Not that it Matters by A. A. Milne (free children's ebooks pdf .txt) 📗

friend, "What am I doing wrong?" he would reply at once, "Moving the head" or "Dropping the right knee" or "Not getting the wrists in soon enough," and by to-morrow we should be different players. Upon such a little depends, or seems to the eighteen-handicap to depend, excellence in golf.

And so, perfectly happy in our present badness and perfectly confident of our future goodness, we long-handicap men remain. Perhaps it would be pleasanter to be a little more certain of getting the ball safely off the first tee; perhaps at the fourteenth hole, where there is a right of way and the public encroach, we should like to feel that we have done with topping; perhaps—-

Well, perhaps we might get our handicap down to fifteen this summer. But no lower; certainly no lower.

Goldfish

Let us talk about—well, anything you will. Goldfish, for instance.

Goldfish are a symbol of old-world tranquillity or mid-Victorian futility according to their position in the home. Outside the home, in that wild state from which civilization has dragged them, they may have stood for dare-devil courage or constancy or devotion; I cannot tell. I may only speak of them now as I find them, which is in the garden or in the drawing-room. In their lily-leaved pool, sunk deep in the old flagged terrace, upon whose borders the blackbird whistles his early-morning song, they remind me of sundials and lavender and old delightful things. But in their cheap glass bowl upon the three- legged table, above which the cloth-covered canary maintains a stolid silence, they remind me of antimacassars and horsehair sofas and all that is depressing. It is hard that the goldfish himself should have so little choice in the matter. Goldfish look pretty in the terrace pond, yet I doubt if it was the need for prettiness which brought them there. Rather the need for some thing to throw things to. No one of the initiate can sit in front of Nature's most wonderful effect, the sea, without wishing to throw stones into it, the physical pleasure of the effort and the aesthetic pleasure of the splash combining to produce perfect contentment. So by the margin of the pool the same desires stir within one, and because ants' eggs do not splash, and look untidy on the surface of the water, there must be a gleam of gold and silver to put the crown upon one's pleasure.

Perhaps when you have been feeding the goldfish you have not thought of it like that. But at least you must have wondered why, of all diets, they should prefer ants' eggs. Ants' eggs are, I should say, the very last thing which one would take to without argument. It must be an acquired taste, and, this being so, one naturally asks oneself how goldfish came to acquire it.

I suppose (but I am lamentably ignorant on these as on all other matters) that there was a time when goldfish lived a wild free life of their own. They roamed the sea or the river, or whatever it was, fighting for existence, and Nature showed them, as she always does, the food which suited them. Now I have often come across ants' nests in my travels, but never when swimming. In seas and rivers, pools and lakes, I have wandered, but Nature has never put ants' eggs in my way. No doubt—it would be only right- -the goldfish has a keener eye than I have for these things, but if they had been there, should I have missed them so completely? I think not, for if they had been there, they must have been there in great quantities. I can imagine a goldfish slowly acquiring the taste for them through the centuries, but only if other food were denied to him, only if, wherever he went, ants' eggs, ants' eggs, ants' eggs drifted down the stream to him.

Yet, since it would seem that he has acquired the taste, it can only be that the taste has come to him with captivity—has been forced upon him, I should have said. The old wild goldfish (this is my theory) was a more terrible beast than we think. Given his proper diet, he could not have been kept within the limits of the terrace pool. He would have been unsuited to domestic life; he would have dragged in the shrieking child as she leant to feed him. As the result of many experiments ants' eggs were given him to keep him thin (you can see for yourself what a bloodless diet it is), ants' eggs were given him to quell his spirit; and just as a man, if he has sufficient colds, can get up a passion even for ammoniated quinine, so the goldfish has grown in captivity to welcome the once-hated omelette.

Let us consider now the case of the goldfish in the house. His diet is the same, but how different his surroundings! If his bowl is placed on a table in the middle of the floor, he has but to flash his tail once and he has been all round the drawing-room. The drawing-room may not seem much to you, but to him this impressionist picture through the curved glass must be amazing. Let not the outdoor goldfish boast of his freedom. What does he, in his little world of water-lily roots, know of the vista upon vista which opens to his more happy brother as he passes jauntily from china dog to ottoman and from ottoman to Henry's father? Ah, here is life! It may be that in the course of years he will get used to it, even bored by it; indeed, for that reason I always advocate giving him a glance at the dining-room or the bedrooms on Wednesdays and Saturdays; but his first day in the bowl must be the opening of an undreamt of heaven to him.

Again, what an adventurous life is his. At any moment a cat may climb up and fetch him out, a child may upset him, grown-ups may neglect to feed him or to change his water. The temptation to take him up and massage him must be irresistible to outsiders. All these dangers the goldfish in the pond avoids; he lives a sheltered and unexciting life, and when he wants to die he dies unnoticed, unregretted, but for his brother the tears and the solemn funeral.

Yes; now that I have thought it out, I can see that I was wrong in calling the indoor goldfish a symbol of mid-Victorian futility. An article of this sort is no good if it does not teach the writer something as well as his readers. I recognize him now as the symbol of enterprise and endurance, of restlessness and Post-Impressionism. He is not mid-Victorian, he is Fifth Georgian.

Which is all I want to say about goldfish.

Saturday to Monday

The happy man would have happy faces round him; a sad face is a reproach to him for his happiness. So when I escape by the 2.10 on Saturday I distribute largesse with a liberal hand. The cabman, feeling that an effort is required of him, mentions that I am the first gentleman he has met that day; he penetrates my mufti and calls me captain, leaving it open whether he regards me as a Salvation Army captain or the captain of a barge. The porters hasten to the door of my cab; there is a little struggle between them as to who shall have the honour of waiting upon me. …

Inside the station things go on as happily. The booking-office clerk gives me a pleasant smile; he seems to approve of the station I am taking. "Some do go to Brighton," he implies, "but for a gentleman like you—" He pauses to point out that with this ticket I can come back on the Tuesday if I like (as, between ourselves, I hope to do). In exchange for his courtesies I push him my paper through the pigeon hole. A dirty little boy thrust it into my cab; I didn't want it, but as we are all being happy to- day he had his penny.

I follow my porter to the platform. "On the left," says the ticket collector. He has said it mechanically to a hundred persons, but he becomes human and kindly as he says it to me. I feel that he really wishes me to get into the right train, to have a pleasant journey down, to be welcomed heartily by my friends when I arrive. It is not as to one of a mob but to an individual that he speaks.

The porter has found me an empty carriage. He is full of ideas for my comfort; he tells me which way the train will start, where we stop, and when we may be expected to arrive. Am I sure I wouldn't like my bag in the van? Can he get me any papers? No; no, thanks. I don't want to read. I give him sixpence, and there is another one of us happy.

Presently the guard. He also seems pleased that I have selected this one particular station from among so many. Pleased, but not astonished; he expected it of me. It is a very good run down in his train, and he shouldn't be surprised if we had a fine week- end. …

I stand at the door of ray carriage feeling very happy. It is good to get out of London. Come to think of it, we are all getting out of London, and none of us is going to do any work to- morrow. How jolly! Oh, but what about my porter? Bother! I wish now I'd given him more than sixpence. Still, he may have a sweetheart and be happy that way.

We are off. I have nothing to read, but then I want to think. It is the ideal place in which to think, a railway carriage; the ideal place in which to be happy. I wonder if I shall be in good form this week-end at cricket and tennis, and croquet and billiards, and all the other jolly games I mean to play. Look at those children trying to play cricket in that dirty backyard. Poor little beggars! Fancy living in one of those horrible squalid houses. But you cannot spoil to- day for me, little backyards. On Tuesday perhaps, when I am coming again to the ugly town, your misery will make me miserable; I shall ask myself hopelessly what it all means; but just now I am too happy for pity. After all, why should I assume that you envy me, you two children swinging on a gate and waving to me? You are happy, aren't you? Of course; we are all happy to-day. See, I am waving back to you.

My eyes wander round the carriage and rest on my bag. Have I put everything in? Of course I have. Then why this uneasy feeling that I have left something very important out? Well, I can soon settle the question. Let's start with to-night. Evening clothes— they're in, I know. Shirts, collars …

I go through the whole programme for the week-end, allotting myself in my mind suitable clothes for each occasion. Yes; I seem to have brought everything that I can possibly want. But what a very jolly programme I am drawing up for myself! Will it really be as delightful as that? Well, it was last time, and the time before; that is why I am so happy.

The train draws up at its only halt in the glow of a September mid-afternoon. There is a little pleasant bustle; nice people get out and nice people meet them; everybody seems very cheery and contented. Then we are off again … and now the next station is mine.

We are there. A porter takes my things with a kindly smile and a "Nice day." I see Brant outside with the wagonette, not the trap; then I am not the only guest coming by this train. Who are the others, I wonder. Anybody I know? … Why, yes, it's Bob and Mrs. Bob, and—hallo!—Cynthia! And isn't that old Anderby? How splendid! I must get that shilling back from Bob that I lost to him at billiards last time. And if Cynthia really thinks that she can play croquet …

We greet each other happily and climb into the wagonette. Never has the country looked so lovely. "No; no rain at all," says Brant, "and the glass is going up." The porter puts our luggage in the cart and comes round with a smile. It is a rotten life being a porter, and I do so want everybody to enjoy this afternoon. Besides, I haven't any coppers.

I slip half a crown into his palm. Now we are all very, very happy.