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he could see. The city below stretched away to the limits of vision, and he hoped that no sound would well up from it.

The pavement from which he easily raised himself was a veined polished stone beyond his power to identify, and the tiles were cut in bizarre-angled shapes which struck him as less asymmetrical than based on some unearthly symmetry whose laws he could not comprehend. The balustrade was chest-high, delicate, and fantastically wrought, while along the rail were ranged at short intervals little figures of grotesque design and exquisite workmanship. They, like the whole balustrade, seemed to be made of some sort of shining metal whose colour could not be guessed in the chaos of mixed effulgences, and their nature utterly defied conjecture. They represented some ridged barrel-shaped objects with thin horizontal arms radiating spoke-like from a central ring and with vertical knobs or bulbs projecting from the head and base of the barrel. Each of these knobs was the hub of a system of five long, flat, triangularly tapering arms arranged around it like the arms of a starfish—nearly horizontal, but curving slightly away from the central barrel. The base of the bottom knob was fused to the long railing with so delicate a point of contact that several figures had been broken off and were missing. The figures were about four and a half inches in height, while the spiky arms gave them a maximum diameter of about two and a half inches.

When Gilman stood up, the tiles felt hot to his bare feet. He was wholly alone, and his first act was to walk to the balustrade and look dizzily down at the endless, Cyclopean city almost two thousand feet below. As he listened he thought a rhythmic confusion of faint musical pipings covering a wide tonal range welled up from the narrow streets beneath, and he wished he might discern the denizens of the place. The sight turned him giddy after a while, so that he would have fallen to the pavement had he not clutched instinctively at the lustrous balustrade. His right hand fell on one of the projecting figures, the touch seeming to steady him slightly. It was too much, however, for the exotic delicacy of the metal-work, and the spiky figure snapped off under his grasp. Still half dazed, he continued to clutch it as his other hand seized a vacant space on the smooth railing.

But now his over-sensitive ears caught something behind him, and he looked back across the level terrace. Approaching him softly though without apparent furtiveness were five figures, two of which were the sinister old woman and the fanged, furry little animal. The other three were what sent him unconscious; for they were living entities about eight feet high, shaped precisely like the spiky images on the balustrade, and propelling themselves by a spider-like wriggling of their lower set of starfish-arms.

Gilman awoke in his bed, drenched by a cold perspiration and with a smarting sensation in his face, hands and feet. Springing to the floor, he washed and dressed in frantic haste, as if it were necessary for him to get out of the house as quickly as possible. He did not know where he wished to go, but felt that once more he would have to sacrifice his classes. The odd pull toward that spot in the sky between Hydra and Argo had abated, but another of even greater strength had taken its place. Now he felt that he must go north—infinitely north. He dreaded to cross the bridge that gave a view of the desolate island in the Miskatonic, so went over the Peabody Avenue bridge. Very often he stumbled, for his eyes and ears were chained to an extremely lofty point in the blank blue sky.

After about an hour he got himself under better control, and saw that he was far from the city. All around him stretched the bleak emptiness of salt marshes, while the narrow road ahead led to Innsmouth—that ancient, half-deserted town which Arkham people were so curiously unwilling to visit. Though the northward pull had not diminished, he resisted it as he had resisted the other pull, and finally found that he could almost balance the one against the other. Plodding back to town and getting some coffee at a soda fountain, he dragged himself into the public library and browsed aimlessly among the lighter magazines. Once he met some friends who remarked how oddly sunburned he looked, but he did not tell them of his walk. At three o’clock he took some lunch at a restaurant, noting meanwhile that the pull had either lessened or divided itself. After that he killed the time at a cheap cinema show, seeing the inane performance over and over again without paying any attention to it.

About nine at night he drifted homeward and shuffled into the ancient house. Joe Mazurewicz was whining unintelligible prayers, and Gilman hastened up to his own garret chamber without pausing to see if Elwood was in. It was when he turned on the feeble electric light that the shock came. At once he saw there was something on the table which did not belong there, and a second look left no room for doubt. Lying on its side—for it could not stand up alone—was the exotic spiky figure which in his monstrous dream he had broken off the fantastic balustrade. No detail was missing. The ridged, barrel-shaped center, the thin radiating arms, the knobs at each end, and the flat, slightly outward-curving starfish-arms spreading from those knobs—all were there. In the electric light the colour seemed to be a kind of iridescent grey veined with green; and Gilman could see amidst his horror and bewilderment that one of the knobs ended in a jagged break, corresponding to its former point of attachment to the dream-railing.

Only his tendency toward a dazed stupor prevented him from screaming aloud. This fusion of dream and reality was too much to bear. Still dazed, he clutched at the spiky thing and staggered downstairs to Landlord Dombrowski’s quarters. The whining prayers of the superstitious loom-fixer were still sounding through the mouldy halls, but Gilman did not mind them now. The landlord was in, and greeted him pleasantly. No, he had not seen that thing before and did not know anything about it. But his wife had said she found a funny tin thing in one of the beds when she fixed the rooms at noon, and maybe that was it. Dombrowski called her, and she waddled in. Yes, that was the thing. She had found it in the young gentleman’s bed—on the side next the wall. It had looked very queer to her, but of course the young gentleman had lots of queer things in his room—books and curios and pictures and markings on paper. She certainly knew nothing about it.

So Gilman climbed upstairs again in mental turmoil, convinced that he was either still dreaming or that his somnambulism had run to incredible extremes and led him to depredations in unknown places. Where had he got this outr� thing? He did not recall seeing it in any museum in Arkham. It must have been somewhere, though; and the sight of it as he snatched it in his sleep must have caused the odd dream-picture of the balustraded terrace. Next day he would make some very guarded inquiries—and perhaps see the nerve specialist.

Meanwhile he would try to keep track of his somnambulism. As he went upstairs and across the garret hall he sprinkled about some flour which he had borrowed—with a frank admission as to its purpose—from the landlord. He had stopped at Elwood’s door on the way, but had found all dark within. Entering his room, he placed the spiky thing on the table, and lay down in complete mental and physical exhaustion without pausing to undress. From the closed loft above the slating ceiling he thought he heard a faint scratching and padding, but he was too disorganized even to mind it. That cryptical pull from the north was getting very strong again, though it seemed now to come from a lower place in the sky.

In the dazzling violet light of dream the old woman and the fanged, furry thing came again and with a greater distinctness than on any former occasion. This time they actually reached him, and he felt the crone’s withered claws clutching at him. He was pulled out of bed and into empty space, and for a moment he heard a rhythmic roaring and saw the twilight amorphousness of the vague abysses seething around him. But that moment was very brief, for presently he was in a crude, windowless little space with rough beams and planks rising to a peak just above his head, and with a curious slanting floor underfoot. Propped level on that floor were low cases full of books of every degree of antiquity and disintegration, and in the centre were a table and bench, both apparently fastened in place. Small objects of unknown shape and nature were ranged on the tops of the cases, and in the flaming violet light Gilman thought he saw a counterpart of the spiky image which had puzzled him so horribly. On the left the floor fell abruptly away, leaving a black triangular gulf out of which, after a second’s dry rattling, there presently climbed the hateful little furry thing with the yellow fangs and bearded human face.

The evilly-grinning beldame still clutched him, and beyond the table stood a figure he had never seen before—a tall, lean man of dead black colouration but without the slightest sign of negroid features: wholly devoid of either hair or beard, and wearing as his only garment a shapeless robe of some heavy black fabric. His feet were indistinguishable because of the table and bench, but he must have been shod, since there was a clicking whenever he changed position. The man did not speak, and bore no trace of expression on his small, regular features. He merely pointed to a book of prodigious size which lay open on the table, while the beldame thrust a huge grey quill into Gilman’s right hand. Over everything was a pall of intensely maddening fear, and the climax was reached when the furry thing ran up the dreamer’s clothing to his shoulders and then down his left arm, finally biting him sharply in the wrist just below his cuff. As the blood spurted from this wound Gilman lapsed into a faint.

He awaked on the morning of the twenty-second with a pain in his left wrist, and saw that his cuff was brown with dried blood. His recollections were very confused, but the scene with the black man in the unknown space stood out vividly. The rats must have bitten him as he slept, giving rise to the climax of that frightful dream. Opening the door, he saw that the flour on the corridor floor was undisturbed except for the huge prints of the loutish fellow who roomed at the other end of the garret. So he had not been sleep-walking this time. But something would have to be done about those rats. He would speak to the landlord about them. Again he tried to stop up the hole at the base of the slanting wall, wedging in a candlestick which seemed of about the right size. His ears were ringing horribly, as if with the residual echoes of some horrible noise heard in dreams.

As he bathed and changed clothes he tried to recall what he had dreamed after the scene in the violet-litten space, but nothing definite would crystallize in his mind. That scene itself must have corresponded to the sealed loft overhead, which had begun to attack his imagination so violently, but later impressions were faint and hazy. There were suggestions of the vague, twilight abysses, and of still vaster, blacker abysses beyond

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