Peter Pan in Kensington Gardens - Sir James Matthew Barrie (the lemonade war series .txt) 📗

There is bread and butter to begin with, of the size of a threepenny bit; and cakes to end with, and they are so small that they have no crumbs. The fairies sit round on mushrooms, and at first they are very well-behaved and always cough off the table, and so on, but after a bit they are not so well-behaved and stick their fingers into the butter, which is got from the roots of old trees, and the really horrid ones crawl over the table-cloth chasing sugar or other delicacies with their tongues. When the Queen sees them doing this she signs to the servants to wash up and put away, and then everybody adjourns to the dance, the Queen walking in front while the Lord Chamberlain walks behind her, carrying two little pots, one of which contains the juice of wall-flower and the other the juice of Solomon's Seals. Wall-flower juice is good for reviving dancers who fall to the ground in a fit, and Solomon's Seals juice is for bruises. They bruise very easily and when Peter plays faster and faster they foot it till they fall down in fits. For, as you know without my telling you, Peter Pan is the fairies' orchestra. He sits in the middle of the ring, and they would never dream of having a smart dance nowadays without him. "P. P." is written on the corner of the invitation-cards sent out by all really good families. They are grateful little people, too, and at the princess's coming-of-age ball (they come of age on their second birthday and have a birthday every month) they gave him the wish of his heart.

The way it was done was this. The Queen ordered him to kneel, and then said that for playing so beautifully she would give him the wish of his heart. Then they all gathered round Peter to hear what was the wish of his heart, but for a long time he hesitated, not being certain what it was himself.

"If I chose to go back to mother," he asked at last, "could you give me that wish?"

Now this question vexed them, for were he to return to his mother they should lose his music, so the Queen tilted her nose contemptuously and said, "Pooh, ask for a much bigger wish than that."

"Is that quite a little wish?" he inquired.

"As little as this," the Queen answered, putting her hands near each other.

"What size is a big wish?" he asked.

She measured it off on her skirt and it was a very handsome length.

Then Peter reflected and said, "Well, then, I think I shall have two little wishes instead of one big one."

Of course, the fairies had to agree, though his cleverness rather shocked them, and he said that his first wish was to go to his mother, but with the right to return to the Gardens if he found her disappointing. His second wish he would hold in reserve.

They tried to dissuade him, and even put obstacles in the way.

"I can give you the power to fly to her house," the Queen said, "but I can't open the door for you."

"The window I flew out at will be open," Peter said confidently. "Mother always keeps it open in the hope that I may fly back.

"How do you know?" they asked, quite surprised, and, really, Peter could not explain how he knew.

"I just do know," he said.

So as he persisted in his wish, they had to grant it. The way they gave him power to fly was this: They all tickled him on the shoulder, and soon he felt a funny itching in that part and then up he rose higher and higher and flew away out of the Gardens and over the house-tops.

It was so delicious that instead of flying straight to his old home he skimmed away over St. Paul's to the Crystal Palace and back by the river and Regent's Park, and by the time he reached his mother's window he had quite made up his mind that his second wish should be to become a bird.

The window was wide open, just as he knew it would be, and in he fluttered, and there was his mother lying asleep.

Peter alighted softly on the wooden rail at the foot of the bed and had a good look at her. She lay with her head on her hand, and the hollow in the pillow was like a nest lined with her brown wavy hair. He remembered, though he had long forgotten it, that she always gave her hair a holiday at night.

How sweet the frills of her night-gown were. He was very glad she was such a pretty mother.

But she looked sad, and he knew why she looked sad. One of her arms moved as if it wanted to go round something, and he knew what it wanted to go round.

"Oh, mother," said Peter to himself, "if you just knew who is sitting on the rail at the foot of the bed."

Very gently he patted the little mound that her feet made, and he could see by her face that she liked it. He knew he had but to say "Mother" ever so softly, and she would wake up. They always wake up at once if it is you that says their name. Then she would give such a joyous cry and squeeze him tight. How nice that would be to him, but oh, how exquisitely delicious it would be to her. That I am afraid is how Peter regarded it. In returning to his mother he never doubted that he was giving her the greatest treat a woman can have. Nothing can be more splendid, he thought, than to have a little boy of your own. How proud of him they are; and very right and proper, too.

But why does Peter sit so long on the rail, why does he not tell his mother that he has come back?

I quite shrink from the truth, which is that he sat there in two minds. Sometimes he looked longingly at his mother, and sometimes he looked longingly at the window. Certainly it would be pleasant to be her boy again, but, on the other hand, what times those had been in the Gardens! Was he so sure that he would enjoy wearing clothes again? He popped off the bed and opened some drawers to have a look at his old garments. They were still there, but he could not remember how you put them on. The socks, for instance, were they worn on the hands or on the feet? He was about to try one of them on his hand, when he had a great adventure. Perhaps the drawer had creaked; at any rate, his mother woke up, for he heard her say "Peter," as if it was the most lovely word in the language. He remained sitting on the floor and held his breath, wondering how she knew that he had come back. If she said "Peter" again, he meant to cry "Mother" and run to her. But she spoke no more, she made little moans only, and when next he peeped at her she was once more asleep, with tears on her face.

It made Peter very miserable, and what do you think was the first thing he did? Sitting on the rail at the foot of the bed, he played a beautiful lullaby to his mother on his pipe. He had made it up himself out of the way she said "Peter," and he never stopped playing until she looked happy.

He thought this so clever of him that he could scarcely resist wakening her to hear her say, "Oh, Peter, how exquisitely you play." However, as she now seemed comfortable, he again cast looks at the window. You must not think that he meditated flying away and never coming back. He had quite decided to be his mother's boy, but hesitated about beginning to-night. It was the second wish which troubled him. He no longer meant to make it a wish to be a bird, but not to ask for a second wish seemed wasteful, and, of course, he could not ask for it without returning to the fairies. Also, if he put off asking for his wish too long it might go bad. He asked himself if he had not been hard-hearted to fly away without saying good-bye to Solomon. "I should like awfully to sail in my boat just once more," he said wistfully to his sleeping mother. He quite argued with her as if she could hear him. "It would be so splendid to tell the birds of this adventure," he said coaxingly. "I promise to come back," he said solemnly and meant it, too.

And in the end, you know, he flew away. Twice he came back from the window, wanting to kiss his mother, but he feared the delight of it might waken her, so at last he played her a lovely kiss on his pipe, and then he flew back to the Gardens.

Many nights and even months passed before he asked the fairies for his second wish; and I am not sure that I quite know why he delayed so long. One reason was that he had so many good-byes to say, not only to his particular friends, but to a hundred favourite spots. Then he had his last sail, and his very last sail, and his last sail of all, and so on. Again, a number of farewell feasts were given in his honour; and another comfortable reason was that, after all, there was no hurry, for his mother would never weary of waiting for him. This last reason displeased old Solomon, for it was an encouragement to the birds to procrastinate. Solomon had several excellent mottoes for keeping them at their work, such as "Never put off laying to-day, because you can lay to-morrow," and "In this world there are no second chances," and yet here was Peter gaily putting off and none the worse for it. The birds pointed this out to each other, and fell into lazy habits.

But, mind you, though Peter was so slow in going back to his mother, he was quite decided to go back. The best proof of this was his caution with the fairies. They were most anxious that he should remain in the Gardens to play to them, and to bring this to pass they tried to trick him into making such a remark as "I wish the grass was not so wet," and some of them danced out of time in the hope that he might cry, "I do wish you would keep time!" Then they would have said that this was his second wish. But he smoked their design, and though on occasions he began, "I wish--" he always stopped in time. So when at last he said to them bravely, "I wish now to go back to mother for ever and always," they had to tickle his shoulder and let him go.

He went in a hurry in the end because he had dreamt that his mother was crying, and he knew what was the great thing she cried for, and that a hug from her splendid Peter would quickly make her to smile. Oh, he felt sure of it, and so eager was he to be nestling in her arms that this time he flew straight to the window, which was always to be open for him.

But the window was closed, and there were iron bars on it, and peering inside he saw his