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_act_, by a victorious _act_, such as no man could deny. But so did the girl of Lorraine, if we read her story as it was read by those who saw her nearest. Adverse armies bore witness to the boy as no pretender; but so they did to the gentle girl. Judged by the voices of all who saw them _from a station of good will_, both were found true and loyal to any promises involved in their first acts. Enemies it was that made the difference between their subsequent fortunes. The boy rose to a splendour and a noonday prosperity, both personal and public, that rang through the records of his people, and became a byword among his posterity for a thousand years, until the sceptre was departing from Judah. The poor, forsaken girl, on the contrary, drank not herself from that cup of rest which she had secured for France. She never sang together with the songs that rose in her native Domremy as echoes to the departing steps of invaders. She mingled not in the festal dances at Vaucouleurs which celebrated in rapture the redemption of France. No! for her voice was then silent; no! for her feet were dust. Pure, innocent, noble-hearted girl! whom, from earliest youth, ever I believed in as full of truth and self-sacrifice, this was amongst the strongest pledges for _thy_ truth, that never once--no, not for a moment of weakness-- didst thou revel in the vision of coronets and honour from man. Coronets for thee! Oh, no! Honours, if they come when all is over, are for those that share thy blood. [Footnote: "_Those that share thy blood_":--A collateral relative of Joanna's was subsequently ennobled by the title of _Du Lys_.] Daughter of Domremy, when the gratitude of thy king shall awaken, thou wilt be sleeping the sleep of the dead. Call her, King of France, but she will not hear thee. Cite her by the apparitors to come and receive a robe of honour, but she will be found _en contumace_. When the thunders of universal France, as even yet may happen, shall proclaim the grandeur of the poor shepherd girl that gave up all for her country, thy ear, young shepherd girl, will have been deaf for five centuries. To suffer and to do, that was thy portion in this life; that was thy destiny; and not for a moment was it hidden from thyself. Life, thou saidst, is short; and the sleep which is in the grave is long; let me use that life, so transitory, for the glory of those heavenly dreams destined to comfort the sleep which is so long! This pure creature--pure from every suspicion of even a visionary self-interest, even as she was pure in senses more obvious--never once did this holy child, as regarded herself, relax from her belief in the darkness that was travelling to meet her. She might not prefigure the very manner of her death; she saw not in vision, perhaps, the aerial altitude of the fiery scaffold, the spectators without end, on every road, pouring into Rouen as to a coronation, the surging smoke, the volleying flames, the hostile faces all around, the pitying eye that lurked but here and there, until nature and imperishable truth broke loose from artificial restraints--these might not be apparent through the mists of the hurrying future. But the voice that called her to death, _that_ she heard for ever.
Great was the throne of France even in those days, and great was He that sat upon it; but well Joanna knew that not the throne, nor he that sat upon it, was for _her_; but, on the contrary, that she was for _them_; not she by them, but they by her, should rise from the dust. Gorgeous were the lilies of France, and for centuries had the privilege to spread their beauty over land and sea, until, in another century, the wrath of God and man combined to wither them; but well Joanna knew, early at Domremy she had read that bitter truth, that the lilies of France would decorate no garland for _her_. Flower nor bud, bell nor blossom, would ever bloom for _her_!
* * * * *
But stay. What reason is there for taking up this subject of Joanna precisely in the spring of 1847? Might it not have been left till the spring of 1947, or, perhaps, left till called for? Yes, but it _is_ called for, and clamorously. You are aware, reader, that amongst the many original thinkers whom modern France has produced, one of the reputed leaders is M. Michelet. All these writers are of a revolutionary cast; not in a political sense merely, but in all senses; mad, oftentimes, as March hares; crazy with the laughing gas of recovered liberty; drunk with the wine cup of their mighty Revolution, snorting, whinnying, throwing up their heels, like wild horses in the boundless pampas, and running races of defiance with snipes, or with the winds, or with their own shadows, if they can find nothing else to challenge. Some time or other, I, that have leisure to read, may introduce _you_, that have not, to two or three dozen of these writers; of whom I can assure you beforehand that they are often profound, and at intervals are even as impassioned as if they were come of our best English blood. But now, confining our attention to M. Michelet, we in England--who know him best by his worst book, the book against priests, etc.--know him disadvantageously. That book is a rhapsody of incoherence. But his "History of France" is quite another thing. A man, in whatsoever craft he sails, cannot stretch away out of sight when he is linked to the windings of the shore by towing-ropes of History. Facts, and the consequences of facts, draw the writer back to the falconer's lure from the giddiest heights of speculation. Here, therefore--in his "France"--if not always free from flightiness, if now and then off like a rocket for an airy wheel in the clouds, M. Michelet, with natural politeness, never forgets that he has left a large audience waiting for him on earth, and gazing upward in anxiety for his return; return, therefore, he does. But History, though clear of certain temptations in one direction, has separate dangers of its own. It is impossible so to write a history of France, or of England-- works becoming every hour more indispensable to the inevitably political man of this day--without perilous openings for error. If I, for instance, on the part of England, should happen to turn my labours into that channel, and (on the model of Lord Percy going to Chevy Chase)
"A vow to God should make
My pleasure in the Michelet woods
Three summer days to take,"
probably, from simple delirium, I might hunt M. Michelet into _delirium tremens_. Two strong angels stand by the side of History, whether French history or English, as heraldic supporters: the angel of research on the left hand, that must read millions of dusty parchments, and of pages blotted with lies; the angel of meditation on the right hand, that must cleanse these lying records with fire, even as of old the draperies of _asbestos_ were cleansed, and must quicken them into regenerated life. Willingly I acknowledge that no man will ever avoid innumerable errors of detail; with so vast a compass of ground to traverse, this is impossible; but such errors (though I have a bushel on hand, at M. Michelet's service) are not the game I chase; it is the bitter and unfair spirit in which M. Michelet writes against England. Even _that_, after all, is but my secondary object; the real one is Joanna, the Pucelle d'Orleans herself.
I am not going to write the history of La Pucelle: to do this, or even circumstantially to report the history of her persecution and bitter death, of her struggle with false witnesses and with ensnaring judges, it would be necessary to have before us _all_ the documents, and therefore the collection only now forthcoming in Paris. [Footnote: "_Only now forthcoming_":--In 1847 _began_ the publication (from official records) of Joanna's trial. It was interrupted, I fear, by the convulsions of 1848; and whether even yet finished I do not know.] But _my_ purpose is narrower. There have been great thinkers, disdaining the careless judgments of contemporaries, who have thrown themselves boldly on the judgment of a far posterity, that should have had time to review, to ponder, to compare. There have been great actors on the stage of tragic humanity that might, with the same depth of confidence, have appealed from the levity of compatriot friends--too heartless for the sublime interest of their story, and too impatient for the labour of sifting its perplexities--to the magnanimity and justice of enemies. To this class belongs the Maid of Arc. The ancient Romans were too faithful to the ideal of grandeur in themselves not to relent, after a generation or two, before the grandeur of Hannibal. Mithridates, a more doubtful person, yet, merely for the magic perseverance of his indomitable malice, won from the same Romans the only real honour that ever he received on earth. And we English have ever shown the same homage to stubborn enmity. To work unflinchingly for the ruin of England; to say through life, by word and by deed, _Delenda est Anglia Victrix_!--that one purpose of malice, faithfully pursued, has quartered some people upon our national funds of homage as by a perpetual annuity. Better than an inheritance of service rendered to England herself has sometimes proved the most insane hatred to England. Hyder Ali, even his son Tippoo, though so far inferior, and Napoleon, have all benefited by this disposition among ourselves to exaggerate the merit of diabolic enmity. Not one of these men was ever capable, in a solitary instance, of praising an enemy (what do you say to _that_, reader?); and yet in _their_ behalf, we consent to forget, not their crimes only, but (which is worse) their hideous bigotry and anti-magnanimous egotism--for nationality it was not. Suffren, and some half dozen of other French nautical heroes, because rightly they did us all the mischief they could (which was really great), are names justly reverenced in England. On the same principle, La Pucelle d'Orleans, the victorious enemy of England, has been destined to receive her deepest commemoration from the magnanimous justice of Englishmen.
Joanna, as we in England should call her, but according to her own statement, Jeanne (or, as M. Michelet asserts, Jean [Footnote: "_Jean_":--M. Michelet asserts that there was a mystical meaning at that era in calling a child _Jean_; it implied a secret commendation of a child, if not a dedication, to St. John the evangelist, the beloved disciple, the apostle of love and mysterious visions. But, really, as the name was so exceedingly common, few people will detect a mystery in calling a _boy_ by the name of Jack, though it _does_ seem mysterious to call a girl Jack. It may be less so in France, where a beautiful practice has always prevailed of giving a boy his mother's name-- preceded and strengthened by a male name, as _Charles Anne_, _Victor Victoire_. In cases where a mother's memory has been unusually dear to a son, this vocal memento of her, locked into the circle of his own name, gives to it the tenderness of a testamentary relic, or a funeral ring. I presume, therefore, that La Pucelle must have borne the baptismal name of Jeanne Jean; the latter with no reference, perhaps, to so sublime a person as St. John, but simply to some relative.]) D'Arc was born at
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