Sweet Cicely — or Josiah Allen as a Politician by Marietta Holley (novels for teenagers .txt) 📗

The low walls fade away; the dusky rafters part to admit the infinite, infinite longin's to do and dare, infinite resolves to emulate those deeds of valor and heroism. How the calm blue eyes look down into the boy's impassioned soul, how the shadowy hands beckon him upward, up the rocky heights of noble endeavor, noble deeds! How the inspiration of this life, these deeds of might and valor, nerve the young heart for future strivings for freedom and justice and truth!

Is it not a blessed thing to thus live on forever in true, eager hearts, to nerve the hero's arm, to inspire deeds of courage and daring? The weary body may rest; but to do this, is surely not to die; no, it is to live, to be immortal, to thus become the beating heart, the living, struggling, daring soul of the future.

And right while I was thinkin' these thoughts, and lookin' off over the still landscape, the peaceful waters, this band of dark singers stood with reverent faces and uncovered heads, and begun singin' one of their sweetest melodies,—

“He rose, he rose, he rose from the dead.”

Oh! as them inspired, hantin' notes rose through the soft, listenin' air, and hanted me, walked right round inside my heart and soul, and inspired me—why! how many emotions I did have,—more'n 85 a minute right along!

As I thought of how many times since the asscension of our Lord, tombs have opened, and the dead come forth alive; how Faith and Justice will triumph in the end; how you can't bury 'em deep enough, or roll a stun big enough and hard enough before the door, but what, in some calm mornin', the earliest watcher shall see a tall, fair angel standin' where the dead has lain, bearin' the message of the risen Lord, “He rose from the dead.”

I thought how George W. and our other old 4 fathers thought in the long, toilsome, weary hours before the dawnin', that fair Freedom was dead; but she rose, she rose.

I thought how the dusky race whose sweet songs was a floatin' round the grave of him who loved freedom, and gave his life for it; I thought how, durin' the dreary time when they was captives in a strange land, chained, scourged, and tortured, how they thought, through this long, long night of years, that Justice was dead, and Mercy and Pity and Righteousness.

But there come a glorious mornin' when fathers and mothers clasped their children in their arms, their own once more, in arms that was their own, to labor and protect, and they sung together of Freedom and Right, how though they wuz buried deep, and the night wuz long, and the watchers by the tomb weary, weary unto death, yet they rose, they rose from the dead.

And then I thought of the tombs that darken our land to-day, where the murdered, the legally murdered, lay buried. I thought of the graves more hopeless fur than them that entomb the dead,—the graves where lay the livin' dead. Dead souls bound to still breathin' bodies, dead hopes, ambitions, dead dreams of usefulness and respectability, happiness, dead purity, faith, honor, dead, all dead, all bound to the still breathin' body, by the festerin', putrid death-robes of helplessness and despair.

There they lie chained to their dark tombs by links slight at first, but twisted by the hard old fingers of blind habit, to chains of iron, chains linked about, and eatin' into, not only the quiverin' flesh, but the frenzied brains, the hope less hearts, the ruined souls.

Heavy, hopeless-lookin' vaults they are indeed, whose air is putrid with the sickenin' miasma of moral loathsomness and deseese; whose walls are painted with hideous pictures of murder, rapine, lust, starvation, woe, and despair, earthly and eternal ruin. Shapes of the dreadful past, the hopeless future, that these livin' dead stare upon with broodin' frenzy by night and by day.

Oh the tombs, the countless, countless tombs, where lie these breathin' corpses! How mothers weep over them! how wives kneel, and beat their hearts out on the rocky barriers that separate them from their hearts' love, their hearts' desire! How little starvin', naked children cower in their ghostly shadows through dark midnights! How fathers weep for their children, dead to them, dead to honor, to shame, to humanity! How the cries of the mourners ascend to the sweet heavens!

And less peaceful than the graves of the departed, these tombs themselves are full of the hopeless cries of the entombed, praying for help, praying for some strong hand to reach down and lift them out of their reeking, polluted, living death.

The whole of our fair land is covered with jest such graves: its turf is tread down by the footprints of the mourners who go about the streets. They pray, they weep: the night is long, is long. But the morning will dawn at last.

And the women,—daughters, wives, mothers,—who kneel with clasped hands beside the tombs, heaviest-eyed, deepest mourners, because most helpless. Lift up your heavy eyes: the sun is even now rising, that shall gild the sky at last. The mornin' light is even now dawnin' in the east. It shall fall first upon your uplifted brows, your prayerful eyes. Most blessed of God, because you loved most, sorrowed most. To you shall it be given to behold first the tall, fair angel of Resurection and Redemption, standin' at the grave's mouth. Into your hands shall be put the key to unlock the heavy doors, where your loved has lain.

The dead shall rise. Temperance and Justice and Liberty shall rise. They shall go forth to bless our fair land. And purified and enobled, it shall be the best beloved, the fairest land of God beneath the sun. Refuge of the oppressed and tempted, inspiration of the hopeless, light of the world.

And free mothers shall clasp their free children to their hearts; and fathers and mothers and children shall join in one heavenly strain, song of freedom and of truth. And the nations shall listen to hear how “they rose, they rose, they rose from the dead.”

As the tones of the sweet hymn died on the soft air, and the blessed vision passed with it; when I come down onto my feet,—for truly, I had been lifted up, and by the side of myself,—Cicely was standin' with her brown eyes lookin' over the waters, holdin' the hand of the boy; and I see every thing that the song did or could mean, in the depths of her deep, prophetic eyes. Sad eyes, too, they was, and discouraged; for the morning wus fur away—and—and the boy wus pullin' at her hand, eager to get away from where he wus.

The boy led us; and we follered him up the gradual hill to the old homestead of Washington, Mount Vernon.

Lookin' down from the broad, high porch, you can look directly down through the trees into the river. The water calm and sort o' golden, through the green of the trees, and every thing looked peaceful and serene.

There are lots of interestin' things to be seen here,—the tombs of the rest of the Washington family; the key of the Bastile, covered with the blood and misery of a foreign land; the tree that carries us back in memory to his grave, where he rests quietly, who disturbed the sleep of empires and kingdoms; the furniture of Washington and his family,—the chairs they sot in, the tables they sot at, and the rooms where they sot; the harpiscord, that Nelly Custis and Mrs. G. Washington harpiscorded on.

But she whose name wus once Smith longed to see somethin' else fur more. What wus it?

It wus not the great drawin'-rooms, the guest-chambers, the halls, the grounds, the live-stock, nor the pictures, nor the flowers.

No: it wus the old garret of the mansion, the low old garret, where she sot, our Lady Washington, in her widowed dignity, with no other fire only the light of deathless love that lights palace or hovel,—sot there in the window, because she could look out from it upon the tomb of her mighty dead.

Sot lookin' out upon the river that wus sweepin' along under sun and moon, bearing on every wave and ripple the glory and beauty of his name.

Bearing it away from her mebby, she would sometimes sadly think, as she thought of happy days gone by; for though souls may soar, hearts will cling. And sometimes storms would vex the river's unquiet breast; and mebby the waves would whisper to her lovin' heart, “Never more, never more.”