Books and Persons - Arnold Bennett (phonics readers .TXT) 📗

Maclaren would have described the death of the old labourer, worn out by honest and ill-paid toil, surrounded by his beloved fields, and so forth and so forth. And Mr. George Bourne's description of his hero's death would no doubt put them right off. I give it in full: "July 25 (Thursday).--Bettesworth died this evening at six o'clock." Oh, Colonel Newcome, sugared tears, golden gates, glimmering panes, passings, pilots, harbour bars--had Mr. George Bourne never heard of you?


[_1 Apr '09_]

I should like to assume that all enlightened and curious readers have already perused this book and its forerunner, "The Bettesworth Book" (Lamley and Co.), of which a cheap edition is soon to be had. But my irritating mania for stopping facts in the street and gazing at them makes it impossible for me to assume any such thing. I am perfectly certain that to about 70 per cent. of you the name of George Bourne means naught. I therefore need not apologize for offering the information that these books are books. They set forth the psychology and the everything else of the backbone, foundation, and original stock of the English race. They deal with England. Naturally, the sacred name of England will call up in your mind visions of the Carlton Club, Blenheim, Regent Street, Tubes, Selfridge's, theatre stalls, the crowd at Lord's, and the brilliant writers of the _New Age_. And these phenomena are a part of England; but I tell you that they are all only the froth on the surface of Bettesworth the labourer. If you regard this as a cryptic saying, read the two books, and you will see light.


SWINBURNE

[Sidenote:_22 Apr. '09_]

On Good Friday night I was out in the High Street, at the cross-roads, where the warp and the woof of the traffic assault each other under a great glare of lamps. The shops were closed and black, except where a tobacconist kept the tobacconist's bright and everlasting vigil; but above the shops occasional rare windows were illuminated, giving hints--dressing-tables, pictures, gas-globes--of intimate private lives. I don't know why such hints should always seem to me pathetic, saddening; but they do. And beneath them, through the dark defile of shutters, motor-omnibuses roared and swayed and curved, too big for the street, and dwarfing it. And automobiles threaded between them, and bicycles dared the spaces that were left. From afar off there came a flying light, like a shot out of a gun, and it grew into a man perched on a shuddering contrivance that might have been invented by H.G. Wells, and swept perilously into the contending currents, and by miracles emerged untouched, and was gone, driven by the desire of the immortal soul within the man. This strange thing happened again and again. The pavements were crowded with hurrying or loitering souls, and the omnibuses and autos were full of them: hundreds passed before the vision every moment. And they were all preoccupied; they nearly all bore the weary, egotistic melancholy that spreads like an infection at the close of a fete day in London; the lights of a motor-omnibus would show the rapt faces of sixteen souls at once in their glass cage, driving the vehicle on by their desires. The policeman and the loafers in the ring of fire made by the public-houses at the cross-roads--even these were grave with the universal affliction of life, and grim with the relentless universal egotism. Lovers walked as though there were no heaven and no earth, but only themselves in space. Nobody but me seemed to guess that the road to Delhi could be as naught to this road, with its dark, fleeing shapes, its shifting beams, its black brick precipices, and its thousand pale, flitting faces of a gloomy and decadent race. As says the Indian proverb, I met ten thousand men on the Putney High Street, and they were all my brothers. But I alone was aware of it. As I stood watching autobus after autobus swing round in a fearful semi-circle to begin a new journey, I gazed myself into a mystic comprehension of the significance of what I saw. A few yards beyond where the autobuses turned was a certain house with lighted upper windows, and in that house the greatest lyric versifier that England ever had, and one of the great poets of the whole world and of all the ages, was dying: a name immortal. But nobody looked; nobody seemed to care; I doubt if any one thought of it. This enormous negligence appeared to me to be fine, to be magnificently human.

* * * * *


The next day all the shops were open, and hundreds of fatigued assistants were pouring out their exhaustless patience on thousands of urgent and bright women; and flags waved on high, and the gutters were banked with yellow and white flowers, and the air was brisk and the roadways were clean. The very vital spirit of energy seemed to have scattered the breath of life generously, so that all were intoxicated by it in the gay sunshine. He was dead then. The waving posters said it. When Tennyson died I felt less hurt; for I had serious charges to bring against Tennyson, which impaired my affection for him. But I was more shocked. When Tennyson died, everybody knew it, and imaginatively realized it. Everybody was touched. I was saddened then as much by the contagion of a general grief as by a sorrow of my own. But there was no general grief on Saturday. Swinburne had written for fifty years, and never once moved the nation, save inimically, when "Poems and Ballads" came near to being burnt publicly by the hangman. (By "the nation," I mean newspaper readers. The real nation, busy with the problem of eating, dying, and being born all in one room, has never heard of either Tennyson or Swinburne or George R. Sims.) There are poems of Tennyson, of Wordsworth, even of the speciously recondite Browning, that have entered into the general consciousness. But nothing of Swinburne's! Swinburne had no moral ideas to impart. Swinburne never publicly yearned to meet his Pilot face to face. He never galloped on one of Lord George Sanger's horses from Aix to Ghent. He was interested only in ideal manifestations of beauty and force. Except when he grieved the judicious by the expression of political crudities, he never connected art with any form of morals that the British public could understand. He sang. He sang supremely. And it wasn't enough for the British public. The consequence was that his fame spread out as far as under-graduates, and the tiny mob of under-graduates was the largest mob that ever worried itself about Swinburne. Their shouts showed the high-water mark of his popularity. When one of them wrote in a facetious ecstasy over "Dolores,"


_But you came, O you procuratores_
_And ran us all in!_


that moment was the crown of Swinburne's career as a popular author. With its incomparable finger on the public pulse the _Daily Mail_, on the day when it announced Swinburne's death, devoted one of its placards to the performances of a lady and a dog on a wrecked liner, and another to the antics of a lunatic with a revolver. The _Daily Mail_ knew what it was about. Do not imagine that I am trying to be sardonic about the English race and its organs. Not at all. The English race is all right, though ageing now. The English race has committed no crime in demanding from its poets something that Swinburne could not give. I am merely trying to make clear the exceeding strangeness of the apparition of a poet like Swinburne in a place like England.

Last year I was walking down Putney Hill, and I saw Swinburne for the first and last time. I could see nothing but his face and head. I did not notice those ridiculously short trousers that Putney people invariably mention when mentioning Swinburne. Never have I seen a man's life more clearly written in his eyes and mouth and forehead. The face of a man who had lived with fine, austere, passionate thoughts of his own! By the heavens, it was a noble sight. I have not seen a nobler. Now, I knew by hearsay every crease in his trousers, but nobody had told me that his face was a vision that would never fade from my memory. And nobody, I found afterwards by inquiry, had "noticed anything particular" about his face. I don't mind, either for Swinburne or for Putney. I reflect that if Putney ignored Swinburne, he ignored Putney. And I reflect that there is great stuff in Putney for a poet, and marvel that Swinburne never perceived it and used it. He must have been born English, and in the nineteenth century, by accident. He was misprized while living. That is nothing. What does annoy me is that critics who know better are pandering to the national hypocrisy after his death. In a dozen columns he has been sped into the unknown as "a great Victorian"! Miserable dishonesty! Nobody was ever less Victorian than Swinburne. And then when these critics have to skate over the "Poems and Ballads" episode--thin, cracking ice!--how they repeat delicately the word "sensuous," "sensuous." Out with it, tailorish and craven minds, and say "sensual"! For sensual the book is. It is fine in sensuality, and no talking will ever get you away from that. Villiers de l'Isle-Adam once wrote an essay on "Le Sadisme anglais," and supported it with a translation of a large part of "Anactoria." And even Paris was startled. A rare trick for a supreme genius to play on the country of his birth, enshrining in the topmost heights of its literature a lovely poem that cannot be discussed!... Well, Swinburne has got the better of us there. He has simply knocked to pieces the theory that great art is inseparable from the Ten Commandments. His greatest poem was written in honour of a poet whom any English Vigilance Society would have crucified. "Sane" critics will naturally observe, in their quiet manner, that "Anactoria" and similar feats were "so unnecessary." Would it were true!


THE SEVENPENNIES

[_29 Apr. '09_]

Some time ago a meeting (henceforward historic) took place between Mr. Longman, Mr. Macmillan, Mr. Reginald Smith, Mr. Methuen, and Mr. Hutchinson [All baronets or knights now, except Reginald Smith, who is dead] of the one part, and Mr. Bernard Shaw, Mr. Maurice Hewlett, and Mr. Anthony Hope of the other part. Mr. Longman was the host, and the encounter must have been touching. I would have given a complete set of the works of Mrs. Humphry Ward to have been invisibly present. The publishers had invited the authors (who represented the Authors' Society), with the object of dissuading them from allowing their books to be reprinted at the price of sevenpence. Naturally, the publishers, as always, were actuated by a pure desire for the welfare of authors. Messrs Shaw, Hewlett, and Hope have written an official account of their impressions of the great sevenpenny question, and it appears in the current number of the _Author_. It is amusing. The most amusing aspect of the whole affair is the mere fact that one solitary Scotch firm, Nelsons, have forced the mandarins, nay, the arch-mandarins, of the trade to cry out that the shoe is pinching. For the supreme convention of life on the mandarinic plane is that the shoe never pinches. The publishers made one very true statement to the authors, namely, that sevenpenny editions give the