinking of her in the least; in a sense I had really forgotten her: she had quite gone out of my life; that has always struck me as a very curious point in the story," he added parenthetically.

"Won't you tell us who 'she' was, Uncle Paul?" asked Nina half shyly.

"Oh yes, I was going to do so. I am not skilled in story-telling, you see. She was, at the time I first knew her—at the only time, indeed, that I knew her—a very sweet and attractive girl, named Maud Bertram. She was very pretty—more than pretty, for she had remarkably regular features—her profile was always admired, and a tall and graceful figure. And she was a bright and happy creature too; that, perhaps, was almost her greatest charm. You will wonder—I see the question hovering on your lips, Miss Lloyd, and on yours too, Mrs. Snowdon—why, if I admired her and liked her so much, I did not go further. And I will tell you frankly that I did not because I dared not. I had then no prospect of being able to marry for years to come, and I was not very young. I was already nearly thirty, and Maud was quite ten years younger. I was wise enough and old enough to realise the situation thoroughly, and to be on my guard."

"And Maud?" asked Mrs. Snowdon.

"She was surrounded by admirers; it seemed to me then that it would have been insufferable conceit to have even asked myself if it could matter to her. It was only in the light of after events that the possibility of my having been mistaken occurred to me. And I don't even now see that I could have acted otherwise——" Here Uncle Paul sighed a little. "We were the best of friends. She knew that I admired her, and she seemed to take a frank pleasure in its being so. I had always hoped that she really liked and trusted me as a friend, but no more. The last time I saw her was just before I started for Portugal, where I remained three years. When I returned to London Maud had been married for two years, and had gone straight out to India on her marriage, and except by some few friends who had known us both intimately, I seldom heard her mentioned. And time passed. I cannot say I had exactly forgotten her, but she was not much or often in my thoughts. I was a busy and much-absorbed man, and life had proved a serious matter to me. Now and then some passing resemblance would recall her to my mind—once especially when I had been asked to look in to see the young wife of one of my cousins in her court-dress; something in her figure and bearing brought back Maud to my memory, for it was thus, in full dress, that I had last seen her, and thus perhaps, unconsciously, her image had remained photographed on my brain. But as far as I can recollect at the time when the occurrence I am going to relate to you happened, I had not been thinking of Maud Bertram for months. I was in London just then, staying with my brother, my eldest brother, who had been married for several years, and lived in our own old town-house in —— Square. It was in April, a clear spring day, with no fog or half-lights about, and it was not yet four o'clock in the afternoon—not very ghost-like circumstances, you will admit. I had come home early from my club—it was a sort of holiday-time with me just then for a few weeks—intending to get some letters written which had been on my mind for some days, and I had sauntered into the library, a pleasant, fair-sized room lined with books, on the first-floor. Before setting to work I sat down for a moment or two in an easy-chair by the fire, for it was still cool enough weather to make a fire desirable, and began thinking over my letters. No thought, no shadow of a thought of my old friend Miss Bertram was present with me; of that I am perfectly certain. The door was on the same side of the room as the fireplace; as I sat there, half facing the fire, I also half faced the door. I had not shut it properly on coming in—I had only closed it without turning the handle—and I did not feel surprised when it slowly and noiselessly swung open, till it stood right out into the room, concealing the actual doorway from my view. You will perhaps understand the position better if you think of the door as just then acting like a screen to the doorway. From where I sat I could not have seen any one entering the room till he or she had got beyond the door itself. I glanced up, half expecting to see some one come in, but there was no one; the door had swung open of itself. For the moment I sat on, with only the vague thought passing through my mind, 'I must shut it before I begin to write.'

"But suddenly I found my eyes fixing themselves on the carpet; something had come within their range of vision, compelling their attention in a mechanical sort of way. What was it?

"'Smoke,' was my first idea. 'Can there be anything on fire?' But I dismissed the notion almost as soon as it suggested itself. The something, faint and shadowy, that came slowly rippling itself in as it were beyond the dark wood of the open door, was yet too material for 'smoke.' My next idea was a curious one. 'It looks like soapy water,' I said to myself; 'can one of the housemaids have been scrubbing, and upset a pail on the stairs?' For the stair to the next floor almost faced the library door. But—no; I rubbed my eyes and looked again; the soapy water theory gave way. The wavy something that kept gliding, rippling in, gradually assumed a more substantial appearance. It was—yes, I suddenly became convinced of it—it was ripples of soft silken stuff, creeping in as if in some mysterious way unfolded or unrolled, not jerkily or irregularly, but glidingly and smoothly, like little wavelets on the sea-shore.

"And I sat there and gazed. 'Why did you not jump up and look behind the door to see what it was?' you may reasonably ask. That question I cannot answer. Why I sat still, as if bewitched, or under some irresistible influence, I cannot tell, but so it was.

"And it—came always rippling in, till at last it began to rise as it still came on, and I saw that a figure—a tall, graceful woman's figure—was slowly advancing, backwards of course, into the room, and that the waves of pale silk—a very delicate shade of pearly gray I think it must have been—were in fact the lower portion of a long court-train, the upper part of which hung in deep folds from the lady's waist. She moved in—I cannot describe the motion, it was not like ordinary walking or stepping backwards—till the whole of her figure and the clear profile of her face and head were distinctly visible, and when at last she stopped and stood there full in my view just, but only just beyond the door, I saw—it came upon me like a flash—that she was no stranger to me, this mysterious visitant! I recognised, unchanged it seemed to me since the day, ten years ago, when I had last seen her, the beautiful features of Maud Bertram."

Mr. Marischal stopped a moment. Nobody spoke. Then he went on again.

"I should not have said 'unchanged.' There was one great change in the sweet face. You remember my telling you that one of my girl-friend's greatest charms was her bright sunny happiness—she never seemed gloomy or depressed or dissatisfied, seldom even pensive. But in this respect the face I sat there gazing at was utterly unlike Maud Bertram's. Its expression, as she—or 'it'—stood there looking, not towards me, but out beyond, as if at some one or something outside the doorway, was of the profoundest sadness. Anything so sad I had never seen in a human face, and I trust I never may. But I sat on, as motionless almost as she, gazing at her fixedly, with no desire, no power perhaps, to move or approach more nearly to the phantom. I was not in the least frightened. I knew it was a phantom, but I felt paralysed, and as if I myself had somehow got outside of ordinary conditions. And there I sat—staring at Maud, and there she stood, gazing before her with that terrible, unspeakable sadness in her face, which, even though I felt no fear, seemed to freeze me with a kind of unutterable pity.

"I don't know how long I had sat thus, or how long I might have continued to sit there, almost as if in a trance, when suddenly I heard the front-door bell ring. It seemed to awaken me. I started up and glanced round, half-expecting that I should find the vision dispelled. But no; she was still there, and I sank back into my seat just as I heard my brother coming quickly upstairs. He came towards the library, and seeing the door wide open walked in, and I, still gazing, saw his figure pass through that of the woman in the doorway as you may walk through a wreath of mist or smoke—only, don't misunderstand me, the figure of Maud till that moment had had nothing unsubstantial about it. She had looked to me, as she stood there, literally and exactly like a living woman—the shade of her dress, the colour of her hair, the few ornaments she wore, all were as defined and clear as yours,