The Wit and Humor of America, Volume X (of X) by Marshall P. Wilder (short books to read .TXT) 📗

invite me—quick!"

"Never."

"Never?"

"Never, never, never," she asseverated. "A man who's forgotten me as you have!"

"But if I've only met you once at a masked ball—"

"Can't you be brought to realise that every time you mistake me for that woman of the masked ball you turn the dagger in the wound?" she demanded.

"But if you won't invite me to call upon you, how and when am I to see you again?"

"I haven't an idea," she answered, cheerfully. "I must go now. Good-by." She rose.

"One moment," he interposed. "Before you go will you allow me to look at the palm of your left hand?"

"What for?"

"I can tell fortunes. I'm extremely good at it," he boasted. "I'll tell you yours."

"Oh, very well," she assented, sitting down again: and guilelessly she pulled off her glove.

He took her hand, a beautifully slender, nervous hand, warm and soft, with rosy, tapering fingers.

"Oho! you are an old maid after all," he cried. "There's no wedding ring."

"You villain!" she gasped, snatching the hand away.

"I promised to tell your fortune. Haven't I told it correctly?"

"You needn't rub it in, though. Eccentric old maids don't like to be reminded of their condition."

"Will you marry me?"

"Why do you ask?"

"Partly for curiosity. Partly because it's the only way[Pg 1864] I can think of, to make sure of seeing you again. And then, I like your hair. Will you?"

"I can't," she said.

"Why not?"

"The stars forbid. And I'm ambitious. In my horoscope it is written that I shall either never marry at all, or—marry royalty."

"Oh, bother ambition! Cheat your horoscope. Marry me. Will you?"

"If you care to follow me," she said, rising again, "you can come and help me to commit a little theft."

He followed her to an obscure and sheltered corner of a flowery path, where she stopped before a bush of white lilac.

"There are no keepers in sight, are there? she questioned.

"I don't see any," he said.

"Then allow me to make you a receiver of stolen goods," said she, breaking off a spray, and handing it to him.

"Thank you. But I'd rather have an answer to my question."

"Isn't that an answer?"

"Is it?"

"White lilac—to the Invisible Prince?"

"The Invisible Prince—Then you are the black domino!" he exclaimed.

"Oh, I suppose so," she consented.

"And you will marry me?"

"I'll tell the aunt I live with to ask you to dinner."

"But will you marry me?"

"I thought you wished me to cheat my horoscope?"

"How could you find a better means of doing so?"

"What! if I should marry Louis Leczinski—?"[Pg 1865]

"Oh, to be sure. You will have it that I was Louis Leczinski. But, on that subject, I must warn you seriously—"

"One instant," she interrupted. "People must look other people straight in the face when they're giving serious warnings. Look straight into my eyes, and continue your serious warning."

"I must really warn you seriously," said he, biting his lip, "that if you persist in that preposterous delusion about my being Louis Leczinski, you'll be most awfully sold. I have nothing on earth to do with Louis Leczinski. Your ingenious little theories, as I tried to convince you at the time, were absolute romance."

Her eyebrows raised a little, she kept her eyes fixed steadily on his—oh, in the drollest fashion, with a gaze that seemed to say "How admirably you do it! I wonder whether you imagine I believe you. Oh, you fibber! Aren't you ashamed to tell me such abominable fibs—?"

They stood still, eyeing each other thus, for something like twenty seconds, and then they both laughed and walked on.[Pg 1866]

WHY WAIT FOR DEATH AND TIME? BY BERT LESTON TAYLOR

I hold it truth with him who weekly sings
Brave songs of hope,—the music of "The Sphere,"—
That deathless tomes the living present brings:
Great literature is with us year on year.
Books of the mighty dead, whom men revere,
Remind me I can make my books sublime.
But, prithee, bay my brow while I am here:
Why do we ever wait for Death and Time?

Shakespeare, great spirit, beat his mighty wings,
As I beat mine, for the occasion near.
He knew, as I, the worth of present things:
Great literature is with us year on year.
Methinks I meet across the gulf his clear
And tranquil eye; his calm reflections chime
With mine: "Why do we at the present fleer?
Why do we ever wait for Death and Time?"

The reading world with acclamation rings
For my last book. It led the list at Weir,
Altoona, Rahway, Painted Post, Hot Springs:
Great literature is with us year on year.
"The Bookman" gives me a vociferous cheer.
Howells approves. I can no higher climb.
Bring, then, the laurel: crown my bright career—
[Pg 1867]Why do we ever wait for Death and Time?

Critics, who pastward, ever pastward peer,
Great literature is with us year on year.
Trumpet my fame while I am in my prime:
Why do we ever wait for Death and Time?
[Pg 1868]

WINTER JOYS BY EUGENE FIELD

A man stood on the bathroom floor,
While raged the storm without,
One hand was on the water valve,
The other on the spout.

He fiercely tried to turn the plug,
But all in vain he tried,
"I see it all, I am betrayed,
The water's froze," he cried.

Down to the kitchen then he rushed,
And in the basement dove,
Long strived he for to turn the plugs,
But all in vain he strove.

"The hydrant may be running yet,"
He cried in hopeful tone,
Alas, the hydrant too, was froze,
As stiff as any stone.

There came a burst, the water pipes
And plugs, oh, where were they?
Ask of the soulless plumber man
Who called around next day.
[Pg 1869]

THE DEMON OF THE STUDY BY JOHN GREENLEAF WHITTIER

The Brownie sits in the Scotchman's room,
And eats his meat and drinks his ale,
And beats the maid with her unused broom,
And the lazy lout with his idle flail;
But he sweeps the floor and threshes the corn,
And hies him away ere the break of dawn.

The shade of Denmark fled from the sun,
And the Cocklane ghost from the barn-loft cheer,
The fiend of Faust was a faithful one,
Agrippa's demon wrought in fear,
And the devil of Martin Luther sat
By the stout monk's side in social chat.

The Old Man of the Sea, on the neck of him
Who seven times crossed the deep,
Twined closely each lean and withered limb,
Like the nightmare in one's sleep.
But he drank of the wine, and Sindbad cast
The evil weight from his back at last.

But the demon that cometh day by day
To my quiet room and fireside nook,
Where the casement light falls dim and gray
On faded painting and ancient book,
Is a sorrier one than any whose names
[Pg 1870]Are chronicled well by good King James.

No bearer of burdens like Caliban,
No runner of errands like Ariel,
He comes in the shape of a fat old man,
Without rap of knuckle or pull of bell;
And whence he comes, or whither he goes,
I know as I do of the wind which blows.

A stout old man with a greasy hat
Slouched heavily down to his dark, red nose,
And two gray eyes enveloped in fat,
Looking through glasses with iron bows.
Read ye, and heed ye, and ye who can,
Guard well your doors from that old man!

He comes with a careless "How d'ye do?"
And seats himself in my elbow-chair;
And my morning paper and pamphlet new
Fall forthwith under his special care,
And he wipes his glasses and clears his throat,
And, button by button, unfolds his coat.

And then he reads from paper and book,
In a low and husky asthmatic tone,
With the stolid sameness of posture and look
Of one who reads to himself alone;
And hour after hour on my senses come
That husky wheeze and that dolorous hum.

The price of stocks, the auction sales,
The poet's song and the lover's glee,
The horrible murders, the sea-board gales,
The marriage list, and the jeu d'esprit,
All reach my ear in the self-same tone,—
[Pg 1871]I shudder at each, but the fiend reads on!

Oh, sweet as the lapse of water at noon
O'er the mossy roots of some forest tree,
The sigh of the wind in the woods of June,
Or sound of flutes o'er a moonlight sea,
Or the low soft music, perchance, which seems
To float through the slumbering singer's dreams.

So sweet, so dear is the silvery tone,
Of her in whose features I sometimes look,
As I sit at eve by her side alone,
And we read by turns, from the self-same book,
Some tale perhaps of the olden time,
Some lover's romance or quaint old rhyme.

Then when the story is one of woe,—
Some prisoner's plaint through his dungeon-bar,
Her blue eye glistens with tears, and low,
Her voice sinks down like a moan afar;
And I seem to hear that prisoner's wail,
And his face looks on me worn and pale.

And when she reads some merrier song,
Her voice is glad as an April bird's,
And when the tale is of war and wrong,
A trumpet's summons is in her words,
And the rush of the hosts I seem to hear,
And see the tossing of plume and spear!

Oh, pity me then, when, day by day,
The stout fiend darkens my parlor door;
And reads me perchance the self-same lay
Which melted in music, the night before,
From lips as the lips of Hylas sweet,
[Pg 1872]And moved like twin roses which zephyrs meet!

I cross my floor with a nervous tread,
I whistle and laugh and sing and shout,
I flourish my cane above his head,
And stir up the fire to roast him out;
I topple the chairs, and drum on the pane,
And press my hands on my ears, in vain!

I've studied Glanville and James the wise.
And wizard black-letter tomes which treat
Of demons of every name and size
Which a Christian man is presumed to meet,
But never