The Man Upstairs and Other Stories by P. G. Wodehouse (books to improve english .TXT) 📗

'opping. I address him through the bars.

'Move and I shoot I' he has cried.

The tears have filled my eyes. 'Ow it has brought the 'ole scene back to me!

As I weep, I perceive the cat Alexander approaching.

I have formed a plan. I have opened the cage-door and released the parrot. The cat, I think, will attack the parrot of which Miss 'Enderson is so fond. She will love him no more. He will be expelled.

 

He paused. I suppose my face must have lost some of its alleged sympathy as he set forth this fiendish plot. Even Percy the bluebottle seemed shocked. He had settled on the sugar-bowl, but at these words he rose in a marked manner and left the table.

'You do not approve?' he said.

I shrugged my shoulders.

'It's no business of mine,' I said. 'But don't you think yourself it was playing it a bit low down? Didn't the thought present itself to you in a shadowy way that it was rather rough on the bird?'

'It did, monsieur. But what would you? It is necessary to break eggs in order to make an omelette. All is fair, you say, in love and war, and this was both. Moreover, you must understand, I do not dictate his movements to the parrot. He is free agent. I do but open the cage-door. Should he 'op out and proceed to the floor where is the cat, that is his affair. I shall continue, yes?'

 

Alors! I open the cage-door and disappear discreetly. It is not politic that I remain to witness what shall transpire. It is for me to establish an alibi. I go to the drawing-room, where I remain.

At dinner that night Mr 'Enderson has laughed.

'In the 'all this afternoon,' he has said, 'I have seen by chance the dickens of a funny occurrence. That parrot of yours, Marion, had escaped once again from its cage and was 'aving an argument with that cat which Captain Bassett has given to you.'

'Oh! I hope that Alexander 'as not hurt poor Polly, of whom I am very fond,' she has said.

'The affair did not come to blows,' has said Mr 'Enderson. 'You may trust that bird to take care of himself, my dear. When I came upon the scene the cat was crouching in a corner, with his fur bristling and his back up, while Polly, standing before 'im, was telling 'im not to move or he would shoot. Nor did he move, till I 'ad seized the parrot and replaced him in the cage, when he shot upstairs like a streak of lightning. By sheer force of character that excellent bird 'ad won the bloodless victory. I drink to 'im!'

You can conceive my emotion as I listen to this tale. I am like the poet's mice and men whose best-kid schemes have gone away. I am baffled. I am discouraged. I do not know what I shall do. I must find another plan, but I do not know what.

How shall I remove the cat? Shall I kill 'im? No, for I might be suspect.

Shall I 'ire someone to steal 'im? No, for my accomplice might betray me.

Shall I myself steal 'im? Ah! that is better. That is a very good plan.

Soon I have it perfected, this plan. Listen, monsieur; it is as follows. It is simple, but it is good. I will await my opportunity. I will remove the cat secretly from the 'ouse. I will take him to an office of the District Messenger Boys. I will order a messenger to carry him at once to the Cats' House, and to request M. le Directeur immediately to destroy him. It is a simple plan, but it is good.

I carry it through without a 'itch. It is not so difficult to secure the cat. 'E is asleep in the drawing-room. There is nobody at hand. I have in my bedroom a 'at-box which I have brought from Paris. I have brought it with me to the drawing-room. I have placed in it the cat. I have escaped from the 'ouse. The cat has uttered a cry, but none has 'eard. I have reached the office of the District Messenger Boys. I have 'anded over the cat in its box. The manager is courteous, sympathetic. A messenger has started in a cab for the Cats' House. I have breathed a sigh of relief. I am saved.

That is what I say to myself as I return. My troubles are over, and once more I can be gay, debonair, vivacious with Miss Marion, for no longer will there be present the cat Alexander to 'arass me.

When I have returned there is commotion in the 'ouse. I pass on the stairs domestics calling 'Puss, puss!' The butler is chirruping loudly and poking beneath the furniture with a umbrella. All is confusion and agitation.

In the drawing-room is Miss Marion. She is distressed.

'Nowhere,' she has said, 'can there be found the cat Alexander of whom I am so fond. Nowhere in the 'ouse is he, Where can he be? He is lost.'

I am gentle, sympathetic. I endeavour to console her. I 'int to her that am I not sufficient substitute for a beastly cat? She is, however, inconsolable. I must be patient. I must wait my time.

Captain Bassett is announced. He is informed of what has 'appened. He is distressed. He has the air as if he, too, would endeavour to be gentle, sympathetic. But I am Johnny-on-the-spot. I stay till he 'as gone.

Next day again it is 'Puss, puss!' Again the butler has explored under the furniture with the umbrella. Again Miss Marion is distressed. Again 'ave I endeavoured to console.

This time I think I am not so unsuccessful. I am, you understand, young, 'andsome, sympathetic. In another two ticks I am about to seize 'er 'and and declare my passion.

But, before I can do so, Captain Bassett is announced.

I gaze at him as at unsuccessful rival. I am confident. I am conqueror. Ah, I little know! It is in the moments of our highest 'ope, monsieur, that we are destroyed.

Captain Bassett, he, too, 'as the air of the conqueror.

He has begun to speak.

'Miss 'Enderson,' he has said, 'I have once more the bally good news. I rather fancy that I 'ave tracked down the missing Alexander, do you not know?'

Miss Marion 'as cried out with joy. But I am calm, for is not Alexander already yesterday destroyed?

'It is like this,' he has resumed. 'I have thought to myself where is lost cat most likely to be? And I have answered, "In the Cats' House." I go this morning to the Cats' House, and there I see a cat which is either lost Alexander or his living image. Exactly is he the same to all appearances as the lost Alexander. But there is, when I try to purchase 'im, some curious 'itch which they do not explain. They must 'ave time, they say, to consider. They cannot at once decide.'

'Why, what nonsense!' Miss Marion 'ave cried. 'If the cat is my cat, surely then must they return 'im to me! Come,' she has said, 'let us all three at once in a taxi-cab go to the Cats' House. If the all three of us identify the lost Alexander, then must they return 'im.'

Monsieur, I am uneasy. I have foreboding. But I go. What choice? We go in a taxi-cab to the Cats' House.

The directeur is courteous and sympathetic. He has introduced us to the cat, and my 'eart 'as turned to water, for it is Alexander. Why has he not been destroyed?

The directeur is speaking. I 'ear him in a dream.

'If you identify 'im as your cat, miss,' he has said, 'the matter is ended. My 'esitation when you, sir, approached me this morning on the matter was due to the fact that a messenger was sent with instructions that he be destroyed at once.'

'Rather rough, wasn't it, that, on the messenger, yes,' Captain Bassett has said. He is facetious, you understand, for he is conqueror.

I am silent. I am not facetious. For already I feel—how do you say?—my fowl is cooked.

'Not the messenger, sir,' the directeur has said. 'You 'ave misunderstood me. It was the cat which was to be destroyed as per instructions of the anonymous sender.'

'Who could have played such a wicked trick?' Miss Marion has asked, indignant.

The directeur has stooped, and from behind a table he has brought a 'at-box.

'In this,' he has said, 'the above animal was conveyed. But with it was no accompanying letter. The sender was anonymous.'

'Per'aps,' Captain Bassett has said—and still more in a dream I 'ear him—'per'aps on the 'at-box there is some bally name or other, do you not know—what?'

I clutch at the table. The room is spinning round and round. I have no stomach—only emptiness.

'Why, bless me,' the directeur has said, 'you're quite right, sir. So there is. Funny of me not to have before observed it. There is a name, and also an address. It is the name of Jean Priaulx, and the address is the Hotel Jules Priaulx, Paris.'

My companion stopped abruptly. He passed a handkerchief over his forehead. With a quick movement he reached for his glass of liqueur brandy and drained it at a gulp.

'Monsieur,' he said, 'you will not wish me to describe the scene? There is no need for me—hein?—to be Zolaesque. You can imagine?'

'She chucked you?' In moments of emotion it is the simplest language that comes to the lips.

He nodded.

'And married Captain Bassett?'

He nodded again.

'And your uncle?' I said. 'How did he take it?'

He sighed.

'There was once more,' he said, 'blooming row, monsieur.'

'He washed his hands of you?'

'Not altogether. He was angry, but he gave me one more chance. I am still 'is dear brother's child, and he cannot forget it. An acquaintance of his, a man of letters, a M. Paul Sartines, was in need of a secretary. The post was not well paid, but it was permanent. My uncle insist that I take it. What choice? I took it. It is the post which I still 'old.'

He ordered another liqueur brandy and gulped it down.

'The name is familiar to you, monsieur? You 'ave 'eard of M. Sartines?'

'I don't think I have. Who is he?'

'He is a man of letters, a savant. For five years he has been occupied upon a great work. It is with that that I assist him by collecting facts for 'is use. I 'ave spent this afternoon in the British Museum collecting facts. Tomorrow I go again. And the next day. And again after that. The book will occupy yet another ten years before it is completed. It is his great work.'

'It sounds as if it was,' I said. 'What's it about?'

He signalled to the waiter.

'Garcon, one other liqueur brandy. The book, monsieur, is a 'Istory of the Cat in Ancient Egypt.'

RUTH IN EXILE

THE clock struck five—briskly, as if time were money. Ruth Warden got up from her desk and, having put on her hat, emerged into the outer office where M. Gandinot received visitors. M. Gandinot, the ugliest man in Roville-sur-Mer, presided over the local mont-de-piete, and Ruth served him, from ten to five, as a sort of secretary-clerk. Her duties, if monotonous, were simple. They consisted of sitting, detached and invisible, behind a ground-glass screen, and entering details of loans in a fat book. She was kept busy as a rule, for Roville possesses two casinos, each offering the attraction of petits chevaux, and just round the corner is Monte Carlo. Very brisk was the business done by M. Gandinot, the pawnbroker, and very frequent were the pitying shakes of the head and clicks of the tongue of M. Gandinot, the man; for in his unofficial capacity Ruth's employer had a gentle soul, and winced at the evidences of tragedy which presented themselves before his official eyes.

He blinked up at Ruth as she appeared, and Ruth, as she looked at him, was conscious, as usual, of a lightening of the depression which, nowadays, seemed to have settled permanently upon her. The peculiar quality of M. Gandinot's extraordinary countenance was that it induced mirth—not mocking laughter, but a kind of smiling happiness. It possessed that indefinable quality which characterizes the Billiken, due, perhaps, to the unquenchable optimism which shone through the irregular features; for M. Gandinot, despite his calling, believed in his fellow-man.

'You are going, mademoiselle?'

As Ruth was wearing her hat and making for the door, and as she always left at this hour, a purist might have considered the question superfluous; but M. Gandinot was a man who seized every opportunity of practising his English.

'You will not wait for the good papa who calls so regularly for you?'

'I think I won't today, M. Gandinot. I want to get out into the