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money on Wall Street."

"It would have been a slower job there. You were wise in your choice.
Shall we go down to the drawing-room, now?"

"Ye say y'are rich yerself," said McEachern.

"Very," said Jimmy, "so don't you worry yourself, my Wall Street speculator."

Mr. McEachern did not worry himself. He had just recollected that in a very short time he would have a trained detective on the premises. Any looking after that James Willoughby Pitt might require might safely be left in the hands of this expert.

CHAPTER IX.

It was at dinner that Jimmy had his first chance of seeing the rope of pearls which had so stimulated the roving fancy of Spike Mullins. Lady Blunt sat almost opposite to him. Her dress was of unrelieved black, and formed a wonderfully effective foil to the gems. It was not a rope of pearls. It was a collar. Her neck was covered with them. There was something Oriental and barbaric in the overwhelming display of jewelry. And this suggestion of the East was emphasized by the wearer's regal carriage. Lady Blunt knew when she looked well. She did not hold herself like one apologizing for venturing to exist.

Jimmy stared hungrily across the table. The room was empty to him but for that gleaming mass of gems. He breathed softly and quickly through clinched teeth.

"Jimmy!" whispered a voice.

It seemed infinitely remote.

A hand shook his elbow gently. He started.

"Don't stare like that, please. What is the matter?"

Molly, seated at his side, was looking at him wide-eyed. Jimmy smiled with an effort. Every nerve in his body seemed to be writhing.

"Sorry," he said. "I'm only hungry. I always look like that at the beginning of a meal."

"Well, here comes Keggs with some soup for you. You'd better not waste another moment. You looked perfectly awful."

"No!"

"Like a starved wolf."

"You must look after me," said Jimmy, "see that the wolf's properly fed."

* * * * *

The conversation, becoming general with the fish, was not of a kind to remove from Jimmy's mind the impression made by the sight of the pearls. It turned on crime in general and burglary in particular.

Spennie began it.

"Oh, I say," he said, "I forgot to tell you, mother. Number Six was burgled the other night."

Number Six-a, Easton Square, was the family's London house.

"Burgled!"

"Well, broken into," said Spennie, gratified to find that he had got the ear of his entire audience. Even Lady Blunt was silent and attentive. "Chap got in through the scullery window about one o'clock, in the morning. It was the night after you dined with me, Pitt."

"And what did our Spennie do?" inquired Sir Thomas.

"Oh, I—er—I was out at the time," said Spennie. "But something frightened the feller," he went on hurriedly, "and he made a bolt for it without taking anything."

Jimmy, looking down the table, became conscious that his host's eye was fixed gloomily upon him. He knew intuitively what was passing in McEachern's mind. The ex-policeman was feeling that his worst suspicions had been confirmed. Jimmy had dined with Spennie—obviously a mere excuse for spying out the land; and the very next night the house had been burgled. Once more Mr. McEachern congratulated himself on his astuteness in engaging the detective from Wragge's Agency. With Jimmy above stairs and Spike Mullins below, that sleuthhound would have his hands full.

"Burglary," said Wesson, leaning back and taking advantage of a pause, "is the hobby of the sportsman and the life work of the avaricious."

Everybody seemed to have something to say on the subject. One young lady gave it as her opinion that she would not like to find a burglar under her bed. Somebody else had known a man whose father had fired at the butler, under the impression that he was a housebreaker, and had broken a valuable bust of Socrates. Spennie knew a man at Oxford whose brother wrote lyrics for musical comedy, and had done one about a burglar's best friend being his mother.

"Life," said Wesson, who had had time for reflection, "is a house which we all burgle. We enter it uninvited, take all that we can lay hands on, and go out again."

"This man's brother I was telling you about," said Spennie, "says there's only one rhyme in the English language to 'burglar', and that's 'gurgler'. Unless you count 'pergola', he says——"

"Personally," said Jimmy, with a glance at McEachern, "I have rather a sympathy for burglars. After all, they are one of the hardest-working classes in existence. They toil while everybody else is asleep. They are generally thorough sportsmen. Besides, a burglar is only a practical socialist. Philosophers talk a lot about the redistribution of wealth. The burglar goes out and does it. I have found burglars some of the decentest criminals I have ever met. Out of business hours they are charming."

"I despise burglars!" ejaculated Lady Blunt, with a suddenness which stopped Jimmy's eloquence as if a tap had been turned off. "If I found one coming after my jewels and I had a gun handy, I'd shoot him. I would."

"My dear Julia!" said Lady Jane. "Why suggest such dreadful things? At any rate, this house has never been burgled, and I don't think it's likely to be."

"Beroofen!" said Jimmy, touching the back of his chair. As he did so, he met McEachern's eye, and smiled kindly at him. The ex-policeman was looking at him with the gaze of a baffled but malignant basilisk.

"I take very good care no one gets a chance at my jewels," said Lady Blunt. "I've had a steel box made for me with a special lock which would drive the cunningest burglar on this earth mad before he'd been at it ten minutes. It would. He'd go right away and reform."

Jimmy's lips closed tightly, and a combative look came into his eye at this unconscious challenge. This woman was too aggressively confident. A small lesson. He could return the jewels by post. It would give her a much-needed jolt.

Then he pulled himself up.

"James, my boy," he said to himself, with severity, "this is hypocrisy. You know perfectly well that is not why you want those pearls. Don't try and bluff yourself, because it won't do."

The conversation turned to other topics. Jimmy was glad of it. He wanted to think this thing over.

From where he sat, he had an excellent view of the rope of pearls which was tugging him back to his old ways. And when he looked at them he could not see Molly. The thing was symbolical. It must be one or the other. He was at the crossroads. The affair was becoming a civil war. He felt like a rudderless boat between two currents. Eight years of gem collecting do not leave a man without a deep-rooted passion for the sport. As for that steel box, that was all nonsense. It was probably quite a good steel box, and the lock might very well be something out of the ordinary; but it could not be a harder job than some of those he had tackled.

The pearls shone in the lamplight. They seemed to be winking at him.

CHAPTER X.

In a cozy corner of the electric flame department of the infernal regions there stands a little silver gridiron. It is the private property of his Satanic majesty, and is reserved exclusively for the man who invented amateur theatricals. It is hard to see why the amateur actor has been allowed to work his will unchecked for so long. These performances of his are diametrically opposed to the true sport of civilization, which insists that the good of the many should be considered as being of more importance than that of the few.

In the case of amateur theatricals, a large number of inoffensive people are annoyed simply in order that a mere handful of acquaintances may amuse themselves. Usually the whole thing can be laid at the door of the man, the organizer. He is the serpent in the Eden. Before his arrival, the house party were completely happy, and asked for nothing else but to be left alone. Then he arrives. At breakfast on his first morning, he strikes the first blow—casually helping himself to scrambled eggs the while, with the air of a man uttering some agreeable commonplace. "I say," he remarks, "why not get up some theatricals?" Eve, in the person of some young lady who would be a drawing-room reciter if drawing-room reciters were allowed nowadays, snatches at the apple. "Oh, yes," she says. "It ought to be for a charity," suggests somebody else. "Of course for a charity," says the serpent. Ten minutes later he has revealed the fact that he has brought down a little thing of his own which will just do, and is casting the parts. And after that the man who loves peace and quiet may as well pack up and leave. He will have no more rest in that house.

In the present case, the serpent was a volatile young gentleman of the name of Charteris. This indomitable person had the love of the stage ineradicably implanted in him. He wrote plays, and lived in hopes of seeing them staged at the leading theatres. Meanwhile, he was content to bring them out through the medium of amateur performances.

It says much for the basic excellence of this man's character that he was popular among his fellows, who, liking the man, overlooked the amateur stage manager.

The reign of unrest at the abbey was complete by the time Jimmy arrived there. The preliminary rehearsals had been gone through with by the company, who, being inexperienced, imagined the worst to be over.

Having hustled Jimmy into the vacant part, Charteris gave his energy free play. He conducted rehearsals with a vigor which occasionally almost welded the rabble which he was coaching into something approaching coherency. He never rested. He painted scenery, and left it about—wet—and people sat on it. He nailed up horseshoes for luck, and they fell on people. He distributed typed parts of the play among the company, and they lost them. But nothing daunted him.

"Mr. Charteris," said Lady Blunt after one somewhat energetic rehearsal, "is indefatigable. He whirled me about!"

This was perhaps his greatest triumph, that he had induced Lady Blunt to take part in the piece. Her first remark, on being asked, had been to the effect that she despised acting. Golden eloquence on the part of the author-manager had induced her to modify this opinion; and finally she had consented, on the understanding that she was not to be expected to attend every rehearsal, to play a small part.

The only drawback to an otherwise attractive scheme was the fact that she would not be able to wear her jewels. Secretly, she would have given much to have done so; but the scene in which she was to appear was a daylight scene, in which the most expensive necklace would be out of place. So she had given up the idea with a stoicism that showed her to be of the stuff of which heroines are made.

These same jewels had ceased, after their first imperious call, to trouble Jimmy to the extent he had anticipated. It had been a bitter struggle during the first few days of his stay, but gradually he had fought the craving down, and now watched them across the dinner table at night with a calm which filled him with self-righteousness. On the other hand, he was uncomfortably alive to the fact that this triumph of his might be merely temporary. There the gems were, winking and beckoning to him across the table. At any moment——. When his thoughts arrived at this point, he would turn them—an effort was sometimes necessary—to Molly. Thinking of her, he forgot the pearls.

But the process of thinking of Molly was not one of unmixed comfort. A great uneasiness had gripped him. More than ever, as the days went by, he knew that he loved her, that now the old easy friendship was a mockery. But on her side he could see no signs that she desired a change in their relationship. She was still the old Molly of the New York days, frank, cheerful unembarrassed. But he found that in this new world of hers the opportunities of getting her to himself for any space of time were infinitesimal. It was her unfortunate

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