The Wit and Humor of America, Volume II. (of X.) by Marshall P. Wilder (english novels for beginners .TXT) 📗
- Author: Marshall P. Wilder
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But I quickly forgot my own sorrow and dried my tears with laughter in the enjoyment of the subsequent acts of the opera, as the chorus developed the plot and action. Mr. Hinman, who had been somewhat gentle with me, dealt firmly with the larger boy who followed, and there was a scene of revelry for the next twenty minutes. The old man shook Bill Morrison until his teeth rattled so you couldn't hear him cry. He hit Mickey McCann, the tough boy from, the Lower Prairie, and Mickey ran out and lay down in the snow to cool off. He hit Jake Bailey across the legs with a slate frame, and it hurt so that Jake couldn't howl—he just opened his mouth wide, held up his hands, gasped, and forgot his own name. He pushed Bill Haskell into a seat and the bench broke.
He ran across the room and reached out for Lem Harkins, and Lem had a fit before the old man touched him. He shook Dan Stevenson for two minutes, and when he let him go, Dan walked around his own desk five times before he could find it, and then he couldn't sit[Pg 347] down without holding on. He whipped the two Knowltons with a skate-strap in each hand at the same time; the Greenwood family, five boys and a big girl, he whipped all at once with a girl's skipping rope, and they raised such a united wail that the clock stopped.
He took a twist in Bill Rodecker's front hair, and Bill slept with his eyes open for a week. He kept the atmosphere of that school-room full of dust, and splinters, and lint, weeping, wailing and gnashing of teeth, until he reached the end of the alphabet and all hearts ached and wearied of the inhuman strife and wicked contention. Then he stood up before us, a sickening tangle of slate frame, strap, ebony ferule and skipping rope, a smile on his kind old face, and asked, in clear, triumphant tones:
"WHO says there isn't going to be any more speaking pieces?"
And every last boy in that school sprang to his feet; standing there as one human being with one great mouth, we shrieked in concerted anguish:
"NOBODY DON'T!"
And your Pa, my son, who led that strike, has been "speakin' pieces" ever since.[Pg 348]
A NAUTICAL BALLAD BY CHARLES E. CARRYLWas the "Walloping Window-blind";
No gale that blew dismayed her crew
Or troubled the captain's mind.
The man at the wheel was taught to feel
Contempt for the wildest blow,
And it often appeared, when the weather had cleared,
That he'd been in his bunk below.
Yet fond of amusement, too;
And he played hop-scotch with the starboard watch,
While the captain tickled the crew.
And the gunner we had was apparently mad,
For he sat on the after rail,
And fired salutes with the captain's boots,
In the teeth of the booming gale.
And dined in a royal way
On toasted pigs and pickles and figs
And gummery bread each day.
But the cook was Dutch and behaved as such;
For the diet he gave the crew
Was a number of tons of hot-cross buns
Prepared with sugar and glue.[Pg 349]
And we cast the vessel ashore
On the Gulliby Isles, where the Poohpooh smiles,
And the Rumbletumbunders roar.
And we sat on the edge of a sandy ledge
And shot at the whistling bee;
And the cinnamon-bats wore water-proof hats
As they danced in the sounding sea.
We fed, till we all had grown
Uncommonly shrunk,—when a Chinese junk
Came by from the torriby zone.
She was stubby and square, but we didn't much care,
And we cheerily put to sea;
And we left the crew of the junk to chew
The bark of the rubgub tree."
[Pg 350] NATURAL PERVERSITIES BY JAMES WHITCOMB RILEY
In scientific doubt
On certain facts that Nature tries
To puzzle us about,—
For I am no philosopher
Of wise elucidation,
But speak of things as they occur,
From simple observation.
I never missed a train
Because I didn't run for it;
I never knew it rain
That my umbrella wasn't lent,—
Or, when in my possession,
The sun but wore, to all intent,
A jocular expression.
To dun me for a debt
But I was "cramped" or "busted"; or
I never knew one yet,
When I had plenty in my purse,
To make the least invasion,—
As I, accordingly perverse,
Have courted no occasion.[Pg 351]
What Nature has in view
In giving us the very friend
To trust we oughtn't to.—
But so it is: The trusty gun
Disastrously exploded
Is always sure to be the one
We didn't think was loaded.
And what is worse by half,
We say the funniest thing on earth
And never raise a laugh:
Mid friends that love us overwell,
And sparkling jests and liquor,
Our hearts somehow are liable
To melt in tears the quicker.
The right; in like effect,
We stay the strong and not the weak—
Do most when we neglect.—
Neglected genius—truth be said—
As wild and quick as tinder,
The more you seek to help ahead
The more you seem to hinder.
And, on the selfsame plan,
The biggest fool I ever knew
Was quite a little man:
We find we ought, and then we won't—
We prove a thing, then doubt it,—
Know everything but when we don't
Know anything about it.
[Pg 352] BUDD WILKINS AT THE SHOW BY S.E. KISER
It makes me smile to set and think of years ago.—My stars!
How green I was, and how green all them country people be—
Sometimes it seems almost as if this hardly could be me.
He was the durndest, greenest chap that ever breathed the air—
The biggest town on earth, he thought, was our old county seat,
With its one two-story brick hotel and dusty bizness street.
Which was the most excitin' things Budd Wilkins ever see,
Until, one winter, Skigginsville was all turned upside down
By a troupe of real play actors a-comin' into town.
And I don't s'pose I'll live to see another sich a sight:
I guess that every person who was able fer to go
Jest natchelly cut loose fer oncet, and went to see the show.[Pg 353]
But gosh! it paid us, fer we got seats right in the second row!
Well, the brass band played a tune or two, and then the play begun,
And 'twa'n't long 'fore the villain had the hero on the run.
I never see the equal yit, in all o' my born days.
Of that there brave young heroine, so clingin' and so mild,
And jest as innocent as if she'd been a little child.
As brave as any lion, too, and stronger than an ox!
But there never was a man, I'll bet, that had a softer heart,
And he was always sure to take the weaker person's part.
And I suppose the feller's brain was in a fearful whirl,
Fer there he set and gazed at her, and when she sighed he sighed,
And when she hid her face and sobbed, he actually cried.
And said out loud he'd like to kill the rogue right on the spot,
And when the hero helped the girl, Budd up and yelled "Hooray!"
He'd clean fergot the whole blame thing was nothing but a play.[Pg 354]
And when she cried for help, why I'll admit that I was riled;
The hero couldn't do a thing, but roll and writhe around
And tug and groan because they'd got the poor chap gagged and bound.
And then Budd Wilkins he jumped up and give his hat a slam,
And, quicker'n I can tell it he was up there raisin' Ned,
A-rescuin' the maiden and a-punchin' the rogue's head.
The whole thing seems a sort of blur as I recall it now—
But I can still remember that there was a fearful thud,
With the air chock full of arms and legs and the villain under Budd.
As that there villain was when he was picked up from the floor!—
The show? Oh, it was busted, and they put poor Budd in jail,
And kept him there all night, because I couldn't go his bail.
That sweet, confidin' maiden was the cruel villain's wife!
Budd wilted when he heard it, and he groaned, and then, says he:
"Well, I'll be dummed! Bill, that's the last play actin' show fer me!"
[Pg 355] BALLAD BY CHARLES GODFREY LELAND
Von Schwillensaufenstein,
Rode out mit shpeer and helmet,
Und he coom to de panks of de Rhine.
Vot hadn't got nodings on,
Und she say, "Oh, Ritter Hugo,
Vhere you goes mit yourself alone?"
Mit helmet und mit shpeer,
Till I cooms into em Gasthaus,
Und dere I trinks some beer."
Vot hadn't got nodings on:
"I tont dink mooch of beoplesh
Dat goes mit demselfs alone.
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