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a wardrobe full of old-fashioned costumes with which Esther allowed her to play, and it was her favorite amusement to array herself in the faded brocades, and parade up and down before the long mirror, making stately curtsies, and sweeping her train about with a rustle which delighted her ears. So busy was she on this day that she did not hear Laurie's ring nor see his face peeping in at her as she gravely promenaded to and fro, flirting her fan and tossing her head, on which she wore a great pink turban, contrasting oddly with her blue brocade dress and yellow quilted petticoat. She was obliged to walk carefully, for she had on highheeled shoes, and, as Laurie told Jo afterward, it was a comical sight to see her mince along in her gay suit, with Polly sidling and bridling just behind her, imitating her as well as he could, and occasionally stopping to laugh or exclaim, "Ain't we fine? Get along, you fright! Hold your tongue! Kiss me, dear! Ha! Ha!"

Having with difficulty restrained an explosion of merriment, lest it should offend her majesty, Laurie tapped and was graciously received.

"Sit down and rest while I put these things away, then I want to consult you about a very serious matter," said Amy, when she had shown her splendor and driven Polly into a corner. "That bird is the trial of my life," she continued, removing the pink mountain from her head, while Laurie seated himself astride a chair.

"Yesterday, when Aunt was asleep and I was trying to be as still as a mouse, Polly began to squall and flap about in his cage, so I went to let him out, and found a big spider there. I poked it out, and it ran under the bookcase. Polly marched straight after it, stooped down and peeped under the bookcase, saying, in his funny way, with a cock of his eye, 'Come out and take a walk, my dear.' I couldn't help laughing, which made Poll swear, and Aunt woke up and scolded us both."

"Did the spider accept the old fellow's invitation?" asked Laurie, yawning.

"Yes, out it came, and away ran Polly, frightened to death, and scrambled up on Aunt's chair, calling out, 'Catch her! Catch her! Catch her!' as I chased the spider."

"That's a lie! Oh, lor!" cried the parrot, pecking at Laurie's toes.

"I'd wring your neck if you were mine, you old torment," cried Laurie, shaking his fist at the bird, who put his head on one side and gravely croaked, "Allyluyer! bless your buttons, dear!"

"Now I'm ready," said Amy, shutting the wardrobe and taking a piece of paper out of her pocket. "I want you to read that, please, and tell me if it is legal and right. I felt I ought to do it, for life is uncertain and I don't want any ill feeling over my tomb."

Laurie bit his lips, and turning a little from the pensive speaker, read the following document, with praiseworthy gravity, considering the spelling:

MY LAST WILL AND TESTIMENT

I, Amy Curtis March, being in my sane mind, go give and bequeethe all my earthly property--viz. to wit:--namely

To my father, my best pictures, sketches, maps, and works of art, including frames. Also my $100, to do what he likes with.

To my mother, all my clothes, except the blue apron with pockets--also my likeness, and my medal, with much love.

To my dear sister Margaret, I give my turkquoise ring (if I get it), also my green box with the doves on it, also my piece of real lace for her neck, and my sketch of her as a memorial of her 'little girl'.

To Jo I leave my breastpin, the one mended with sealing wax, also my bronze inkstand--she lost the cover--and my most precious plaster rabbit, because I am sorry I burned up her story.

To Beth (if she lives after me) I give my dolls and the little bureau, my fan, my linen collars and my new slippers if she can wear them being thin when she gets well. And I herewith also leave her my regret that I ever made fun of old Joanna.

To my friend and neighbor Theodore Laurence I bequeethe my paper mashay portfolio, my clay model of a horse though he did say it hadn't any neck. Also in return for his great kindness in the hour of affliction any one of my artistic works he likes, Noter Dame is the best.

To our venerable benefactor Mr. Laurence I leave my purple box with a looking glass in the cover which will be nice for his pens and remind him of the departed girl who thanks him for his favors to her family, especially Beth.

I wish my favorite playmate Kitty Bryant to have the blue silk apron and my gold-bead ring with a kiss.

To Hannah I give the bandbox she wanted and all the patchwork I leave hoping she 'will remember me, when it you see'.

And now having disposed of my most valuable property I hope all will be satisfied and not blame the dead. I forgive everyone, and trust we may all meet when the trump shall sound. Amen.

To this will and testiment I set my hand and seal on this 20th day of Nov. Anni Domino 1861.

Amy Curtis March

Witnesses:

Estelle Valnor, Theodore Laurence.


The last name was written in pencil, and Amy explained that he was to rewrite it in ink and seal it up for her properly.

"What put it into your head? Did anyone tell you about Beth's giving away her things?" asked Laurie soberly, as Amy laid a bit of red tape, with sealing wax, a taper, and a standish before him.

She explained and then asked anxiously, "What about Beth?"

"I'm sorry I spoke, but as I did, I'll tell you. She felt so ill one day that she told Jo she wanted to give her piano to Meg, her cats to you, and the poor old doll to Jo, who would love it for her sake. She was sorry she had so little to give, and left locks of hair to the rest of us, and her best love to Grandpa. She never thought of a will."

Laurie was signing and sealing as he spoke, and did not look up till a great tear dropped on the paper. Amy's face was full of trouble, but she only said, "Don't people put sort of postscripts to their wills, sometimes?"

"Yes, 'codicils', they call them."

"Put one in mine then, that I wish all my curls cut off, and given round to my friends. I forgot it, but I want it done though it will spoil my looks."

Laurie added it, smiling at Amy's last and greatest sacrifice. Then he amused her for an hour, and was much interested in all her trials. But when he came to go, Amy held him back to whisper with trembling lips, "Is there really any danger about Beth?"

"I'm afraid there is, but we must hope for the best, so don't cry, dear." And Laurie put his arm about her with a brotherly gesture which was very comforting.

When he had gone, she went to her little chapel, and sitting in the twilight, prayed for Beth, with streaming tears and an aching heart, feeling that a million turquoise rings would not console her for the loss of her gentle little sister.


CHAPTER TWENTY

CONFIDENTIAL

I don't think I have any words in which to tell the meeting of the mother and daughters. Such hours are beautiful to live, but very hard to describe, so I will leave it to the imagination of my readers, merely saying that the house was full of genuine happiness, and that Meg's tender hope was realized, for when Beth woke from that long, healing sleep, the first objects on which her eyes fell were the little rose and Mother's face. Too weak to wonder at anything, she only smiled and nestled close in the loving arms about her, feeling that the hungry longing was satisfied at last. Then she slept again, and the girls waited upon their mother, for she would not unclasp the thin hand which clung to hers even in sleep.

Hannah had 'dished up' an astonishing breakfast for the traveler, finding it impossible to vent her excitement in any other way, and Meg and Jo fed their mother like dutiful young storks, while they listened to her whispered account of Father's state, Mr. Brooke's promise to stay and nurse him, the delays which the storm occasioned on the homeward journey, and the unspeakable comfort Laurie's hopeful face had given her when she arrived, worn out with fatigue, anxiety, and cold.

What a strange yet pleasant day that was. So brilliant and gay without, for all the world seemed abroad to welcome the first snow. So quiet and reposeful within, for everyone slept, spent with watching, and a Sabbath stillness reigned through the house, while nodding Hannah mounted guard at the door. With a blissful sense of burdens lifted off, Meg and Jo closed their weary eyes, and lay at rest, like storm-beaten boats safe at anchor in a quiet harbor. Mrs. March would not leave Beth's side, but rested in the big chair, waking often to look at, touch, and brood over her child, like a miser over some recovered treasure.

Laurie meanwhile posted off to comfort Amy, and told his story so well that Aunt March actually 'sniffed' herself, and never once said "I told you so". Amy came out so strong on this occasion that I think the good thoughts in the little chapel really began to bear fruit. She dried her tears quickly, restrained her impatience to see her mother, and never even thought of the turquoise ring, when the old lady heartily agreed in Laurie's opinion, that she behaved 'like a capital little woman'. Even Polly seemed impressed, for he called her a good girl, blessed her buttons, and begged her to "come and take a walk, dear", in his most affable tone. She would very gladly have gone out to enjoy the bright wintry weather, but discovering that Laurie was dropping with sleep in spite of manful efforts to conceal the fact, she persuaded him to rest on the sofa, while she wrote a note to her mother. She was a long time about it, and when she returned, he was stretched out with both arms under his head, sound asleep, while Aunt March had pulled down the curtains and sat doing nothing in an unusual fit of benignity.

After a while, they began to think he was not going to wake up till night, and I'm not sure that he would, had he not been effectually roused by Amy's cry of joy at sight of her mother. There probably were a good many happy little girls in and about the city that day, but it is my private opinion that Amy was the happiest of all, when she sat in her mother's lap and told her trials, receiving consolation and compensation in the shape of approving smiles and fond caresses. They were alone together in the chapel, to which her mother did not object when its purpose was explained to her.

"On the contrary, I like it very much, dear," looking from the dusty rosary to
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