All About Coffee - William H. Ukers (best novel books to read .TXT) 📗
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Here is obtained the earliest news of the arrival and sailing of vessels, losses at sea, captures, recaptures, engagements and other shipping intelligence; and proprietors of ships and freights are insured by the underwriters. The rooms are in the Venetian style with Roman enrichments. At the entrance of the room are exhibited the Shipping Lists, received from Lloyd's agents at home and abroad, and affording particulars of departures or arrivals of vessels, wrecks, salvage, or sale of property saved, etc. To the right and left are "Lloyd's Books," two enormous ledgers. Right hand, ships "spoken with" or arrived at their destined ports; left hand, records of wrecks, fires or severe collisions, written in a fine Roman hand in "double lines." To assist the underwriters in their calculations, at the end of the room is an Anemometer, which registers the state of the wind day and night; attached is a rain gauge.
The British, Cockspur Street, "long a house of call for Scotchmen," was fortunate in its landladies. In 1759 it was kept by the sister of Bishop Douglas, so well known for his works against Lauder and Bower, which may explain its Scottish fame. At another period it was kept by Mrs. Anderson, described in Mackenzie's Life of Home as "a woman of uncommon talents and the most agreeable conversation."
Don Saltero's, 18 Cheyne Walk, Chelsea, was opened by a barber named Salter in 1695. Sir Hans Sloane contributed of his own collection some of the refuse gimcracks that were to be found in Salter's "museum." Vice-Admiral Munden, who had been long on the coast of Spain, where he had acquired a fondness for Spanish titles, named the keeper of the house Don Saltero, and his coffee house and museum Don Saltero's.
Squire's was in Fulwood's Rents, Holburn, running up to Gray's Inn. It was one of the receiving houses of the Spectator. In No. 269 the Spectator accepts Sir Roger de Coverley's invitation to "smoke a pipe with him over a dish of coffee at Squire's. As I love the old man, I take delight in complying with everything that is agreeable to him, and accordingly waited on him to the coffee-house, where his venerable figure drew upon us the eyes of the whole room. He had no sooner seated himself at the upper end of the high table, but he called for a clean pipe, a paper of tobacco, a dish of coffee, a wax candle and the 'Supplement' (a periodical paper of that time), with such an air of cheerfulness and good humour, that all the boys in the coffee room (who seemed to take pleasure in serving him) were at once employed on his several errands, insomuch that nobody else could come at a dish of tea until the Knight had got all his conveniences about him." Such was the coffee room in the Spectator's day.
From the frontispiece to "The Coffee House—a dramatick Piece" (see chapter XXXII)
The Cocoa-Tree was originally a coffee house on the south side of Pall Mall. When there grew up a need for "places of resort of a more elegant and refined character," chocolate houses came into vogue, and the Cocoa-Tree was the most famous of these. It was converted into a club in 1746.
It was closed in 1843. From a drawing dated 1809
White's chocolate house, established by Francis White about 1693 in St. James's Street, originally open to any one as a coffee house, soon became a private club, composed of "the most fashionable exquisites of the town and court." In its coffee-house days, the entrance was sixpence, as compared with the average penny fee of the other coffee houses. Escott refers to White's as being "the one specimen of the class to which it belongs, of a place at which, beneath almost the same roof, and always bearing the same name, whether as coffee house or club, the same class of persons has congregated during more than two hundred years."
Among hundreds of other coffee houses that flourished during the seventeenth and eighteenth centuries the following more notable ones are deserving of mention:
From a steel engraving in the British Museum
From a print published in 1770
Baker's, 58 'Change Alley, for nearly half a century noted for its chops and steaks broiled in the coffee room and eaten hot from the gridiron; the Baltic, in Threadneedle Street, the rendezvous of brokers and merchants connected with the Russian trade; the Bedford, "under the Piazza, in Covent Garden," crowded every night with men of parts and "signalized for many years as the emporium of wit, the seat of criticism and the standard of taste"; the Chapter, in Paternoster Row, frequented by Chatterton and Goldsmith; Child's, in St. Paul's Churchyard, one of the Spectator's houses, and much frequented by the clergy and fellows of the Royal Society; Dick's, in Fleet Street, frequented by Cowper, and the scene of Rousseau's comedietta, entitled The Coffee House; St. James's, in St. James's Street, frequented by Swift, Goldsmith, and Garrick; Jerusalem, in Cowper's Court, Cornhill, frequented by merchants and captains connected with the commerce of China, India, and Australia; Jonathan's, in 'Change Alley, described by the Tatler as "the general mart of stock jobbers"; the London, in Ludgate Hill, noted for its publishers' sales of stock and copyrights; Man's, in Scotland Yard, which took its name from the proprietor, Alexander Man, and was sometimes known as Old Man's, or the Royal, to distinguish it from Young Man's, Little Man's, New Man's, etc., minor establishments in the neighborhood;[85] Nando's, in Fleet Street, the favorite haunt of Lord Thurlow and many professional loungers, attracted by the fame of the punch and the charms of the landlady; New England and North and South American, in Threadneedle Street, having on its subscription list representatives of Barings, Rothschilds, and other wealthy establishments; Peele's, in Fleet Street, having a portrait of Dr. Johnson said to have been painted by Sir Joshua Reynolds; the Percy, in Oxford Street, the inspiration for the Percy Anecdotes; the Piazza, in Covent Garden, where Macklin fitted up a large coffee room, or theater, for oratory, and Fielding and Foote poked fun at him; the Rainbow, in Fleet Street, the second coffee house opened in London, having its token money; the Smyrna, in Pall Mall, a "place to talk politics," and frequented by Prior and Swift; Tom King's, one of the old night houses of Covent Garden Market, "well known to all gentlemen to whom beds are unknown"; the Turk's Head, 'Change Alley, which also had its tokens; the Turk's Head, in the Strand, which was a favorite supping house for Dr. Johnson and Boswell; the Folly, a coffee house on a house-boat on the Thames, which became quite notorious during Queen Anne's reign.
From the original water-color drawing by Thomas Rowlandson
Started originally as a tavern, this hostelry added coffee to its cuisine and became famous in the reign of Louis XV The illustration is from an early print used to advertise the "Royal Drummer's" attractions
Chapter XI HISTORY OF THE EARLY PARISIAN COFFEE HOUSESThe introduction of coffee into Paris by Thévenot in 1657—How Soliman Aga established the custom of coffee drinking at the court of Louis XIV—Opening the first coffee houses—How the French adaptation of the Oriental coffee house first appeared in the real French café of François Procope—The important part played by the coffee houses in the development of French literature and the stage—Their association with the Revolution and the founding of the Republic—Quaint customs and patrons—Historic Parisian cafés
If we are to accept the authority of Jean La Roque, "before the year 1669 coffee had scarcely been seen in Paris, except at M. Thévenot's and at the homes of some of his friends. Nor had it been heard of except in the writings of travelers."
As noted in chapter V, Jean de Thévenot brought coffee into Paris in 1657. One account says that a decoction, supposed to have been coffee, was sold by a Levantine in the Petit Châtelet under the name of cohove or cahoue during the reign of Louis XIII, but this lacks confirmation. Louis XIV is said to have been served with coffee for the first time in 1664.
Soon after the arrival, in July, 1669, of the Turkish ambassador, Soliman Aga, it became noised abroad that he had brought with him for his own use, and that of his retinue, great quantities of coffee. He "treated several persons with it, both in the court and the city." At length "many accustomed themselves to it with sugar, and others who found benefit by it could not leave it off."
Within six months all Paris was talking of the sumptuous coffee functions of the ambassador from Mohammed IV to the court of Louis XIV.
Isaac D'Israeli best describes them in his Curiosities of Literature:
On bended knee, the black slaves of the Ambassador, arrayed in the most gorgeous Oriental costumes, served the choicest Mocha coffee in tiny cups of egg-shell porcelain, hot, strong and fragrant, poured out in saucers of gold and silver, placed on embroidered silk doylies fringed with gold bullion, to the grand dames, who fluttered their fans with many grimaces, bending their piquant faces—be-rouged, be-powdered and be-patched—over the new and steaming beverage.
It was in 1669 or 1672 that Madame de Sévigné (Marie de Rabutin-Chantal; 1626–96), the celebrated French letter-writer, is said to have made that famous prophecy, "There are two things Frenchmen will never swallow—coffee and Racine's poetry," sometimes abbreviated into, "Racine and coffee will pass." What Madame really said, according to one authority, was that Racine was writing for Champmeslé, the actress, and not for posterity; again, of coffee she said, "s'en dégoûterait comme; d'un indigne favori" (People will become disgusted with it as with an unworthy favorite).
Larousse says the double judgment was wrongly attributed to Mme. de Sévigné. The celebrated aphorism, like many others, was forged later. Mme. de Sévigné said, "Racine made his comedies for the Champmeslé—not for the ages to come." This was in 1672. Four years later, she said to her daughter, "You have done well to quit coffee. Mlle. de Mere has also given it up."
From a Seventeenth-Century Print
However it may have been, the amiable letter-writer was destined to live to see Frenchmen yielding at once to the lure of coffee and to the poetical artifices of the greatest dramatic craftsman of his day.
While it is recorded that coffee made slow progress with the court of Louis XIV, the next king, Louis XV, to please his mistress, du Barry, gave it a tremendous vogue. It is related
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