Ghosts I Have Met and Some Others by John Kendrick Bangs (summer books .TXT) 📗

The old gentleman's pallid face reddened as he said this, and while I was hopeless as to anything of value resulting from his ideas, I could not resist the temptation to hear what he had to say further, his manner was so deliciously simple, and his desire to aid me so manifest. He rattled on with suggestions for a half-hour. Some of them were good, but none were new. Some were irresistibly funny, and did me good because they made me laugh, and I hadn't laughed naturally for a period so long that it made me shudder to think of it, fearing lest I should forget how to be mirthful. Finally I grew tired of his persistence, and, with a very ill-concealed impatience, told him plainly that I could do nothing with his suggestions, thanking him, however, for the spirit of kindliness which had prompted him to offer them. He appeared somewhat hurt, but immediately desisted, and when nine o'clock came he rose up to go. As he walked to the door he seemed to be undergoing some mental struggle, to which, with a sudden resolve, he finally succumbed, for, after having picked up his hat and stick and donned his overcoat, he turned to me and said:

"Mr. Thurlow, I don't want to offend you. On the contrary, it is my dearest wish to assist you. You have helped me, as I have told you. Why may I not help you?"

[Illustration: "HE RATTLED ON FOR HALF AN HOUR"]

"I assure you, sir—" I began, when he interrupted me.

"One moment, please," he said, putting his hand into the inside pocket of his black coat and extracting from it an envelope addressed to me. "Let me finish: it is the whim of one who has an affection for you. For ten years I have secretly been at work myself on a story. It is a short one, but it has seemed good to me. I had a double object in seeking you out to-night. I wanted not only to see you, but to read my story to you. No one knows that I have written it; I had intended it as a surprise to my—to my friends. I had hoped to have it published somewhere, and I had come here to seek your advice in the matter. It is a story which I have written and rewritten and rewritten time and time again in my leisure moments during the ten years past, as I have told you. It is not likely that I shall ever write another. I am proud of having done it, but I should be prouder yet if it—if it could in some way help you. I leave it with you, sir, to print or to destroy; and if you print it, to see it in type will be enough for me; to see your name signed to it will be a matter of pride to me. No one will ever be the wiser, for, as I say, no one knows I have written it, and I promise you that no one shall know of it if you decide to do as I not only suggest but ask you to do. No one would believe me after it has appeared as yours, even if I should forget my promise and claim it as my own. Take it. It is yours. You are entitled to it as a slight measure of repayment for the debt of gratitude I owe you."

He pressed the manuscript into my hands, and before I could reply had opened the door and disappeared into the darkness of the street. I rushed to the sidewalk and shouted out to him to return, but I might as well have saved my breath and spared the neighborhood, for there was no answer. Holding his story in my hand, I re-entered the house and walked back into my library, where, sitting and reflecting upon the curious interview, I realized for the first time that I was in entire ignorance as to my visitor's name and address.

[Illustration: "THE DEMON VANISHED"]

I opened the envelope hoping to find them, but they were not there. The envelope contained merely a finely written manuscript of thirty odd pages, unsigned.

And then I read the story. When I began it was with a half-smile upon my lips, and with a feeling that I was wasting my time. The smile soon faded, however; after reading the first paragraph there was no question of wasted time. The story was a masterpiece. It is needless to say to you that I am not a man of enthusiasms. It is difficult to arouse that emotion in my breast, but upon this occasion I yielded to a force too great for me to resist. I have read the tales of Hoffmann and of Poe, the wondrous romances of De La Motte Fouque, the unfortunately little-known tales of the lamented Fitz-James O'Brien, the weird tales of writers of all tongues have been thoroughly sifted by me in the course of my reading, and I say to you now that in the whole of my life I never read one story, one paragraph, one line, that could approach in vivid delineation, in weirdness of conception, in anything, in any quality which goes to make up the truly great story, that story which came into my hands as I have told you. I read it once and was amazed. I read it a second time and was—tempted. It was mine. The writer himself had authorized me to treat it as if it were my own; had voluntarily sacrificed his own claim to its authorship that he might relieve me of my very pressing embarrassment. Not only this; he had almost intimated that in putting my name to his work I should be doing him a favor. Why not do so, then, I asked myself; and immediately my better self rejected the idea as impossible. How could I put out as my own another man's work and retain my self -respect? I resolved on another and better course—to send you the story in lieu of my own with a full statement of the circumstances under which it had come into my possession, when that demon rose up out of the floor at my side, this time more evil of aspect than before, more commanding in its manner. With a groan I shrank back into the cushions of my chair, and by passing my hands over my eyes tried to obliterate forever the offending sight; but it was useless. The uncanny thing approached me, and as truly as I write sat upon the edge of my couch, where for the first time it addressed me.

"Fool!" it said, "how can you hesitate? Here is your position: you have made a contract which must be filled; you are already behind, and in a hopeless mental state. Even granting that between this and to-morrow morning you could put together the necessary number of words to fill the space allotted to you, what kind of a thing do you think that story would make? It would be a mere raving like that other precious effort of August. The public, if by some odd chance it ever reached them, would think your mind was utterly gone; your reputation would go with that verdict. On the other hand, if you do not have the story ready by to-morrow, your hold on the Idler will be destroyed. They have their announcements printed, and your name and portrait appear among those of the prominent contributors. Do you suppose the editor and publisher will look leniently upon your failure?"

"Considering my past record, yes," I replied. "I have never yet broken a promise to them."

"Which is precisely the reason why they will be severe with you. You, who have been regarded as one of the few men who can do almost any kind of literary work at will—you, of whom it is said that your 'brains are on tap'—will they be lenient with you? Bah! Can't you see that the very fact of your invariable readiness heretofore is going to make your present unreadiness a thing incomprehensible?"

"Then what shall I do?" I asked. "If I can't, I can't, that is all."

"You can. There is the story in your hands. Think what it will do for you. It is one of the immortal stories—"

"You have read it, then?" I asked.

"Haven't you?"

"Yes—but—"

"It is the same," it said, with a leer and a contemptuous shrug. "You and I are inseparable. Aren't you glad?" it added, with a laugh that grated on every fibre of my being. I was too overwhelmed to reply, and it resumed: "It is one of the immortal stories. We agree to that. Published over your name, your name will live. The stuff you write yourself will give you present glory; but when you have been dead ten years people won't remember your name even—unless I get control of you, and in that case there is a very pretty though hardly a literary record in store for you."

Again it laughed harshly, and I buried my face in the pillows of my couch, hoping to find relief there from this dreadful vision.

"Curious," it said. "What you call your decent self doesn't dare look me in the eye! What a mistake people make who say that the man who won't look you in the eye is not to be trusted! As if mere brazenness were a sign of honesty; really, the theory of decency is the most amusing thing in the world. But come, time is growing short. Take that story. The writer gave it to you. Begged you to use it as your own. It is yours. It will make your reputation, and save you with your publishers. How can you hesitate?"

"I shall not use it!" I cried, desperately.

"You must—consider your children. Suppose you lose your connection with these publishers of yours?"

"But it would be a crime."

"Not a bit of it. Whom do you rob? A man who voluntarily came to you, and gave you that of which you rob him. Think of it as it is— and act, only act quickly. It is now midnight."

The tempter rose up and walked to the other end of the room, whence, while he pretended to be looking over a few of my books and pictures, I was aware he was eyeing me closely, and gradually compelling me by sheer force of will to do a thing which I abhorred. And I—I struggled weakly against the temptation, but gradually, little by little, I yielded, and finally succumbed altogether. Springing to my feet, I rushed to the table, seized my pen, and signed my name to the story.

"There!" I said. "It is done. I have saved my position and made my reputation, and am now a thief!"

[Illustration: "DOESN'T DARE TO LOOK ME IN THE EYE"]

"As well as a fool," said the other, calmly. "You don't mean to say you are going to send that manuscript in as it is?"

"Good Lord!" I cried. "What under heaven have you been trying to make me do for the last half hour?"

"Act like a sane being," said the demon. "If you send that manuscript to Currier he'll know in a minute it isn't yours. He knows you haven't an amanuensis, and that handwriting isn't yours. Copy it."

"True!" I answered. "I haven't much of a mind for details to-night.
I will do as you say."

I did so. I got out my pad and pen and ink, and for three hours diligently applied myself to the task of copying the story. When it was finished I went over it carefully, made a few minor corrections, signed it, put it in an envelope, addressed it to you, stamped it, and went out to the mail-box on the corner, where I dropped it into the slot, and returned home. When I had returned to my library my visitor was still there.

"Well," it said, "I wish you'd hurry and complete this affair. I am tired, and wish to go."

"You can't go too soon to please me," said I, gathering up the original manuscripts of the story and preparing to put them away in my desk.

"Probably not," it sneered. "I'll be glad to go too, but I can't go until that manuscript is destroyed. As long as it exists there is evidence of your having appropriated the work of another. Why, can't you see that? Burn it!"

"I can't see my way clear in crime!" I retorted. "It is not in my line."

Nevertheless, realizing the value of his advice, I thrust the pages one by one into the blazing log fire,