Castles and Cave Dwellings of Europe - Sabine Baring-Gould (books to read to improve english TXT) 📗
- Author: Sabine Baring-Gould
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evergreen oaks, juniper, box and sloe-bushes. Moss and lichen stain the white walls that are streaked by black tricklings from above, and are accordingly not beautiful--their faces are like that of a pale, dirty, and weeping child with a cold in its head, who does not use a pocket-handkerchief. Jackdaws haunt the upper ledges and smaller caves that gape on all sides chattering like boys escaped from school, and anon a raven starts forth and hoarsely calls for silence. At the foot of the stooping crags, bowing to each other across the stream, lie masses that have broken from above, and atop and behind these is to be seen a string of cottages built into the rock, taking advantage of the overarching stratum of hard chalk; and cutting into it are russet, tiled roofs, where the cottagers have sought to expand beyond the natural shelter: they are in an intermediate position. Just as I have seen a caddis-worm emancipating itself from its cage, half in as a worm, half out as a fly.
Nature would seem to have specially favoured this little nook of France, which must have been the Eden of primeval man on Gallic soil. There he found ready-made habitations, a river abounding in fish, a forest teeming with game; constrained periodically to descend from the waterless plateaux, at such points as favoured a descent, to slake their thirst at the stream, and there was the nude hunter lurking in the scrub or behind a stone, with bow or spear awaiting his prey--his dinner and his jacket.
What beasts did he slay? The wild horse, with huge head, was driven by him over the edge of the precipice, and when it fell with broken limbs or spine, was cut up with flint knives and greedily devoured. The reindeer was also hunted, and the cumbersome mammoth enabled a whole tribe to gorge itself.
The grottoes perforating the cliff, like bubbles in Gruyere cheese, have been occupied consecutively to the present day. Opposite to Les Eyzies, hanging like a net or skein of black thread to the face of the precipice, is a hotel, part gallery, part cave--l'Auberge du Paradis; and a notice in large capitals invites the visitor to a "Course aux Canards."
When I was last there, reaching the tavern by a ladder erected in a grotto, I learned that an American couple on their honeymoon had recently slept in the guest-chamber scooped out of the living rock. The kitchen itself is a cavern, and in it are shelves, staged against the rock, offering Chartreuse, green and yellow, Benedictine, and Creme de Menthe. The proprietor also possesses a gramophone, and its strident notes we may well suppose imitate the tones of the first inhabitants of this den. Of the Roc de Tayac, in and against which this paradisaical hotel is plastered, I shall have more to say in another chapter.
The first men who settled in this favoured valley under shelters open to the blaze of the sun, in a soft and pleasant climate, where the air when not in proximity to men, is scented with mint, marjoram and juniper, where with little trouble a salmon might be harpooned, must have multiplied enormously--for every overhanging rock, every cavern, even every fallen block of stone, has been utilised as a habitation. Where a block has fallen, the prehistoric men scratched the earth away from beneath it, and couched in the trench. The ground by the river when turned up is black with the charcoal from their fires. A very little research will reward the visitor with a pocketful of flint knives and scrapers. And this is what is found not only on the main artery, but on all the lateral veins of water--wherever the cretaceous rocks project and invite to take shelter under them. Since the researches of Lartet and Christy, it has been known as an established fact that these savages were indued with rare artistic skill. Their delineations with a flint point on ivory and bone, of the mammoth, reindeer, and horse, are so masterly that these men stand forth as the spiritual ancestors of Landseer and Rosa Bonheur. And what is also remarkable is that the race which succeeded, that which discovered the use of metal, was devoid of the artistic sense, and their attempts at delineation are like the scribbling of an infant.
Of late years fresh discoveries have been made, revealing the fact that the Paleolithic men were able to paint as well as to engrave. In Les Combarelles and at Font-de-Gaume, far in the depths, where no light reaches, the walls have been found turned into a veritable picture- gallery. In the latter are twenty-four paintings; in the former forty- two.
Doctor Capitan and the Abbe Breuil were the first to discover the paintings in Les Combarelles. In an account read before the Academy of Sciences, they say: "Most frequently, the animals whose contours are indicated by a black outline, have all the surface thus circumscribed, entirely covered with red ochre. In some cases certain parts, such as the head of the urochs, seems to have been painted over with black and red together, so as to produce a brown tint. In other cases the head of the beast is black, and the rest of the body brown. This is veritable fresco painting, and the colour was usually applied after the outline had been graven in the stone. At other times some shading is added by hatching supplied after the outline had been drawn. Finally, the contours are occasionally thrown into prominence by scraping away the surface of the rock around, so as to give to the figures the appearance of being in low relief."
These wall paintings are by no means unique. They have been found as well at Pair-sur-Pair in Gironde, and in the grotto of Altamira at Santillana del Mar, in the north of Spain.
Still more recently an additional revelation as to the artistic skill of primeval man has been made; in a cave hitherto unexplored has been discovered actual sculpture with rounded forms, of extinct beasts.
These discoveries appeared incredible, first, because it was not considered possible that paintings of such a vastly remote antiquity could remain fresh and distinguishable, and secondly, because it was not thought that paintings and sculpture could be executed in the depths of a rayless cavern, and artificial light have left no traces in a deposit of soot on the roof.
But it must be remembered that these subterranean passages have been sealed up from time immemorial, and subjected to no invasion by man or beast, or to any change of air or temperature. And secondly, that the artists obtained light from melted fat in stone bowls on the floor, in which was a wick of pith; and such lamps would hardly discolour ceiling or walls. Of the genuineness of these paintings and sculptures there can be no question, from the fact that some are partly glazed over and some half obliterated by stalagmitic deposits.
Another discovery made in the Mas d'Azil in Arriege, is of painted pebbles and fan-shells that had served as paint-pots. [Footnote: Piette (E.), _Les Galets colorres du Mas d'Azil._ Paris, 1896.] The pebbles had been decorated with spots, stripes, zig-zags, crosses, and various rude figures; and these were associated with paleolithic tools. In the chalk of Champagne, where there are no cliffs, whole villages of underground habitations have been discovered, but none of these go back to the earliest age of all; they belong to various epochs; but the first to excavate them was the Neolithic man, he who raised the rude stone monuments elsewhere. He had learned to domesticate the ox and the sheep, had made of the dog the friend of man. His wife span and he delved; he dug the clay, and she formed it with her fingers into vessels, on which to this day her finger-prints may be found.
These caves are hollowed out in a thick bed of cretaceous rock. The habitations are divided into two unequal parts by a wall cut in the living chalk. To penetrate into the innermost portion of the cave, one has to descend by steps cut in the stone, and these steps bear indications of long usage. The entrance is hewn out of a massive screen of rock, left for the purpose, and on each side of the doorway the edges show the rebate which served to receive a wooden door-frame. Two small holes on the right and left were used for fixing bars across to hold the door fast. A good many of these caves are provided with a ventilating shaft, and some skilful contrivances were had recourse to for keeping out water. Inside are shelves, recesses cut in the chalk, for lamps, and to serve as cupboards. But probably these are due to later occupants. The Baron de Baye, who explored these caves, picked up worked flints, showing that their primitive occupants had been men of the prehistoric age, and other caves associated with them that were sepulchral were indisputably of the Neolithic age. [Footnote: De Baye (J.), _L'Archeologie prehistorique._ Paris, 1888.]
Mankind progresses not smoothly, as by a sliding carpet ascent, but by rugged steps broken by gaps. He halts long on one stage before taking the next. Often he remains stationary, unable to form resolution to step forward; sometimes even has turned round and retrograded.
The stream of civilisation flows on like a river, it is rapid in mid- current, slow at the sides, and has its backwaters. At best, civilisation advances by spirals. The native of New Guinea still employs stone tools; whilst an Englishman can get a nest of matches for twopence, an Indian laboriously kindles a fire with a couple of sticks. The prehistoric hunter of Solutre devoured the horse. In the time of Horace so did the Concanni of Spain. In the reign of Hakon, Athelstan's foster son, horseflesh formed the sacrificial meal of the Norseman. At the present day, as Mr. Lloyd George assures us, the haggard, ill-paid German mechanic breaks his long fast on black bread with rare meals of horseflesh.
At La Laugerie Basse, on the right bank of the Vezere, is a vast accumulation of fallen rocks, encumbering the ground for at least thirty-five feet in height under the overhanging cornice. The fallen matter consists of the disintegration of the projecting lip. Against the cliff, under the shelter of the rock, as already said, are cottages with lean-to roofs, internally with the back and with at least half the ceiling composed of the rock. In one of these Lartet and Christy began to sink a pit, beside the owner's bed, and the work was carried on to conclusion by the late Dr. Massenat. The well was driven down through successive stages of Man; deposits from the sous dropped and trampled into the earth floor by the children of the cottagers till the virgin soil was reached; and there, lying on his side, with his hands to his head for protection, and with a block of fallen rock crushing his thigh, lay the first prehistoric occupant of this shelter.
On the Causse de Larzac is Navacelles, in Gard; you walk over the arid plain with nothing in sight; and all at once are brought to a standstill. You find yourself at the edge of a crater 965 feet deep, the sides in most places precipitous, and the bottom is reached only by a zig-zag path. In the face of one of the cliffs is the grotto of Blandas, that has been occupied since remote ages. A methodical exploration has revealed a spearhead of silex, a bronze axe, bone bracelets, a coin of the Hundred Years' War, and lastly a little pin- cushion of cloth in the shape of a heart, ornamented with metal crosses, the relic of some refugee
Nature would seem to have specially favoured this little nook of France, which must have been the Eden of primeval man on Gallic soil. There he found ready-made habitations, a river abounding in fish, a forest teeming with game; constrained periodically to descend from the waterless plateaux, at such points as favoured a descent, to slake their thirst at the stream, and there was the nude hunter lurking in the scrub or behind a stone, with bow or spear awaiting his prey--his dinner and his jacket.
What beasts did he slay? The wild horse, with huge head, was driven by him over the edge of the precipice, and when it fell with broken limbs or spine, was cut up with flint knives and greedily devoured. The reindeer was also hunted, and the cumbersome mammoth enabled a whole tribe to gorge itself.
The grottoes perforating the cliff, like bubbles in Gruyere cheese, have been occupied consecutively to the present day. Opposite to Les Eyzies, hanging like a net or skein of black thread to the face of the precipice, is a hotel, part gallery, part cave--l'Auberge du Paradis; and a notice in large capitals invites the visitor to a "Course aux Canards."
When I was last there, reaching the tavern by a ladder erected in a grotto, I learned that an American couple on their honeymoon had recently slept in the guest-chamber scooped out of the living rock. The kitchen itself is a cavern, and in it are shelves, staged against the rock, offering Chartreuse, green and yellow, Benedictine, and Creme de Menthe. The proprietor also possesses a gramophone, and its strident notes we may well suppose imitate the tones of the first inhabitants of this den. Of the Roc de Tayac, in and against which this paradisaical hotel is plastered, I shall have more to say in another chapter.
The first men who settled in this favoured valley under shelters open to the blaze of the sun, in a soft and pleasant climate, where the air when not in proximity to men, is scented with mint, marjoram and juniper, where with little trouble a salmon might be harpooned, must have multiplied enormously--for every overhanging rock, every cavern, even every fallen block of stone, has been utilised as a habitation. Where a block has fallen, the prehistoric men scratched the earth away from beneath it, and couched in the trench. The ground by the river when turned up is black with the charcoal from their fires. A very little research will reward the visitor with a pocketful of flint knives and scrapers. And this is what is found not only on the main artery, but on all the lateral veins of water--wherever the cretaceous rocks project and invite to take shelter under them. Since the researches of Lartet and Christy, it has been known as an established fact that these savages were indued with rare artistic skill. Their delineations with a flint point on ivory and bone, of the mammoth, reindeer, and horse, are so masterly that these men stand forth as the spiritual ancestors of Landseer and Rosa Bonheur. And what is also remarkable is that the race which succeeded, that which discovered the use of metal, was devoid of the artistic sense, and their attempts at delineation are like the scribbling of an infant.
Of late years fresh discoveries have been made, revealing the fact that the Paleolithic men were able to paint as well as to engrave. In Les Combarelles and at Font-de-Gaume, far in the depths, where no light reaches, the walls have been found turned into a veritable picture- gallery. In the latter are twenty-four paintings; in the former forty- two.
Doctor Capitan and the Abbe Breuil were the first to discover the paintings in Les Combarelles. In an account read before the Academy of Sciences, they say: "Most frequently, the animals whose contours are indicated by a black outline, have all the surface thus circumscribed, entirely covered with red ochre. In some cases certain parts, such as the head of the urochs, seems to have been painted over with black and red together, so as to produce a brown tint. In other cases the head of the beast is black, and the rest of the body brown. This is veritable fresco painting, and the colour was usually applied after the outline had been graven in the stone. At other times some shading is added by hatching supplied after the outline had been drawn. Finally, the contours are occasionally thrown into prominence by scraping away the surface of the rock around, so as to give to the figures the appearance of being in low relief."
These wall paintings are by no means unique. They have been found as well at Pair-sur-Pair in Gironde, and in the grotto of Altamira at Santillana del Mar, in the north of Spain.
Still more recently an additional revelation as to the artistic skill of primeval man has been made; in a cave hitherto unexplored has been discovered actual sculpture with rounded forms, of extinct beasts.
These discoveries appeared incredible, first, because it was not considered possible that paintings of such a vastly remote antiquity could remain fresh and distinguishable, and secondly, because it was not thought that paintings and sculpture could be executed in the depths of a rayless cavern, and artificial light have left no traces in a deposit of soot on the roof.
But it must be remembered that these subterranean passages have been sealed up from time immemorial, and subjected to no invasion by man or beast, or to any change of air or temperature. And secondly, that the artists obtained light from melted fat in stone bowls on the floor, in which was a wick of pith; and such lamps would hardly discolour ceiling or walls. Of the genuineness of these paintings and sculptures there can be no question, from the fact that some are partly glazed over and some half obliterated by stalagmitic deposits.
Another discovery made in the Mas d'Azil in Arriege, is of painted pebbles and fan-shells that had served as paint-pots. [Footnote: Piette (E.), _Les Galets colorres du Mas d'Azil._ Paris, 1896.] The pebbles had been decorated with spots, stripes, zig-zags, crosses, and various rude figures; and these were associated with paleolithic tools. In the chalk of Champagne, where there are no cliffs, whole villages of underground habitations have been discovered, but none of these go back to the earliest age of all; they belong to various epochs; but the first to excavate them was the Neolithic man, he who raised the rude stone monuments elsewhere. He had learned to domesticate the ox and the sheep, had made of the dog the friend of man. His wife span and he delved; he dug the clay, and she formed it with her fingers into vessels, on which to this day her finger-prints may be found.
These caves are hollowed out in a thick bed of cretaceous rock. The habitations are divided into two unequal parts by a wall cut in the living chalk. To penetrate into the innermost portion of the cave, one has to descend by steps cut in the stone, and these steps bear indications of long usage. The entrance is hewn out of a massive screen of rock, left for the purpose, and on each side of the doorway the edges show the rebate which served to receive a wooden door-frame. Two small holes on the right and left were used for fixing bars across to hold the door fast. A good many of these caves are provided with a ventilating shaft, and some skilful contrivances were had recourse to for keeping out water. Inside are shelves, recesses cut in the chalk, for lamps, and to serve as cupboards. But probably these are due to later occupants. The Baron de Baye, who explored these caves, picked up worked flints, showing that their primitive occupants had been men of the prehistoric age, and other caves associated with them that were sepulchral were indisputably of the Neolithic age. [Footnote: De Baye (J.), _L'Archeologie prehistorique._ Paris, 1888.]
Mankind progresses not smoothly, as by a sliding carpet ascent, but by rugged steps broken by gaps. He halts long on one stage before taking the next. Often he remains stationary, unable to form resolution to step forward; sometimes even has turned round and retrograded.
The stream of civilisation flows on like a river, it is rapid in mid- current, slow at the sides, and has its backwaters. At best, civilisation advances by spirals. The native of New Guinea still employs stone tools; whilst an Englishman can get a nest of matches for twopence, an Indian laboriously kindles a fire with a couple of sticks. The prehistoric hunter of Solutre devoured the horse. In the time of Horace so did the Concanni of Spain. In the reign of Hakon, Athelstan's foster son, horseflesh formed the sacrificial meal of the Norseman. At the present day, as Mr. Lloyd George assures us, the haggard, ill-paid German mechanic breaks his long fast on black bread with rare meals of horseflesh.
At La Laugerie Basse, on the right bank of the Vezere, is a vast accumulation of fallen rocks, encumbering the ground for at least thirty-five feet in height under the overhanging cornice. The fallen matter consists of the disintegration of the projecting lip. Against the cliff, under the shelter of the rock, as already said, are cottages with lean-to roofs, internally with the back and with at least half the ceiling composed of the rock. In one of these Lartet and Christy began to sink a pit, beside the owner's bed, and the work was carried on to conclusion by the late Dr. Massenat. The well was driven down through successive stages of Man; deposits from the sous dropped and trampled into the earth floor by the children of the cottagers till the virgin soil was reached; and there, lying on his side, with his hands to his head for protection, and with a block of fallen rock crushing his thigh, lay the first prehistoric occupant of this shelter.
On the Causse de Larzac is Navacelles, in Gard; you walk over the arid plain with nothing in sight; and all at once are brought to a standstill. You find yourself at the edge of a crater 965 feet deep, the sides in most places precipitous, and the bottom is reached only by a zig-zag path. In the face of one of the cliffs is the grotto of Blandas, that has been occupied since remote ages. A methodical exploration has revealed a spearhead of silex, a bronze axe, bone bracelets, a coin of the Hundred Years' War, and lastly a little pin- cushion of cloth in the shape of a heart, ornamented with metal crosses, the relic of some refugee
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