The Hohenzollerns in America<br />With the Bolsheviks in Berlin and Other Impossibilities by Stephen Leacock (reading books for 5 year olds TXT) 📗

Cousin Ferdinand, when he comes over in the evenings now, is always beautifully dressed and I can notice that Mrs. O'Halloran, the landlady, is much impressed with him. I am glad of this because we have not yet been able to pay her any money and I was afraid she might say something about it. But what is stranger is that now that Cousin Ferdinand has good clothes, Uncle William and Uncle Henry seem much impressed too. Uncle Henry looks so plain and common in his sailor's jersey, and Uncle William in his old frock coat looks faded and shabby and his face always vacant and wondering. So now when Cousin Ferdinand comes in they stand up and get a chair for him and listen to his advice on everything.

So, as I said, Cousin Ferdinand looked up the salary of the President of Harvard in a book and he was strongly against Uncle William's taking the position. But Uncle William says this kind of position is the nearest thing in this country to what he had in Germany. He thinks that he could do for Harvard what he did for Germany. He has written out on a big sheet of paper all the things that he calls the Chief Needs of America, because he is always busy like this and never still. I forget the whole list, especially as he changes it every day according to the way that people treat Uncle William on the street, but the things that he always puts first are Culture, Religion, and Light. These he says he can supply, and he thought that the presidency of Harvard would be the best place to do it from. In the end he accepted the position against Cousin Ferdinand's advice, or at least I mean he said that he would be willing to take it and he told Uncle Henry to pack up all his degrees and diplomas and to send them to Harvard and say that he was coming.

So it was dreadfully disappointing when all the diplomas came back again by the next post. There was a letter with them but I didn't see it, as Uncle William tore it into fragments and stamped on it. He said he was done with American universities for ever: I have never seen him so furious: he named over on his fingers all the American professors that he had fed at Berlin, one meal each and sometimes even two,—Uncle has a wonderful memory for things like that,—and yet this was their gratitude. He walked up and down his room and talked so wildly and incoherently that if I had not known and been told so often by our greatest authorities in Germany how beautifully balanced Uncle William's brain is, I should have feared that he was wandering.

But presently he quieted down and said with deep earnestness that the American universities must now go to ruin in their own way. He was done with them. He said he would go into a cloister and spend his life in quiet adoration, provided that he could find anything to adore, which, he said, in his station was very doubtful. But half an hour later he was quite cheerful again,—it is wonderful how quickly Uncle William's brain recovers itself,—and said that a cloister was too quiet and that he would take a position as Governor of a State; there are a great many of these in this country and Uncle spent days and days writing letters to them and when the answers came in— though some never answered at all—Uncle William got into the same state of fury as about the Presidency of Harvard. So, naturally, each day seemed more disappointing than the last, especially with the trouble that we have been having with Cousin Willie, of which I have not spoken yet, and I was getting quite disheartened until last evening, when everything seemed to change.

We all knew, of course, that Uncle William is the greatest artist in the world, but no one liked to suggest that he should sell his pictures for money, a thing that no prince was ever capable of doing. Yet I could not but feel glad when Uncle decided yesterday that he would stoop to make his living by art. It cost him a great struggle to make this decision, but he talked it over very fully last night with Uncle Henry, after Uncle Henry came home from work, and the resolution is taken.

Of course, Uncle always had a wonderful genius for painting. I remember how much his pictures used to be admired at the court at Berlin. I have seen some of the best painters stand absolutely entranced,—they said so themselves,—in front of Uncle's canvasses. I remember one of the greatest of our artists saying one day to Uncle in the Potsdam Gallery, "Now, which of these two pictures is yours and which is Michel Angelo's: I never can tell you two apart." Uncle gave him the order of the Red Swan. Another painter once said that if Uncle's genius had been developed he would have been the greatest painter of modern times. Uncle William, I remember, was dreadfully angry. He said it WAS developed.

So it seemed only natural that Uncle should turn to Art to make our living. But he hesitated because there is some doubt whether a person of noble birth can sell anything for money. But Uncle says Tintoretto the great Italian artist had two quarterings of nobility, and Velasquez had two and a half.

Luckily we have with us among our things Uncle's easel and his paints that he used in Berlin. He had always to have special things because he doesn't use little brushes and tubes of colour as ordinary artists do, but had a big brush and his paint in a tin can, so that he can work more quickly. Fortunately we have with us three of Uncle's pictures rolled up in the bottom of our boxes. He is going to sell these first and after that he says that he will paint one or two every day. One of the three canvasses that we have is an allegorical picture called "Progress" in which Progress is seen coming out of a cloud in the background with Uncle William standing in the foreground. Another is called "Modern Science" and in this Science is seen crouched in the dark in the background and Uncle William standing in the light in the foreground. The other is called "Midnight in the Black Forest." Uncle William did it in five minutes with a pot of black paint. They say it is impressionistic.

So all the evening Uncle William and Uncle Henry talked about the new plan. It is wonderful how Uncle William enters into a thing. He got me to fetch him his old blue blouse, which was with the painting things, and he put it on over his clothes and walked up and down the room with a long paint-brush in his hand. "We painters, my dear Henry," he said, "must not be proud. America needs Art. Very good. She shall have it."

I could see, of course, that Uncle William did not like the idea of selling pictures for money. But he is going to make that side of it less objectionable by painting a picture, a very large picture, for nothing and giving it to the big Metropolitan Art Gallery which is here. Uncle has already partly thought it out. It is to be called the "Spirit of America" and in it the Spirit of America will be seen doubled up in the background: Uncle has not yet fully thought out the foreground, but he says he has an idea.

In any case he is going to refuse to take anything more than a modest price for his pictures. Beyond that, he says, not one pfennig.

So this morning Uncle rolled up his three canvasses under his arm and has gone away to sell them.

I am very glad, as we have but little