Piccadilly Jim by P. G. Wodehouse (open ebook txt) 📗

CHAPTER XVIII — THE VOICE PROM THE PAST

The library, whither Jimmy had made his way after leaving Mrs. Pett, was a large room on the ground floor, looking out on the street which ran parallel to the south side of the house. It had French windows, opening onto a strip of lawn which ended in a high stone wall with a small gate in it, the general effect of these things being to create a resemblance to a country house rather than to one in the centre of the city. Mr. Pett's town residence was full of these surprises.

In one corner of the room a massive safe had been let into the wall, striking a note of incongruity, for the remainder of the wall-space was completely covered with volumes of all sorts and sizes, which filled the shelves and overflowed into a small gallery, reached by a short flight of stairs and running along the north side of the room over the door.

Jimmy cast a glance at the safe, behind the steel doors of which he presumed the test-tube of Partridgite which Willie had carried from the luncheon-table lay hid: then transferred his attention to the shelves. A cursory inspection of these revealed nothing which gave promise of whiling away entertainingly the moments which must elapse before the return of Ann. Jimmy's tastes in literature lay in the direction of the lighter kind of modern fiction, and Mr. Pett did not appear to possess a single volume that had been written later than the eighteenth century—and mostly poetry at that. He turned to the writing-desk near the window, on which he had caught sight of a standing shelf full of books of a more modern aspect. He picked one up at random and opened it.

He threw it down disgustedly. It was poetry. This man Pett appeared to have a perfect obsession for poetry. One would never have suspected it, to look at him. Jimmy had just resigned himself, after another glance at the shelf, to a bookless vigil, when his eye was caught by a name on the cover of the last in the row so unexpected that he had to look again to verify the discovery.

He had been perfectly right. There it was, in gold letters.

THE LONELY HEART BY ANN CHESTER

He extracted the volume from the shelf in a sort of stupor. Even now he was inclined to give his goddess of the red hair the benefit of the doubt, and assume that some one else of the same name had written it. For it was a defect in Jimmy's character—one of his many defects—that he loathed and scorned minor poetry and considered minor poets, especially when feminine, an unnecessary affliction. He declined to believe that Ann, his Ann, a girl full of the finest traits of character, the girl who had been capable of encouraging a comparative stranger to break the law by impersonating her cousin Jimmy Crocker, could also be capable of writing The Lonely Heart and other poems. He skimmed through the first one he came across, and shuddered. It was pure slush. It was the sort of stuff they filled up pages with in the magazines when the detective story did not run long enough. It was the sort of stuff which long-haired blighters read alone to other long-haired blighters in English suburban drawing-rooms. It was the sort of stuff which—to be brief—gave him the Willies. No, it could not be Ann who had written it.

The next moment the horrid truth was thrust upon him. There was an inscription on the title page.

"To my dearest uncle Peter, with love from the author, Ann Chester."

The room seemed to reel before Jimmy's eyes. He felt as if a friend had wounded him in his tenderest feelings. He felt as if some loved one had smitten him over the back of the head with a sandbag. For one moment, in which time stood still, his devotion to Ann wobbled. It was as if he had found her out in some terrible crime that revealed unsuspected flaws in her hitherto ideal character.

Then his eye fell upon the date on the title page, and a strong spasm of relief shook him. The clouds rolled away, and he loved her still. This frightful volume had been published five years ago.

A wave of pity swept over Jimmy. He did not blame her now. She had been a mere child five years ago, scarcely old enough to distinguish right from wrong. You couldn't blame her for writing sentimental verse at that age. Why, at a similar stage in his own career he had wanted to be a vaudeville singer. Everything must be excused to Youth. It was with a tender glow of affectionate forgiveness that he turned the pages.

As he did so a curious thing happened to him. He began to have that feeling, which every one has experienced at some time or other, that he had done this very thing before. He was almost convinced that this was not the first time he had seen that poem on page twenty-seven entitled "A Lament." Why, some of the lines seemed extraordinarily familiar. The people who understood these things explained this phenomenon, he believed, by some stuff about the cells of the brain working simultaneously or something. Something about cells, anyway. He supposed that that must be it.

But that was not it. The feeling that he had read all this before grew instead of vanishing, as is generally the way on these occasions. He had read this stuff before. He was certain of it. But when? And where? And above all why? Surely he