Indiscretions of Archie by P. G. Wodehouse (the gingerbread man read aloud txt) 📗
- Author: P. G. Wodehouse
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“A credit to you, old thing,” said Archie cordially.
“Don’t call me old thing!” growled Mr. Brewster.
“Right-o, old companion!” said Archie amiably.
Archie, a true philosopher, bore this hostility with fortitude, but it worried Lucille.
“I do wish father understood you better,” was her wistful comment when Archie had related the conversation.
“Well, you know,” said Archie, “I’m open for being understood any time he cares to take a stab at it.”
“You must try and make him fond of you.”
“But how? I smile winsomely at him and what not, but he doesn’t respond.”
“Well, we shall have to think of something. I want him to realise what an angel you are. You are an angel, you know.”
“No, really?”
“Of course you are.”
“It’s a rummy thing,” said Archie, pursuing a train of thought which was constantly with him, “the more I see of you, the more I wonder how you can have a father like—I mean to say, what I mean to say is, I wish I had known your mother; she must have been frightfully attractive.”
“What would really please him, I know,” said Lucille, “would be if you got some work to do. He loves people who work.”
“Yes?” said Archie doubtfully. “Well, you know, I heard him interviewing that chappie behind the desk this morning, who works like the dickens from early morn to dewy eve, on the subject of a mistake in his figures; and, if he loved him, he dissembled it all right. Of course, I admit that so far I haven’t been one of the toilers, but the dashed difficult thing is to know how to start. I’m nosing round, but the openings for a bright young man seem so scarce.”
“Well, keep on trying. I feel sure that, if you could only find something to do, it doesn’t matter what, father would be quite different.”
It was possibly the dazzling prospect of making Mr. Brewster quite different that stimulated Archie. He was strongly of the opinion that any change in his father-in-law must inevitably be for the better. A chance meeting with James B. Wheeler, the artist, at the Pen-and-Ink Club seemed to open the way.
To a visitor to New York who has the ability to make himself liked it almost appears as though the leading industry in that city was the issuing of two-weeks’ invitation-cards to clubs. Archie since his arrival had been showered with these pleasant evidences of his popularity; and he was now an honorary member of so many clubs of various kinds that he had not time to go to them all. There were the fashionable clubs along Fifth Avenue to which his friend Reggie van Tuyl, son of his Florida hostess, had introduced him. There were the businessmen’s clubs of which he was made free by more solid citizens. And, best of all, there were the Lambs’, the Players’, the Friars’, the Coffee-House, the Pen-and-Ink,—and the other resorts of the artist, the author, the actor, and the Bohemian. It was in these that Archie spent most of his time, and it was here that he made the acquaintance of J. B. Wheeler, the popular illustrator.
To Mr. Wheeler, over a friendly lunch, Archie had been confiding some of his ambitions to qualify as the hero of one of the Get-on-or-get-out-young-man-step-lively-books.
“You want a job?” said Mr. Wheeler.
“I want a job,” said Archie.
Mr. Wheeler consumed eight fried potatoes in quick succession. He was an able trencherman.
“I always looked on you as one of our leading lilies of the field,” he said. “Why this anxiety to toil and spin?”
“Well, my wife, you know, seems to think it might put me one-up with the jolly old dad if I did something.”
“And you’re not particular what you do, so long as it has the outer aspect of work?”
“Anything in the world, laddie, anything in the world.”
“Then come and pose for a picture I’m doing,” said J. B. Wheeler. “It’s for a magazine cover. You’re just the model I want, and I’ll pay you at the usual rates. Is it a go?”
“Pose?”
“You’ve only got to stand still and look like a chunk of wood. You can do that, surely?”
“I can do that,” said Archie.
“Then come along down to my studio to-morrow.”
“Right-o!” said Archie.
STRANGE EXPERIENCES OF AN ARTIST’S MODEL
“I say, old thing!”
Archie spoke plaintively. Already he was looking back ruefully to the time when he had supposed that an artist’s model had a soft job. In the first five minutes muscles which he had not been aware that he possessed had started to ache like neglected teeth. His respect for the toughness and durability of artists’ models was now solid. How they acquired the stamina to go through this sort of thing all day and then bound off to Bohemian revels at night was more than he could understand.
“Don’t wobble, confound you!” snorted Mr. Wheeler.
“Yes, but, my dear old artist,” said Archie, “what you don’t seem to grasp—what you appear not to realise—is that I’m getting a crick in the back.”
“You weakling! You miserable, invertebrate worm. Move an inch and I’ll murder you, and come and dance on your grave every Wednesday and Saturday. I’m just getting it.”
“It’s in the spine that it seems to catch me principally.”
“Be a man, you faint-hearted string-bean!” urged J. B. Wheeler. “You ought to be ashamed of yourself. Why, a girl who was posing for me last week stood for a solid hour on one leg, holding a tennis racket over her head and smiling brightly withal.”
“The female of the species is more india-rubbery than the male,” argued Archie.
“Well, I’ll be through in a few minutes. Don’t weaken. Think how proud you’ll be when you see yourself on all the bookstalls.”
Archie sighed, and braced himself to the task once more. He wished he had never taken on this binge. In addition to his physical discomfort, he was feeling a most awful chump. The cover on which Mr. Wheeler was engaged was for the August number of the magazine, and it had been necessary for Archie to drape his reluctant form in a two-piece bathing suit of a vivid lemon colour; for he was supposed to be representing one of those jolly dogs belonging to the best families who dive off floats at exclusive seashore resorts. J. B. Wheeler, a stickler for accuracy, had wanted him to remove his socks and shoes; but there Archie had stood firm. He was willing to make an ass of himself, but not a silly ass.
“All right,” said J. B. Wheeler, laying down his brush. “That will do for to-day. Though, speaking without prejudice and with no wish to be offensive, if I had had a model who wasn’t a weak-kneed, jelly-backboned son of Belial, I could have got the darned thing finished without having to have another sitting.”
“I wonder why you chappies call this sort of thing ‘sitting,’” said Archie, pensively, as he conducted tentative experiments in osteopathy on his aching back. “I say, old thing, I could do with a restorative, if you have one handy. But, of course, you haven’t, I suppose,” he added, resignedly. Abstemious as a rule, there were moments when Archie found the Eighteenth Amendment somewhat trying.
J. B. Wheeler shook his head.
“You’re a little previous,” he said. “But come round in another day or so, and I may be able to do something for you.” He moved with a certain conspirator-like caution to a corner of the room, and, lifting to one side a pile of canvases, revealed a stout barrel, which he regarded with a fatherly and benignant eye. “I don’t mind telling you that, in the fullness of time, I believe this is going to spread a good deal of sweetness and light.”
“Oh, ah,” said Archie, interested. “Home-brew, what?”
“Made with these hands. I added a few more raisins yesterday, to speed things up a bit. There is much virtue in your raisin. And, talking of speeding things up, for goodness’ sake try to be a bit more punctual to-morrow. We lost an hour of good daylight to-day.”
“I like that! I was here on the absolute minute. I had to hang about on the landing waiting for you.”
“Well, well, that doesn’t matter,” said J. B. Wheeler, impatiently, for the artist soul is always annoyed by petty details. “The point is that we were an hour late in getting to work. Mind you’re here to-morrow at eleven sharp.”
It was, therefore, with a feeling of guilt and trepidation that Archie mounted the stairs on the following morning; for in spite of his good resolutions he was half an hour behind time. He was relieved to find that his friend had also lagged by the wayside. The door of the studio was ajar, and he went in, to discover the place occupied by a lady of mature years, who was scrubbing the floor with a mop. He went into the bedroom and donned his bathing suit. When he emerged, ten minutes later, the charwoman had gone, but J. B. Wheeler was still absent. Rather glad of the respite, he sat down to kill time by reading the morning paper, whose sporting page alone he had managed to master at the breakfast table.
There was not a great deal in the paper to interest him. The usual bond-robbery had taken place on the previous day, and the police were reported hot on the trail of the Master-Mind who was alleged to be at the back of these financial operations. A messenger named Henry Babcock had been arrested and was expected to become confidential. To one who, like Archie, had never owned a bond, the story made little appeal. He turned with more interest to a cheery half-column on the activities of a gentleman in Minnesota who, with what seemed to Archie, as he thought of Mr. Daniel Brewster, a good deal of resource and public spirit, had recently beaned his father-in-law with the family meat-axe. It was only after he had read this through twice in a spirit of gentle approval that it occurred to him that J. B. Wheeler was uncommonly late at the tryst. He looked at his watch, and found that he had been in the studio three-quarters of an hour.
Archie became restless. Long-suffering old bean though he was, he considered this a bit thick. He got up and went out on to the landing, to see if there were any signs of the blighter. There were none. He began to understand now what had happened. For some reason or other the bally artist was not coming to the studio at all that day. Probably he had called up the hotel and left a message to this effect, and Archie had just missed it. Another man might have waited to make certain that his message had reached its destination, but not woollen-headed Wheeler, the most casual individual in New York.
Thoroughly aggrieved, Archie turned back to the studio to dress and go away.
His progress was stayed by a solid, forbidding slab of oak. Somehow or other, since he had left the room, the door had managed to get itself shut.
“Oh, dash it!” said Archie.
The mildness of the expletive was proof that the full horror of the situation had not immediately come home to him. His mind in the first few moments was occupied with the problem of how the door had got that way. He could not remember shutting it. Probably he had done it unconsciously. As a child, he had been taught by sedulous elders that the little gentleman always closed doors behind him, and presumably his subconscious self was still under the influence. And then, suddenly, he realised that this infernal, officious ass of a subconscious self had deposited him right in the gumbo. Behind that closed door, unattainable as youthful ambition, lay his gent’s heather-mixture with the green twill, and here he was, out in the world, alone, in a lemon-coloured bathing suit.
In all crises of human affairs there are two broad courses open to a man. He can stay where he is or he can go elsewhere. Archie, leaning on
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