The Upton Letters - Arthur Christopher Benson (learn to read books TXT) 📗

threads in carpets. One can imagine a philosophical defence being made of the pursuit. A man might say that it was above all things necessary to classify, and investigate, and to arrive at the exact truth; to compare the number of threads in different carpets, and that the sordid difficulties which encumbered such a task should not be regarded, in the light of the fact that here, at least, exact results had been obtained.

Of course, that is all very silly! But I believe; only I want my unbelief helped! If you can tell me what services are rendered by erudition to national life, you will relieve my doubts. Do not merely say that it enlarges the bounds of knowledge, unless you are also prepared to prove that knowledge is, per se, a desirable thing. I am not sure that it is not a hideous idol, a Mumbo Jumbo, a Moloch in whose honour children have still to pass through the fire in the recesses of dark academic groves.--Ever yours,

T. B.


UPTON, Nov. 1, 1904.


MY DEAR HERBERT,--I have read, after a fashion, in the course of the last month, the Autobiography of Herbert Spencer. I know nothing of his philosophy--I doubt if I have read half-a-dozen pages of his writings; and the man, as revealed in his own transparent confessions, is almost wholly destitute of attractiveness. All the same it is an intensely interesting book, because it is the attempt of a profound egotist to give a perfectly sincere picture of his life. Of course, I should have read it with greater appreciation if I had studied or cared for his books; but I take for granted that he was a great man, and accomplished a great work, and I like to see how he achieved it.

The book is the strongest argument I have ever yet read against a rational education. I who despair of the public-school classical system, am reluctantly forced to confess that it can sow the seeds of fairer flowers than ever blossomed in the soul of Herbert Spencer. He was by no means devoid of aesthetic perception. He says that the sight of a mountain, and music heard in a cathedral were two of the things that moved him most. He describes a particular sunset which he saw in Scotland, and describes the experience as the climax of his emotional sensations. He was devoted to music, and had a somewhat contemptuous enjoyment of pictures. But the arrogance and impenetrability of the man rise up on every page. He cannot say frankly that he does not understand art and literature; he dogmatises about them, and gives the reader to understand that there is really nothing in them. He criticises the classics from the standpoint of a fourth form boy. He sits like a dry old spider, spinning his philosophical web, with a dozen avenues of the soul closed to him, and denying that such avenues exist. As a statistical and sociological expert he ought to have taken into account the large number of people who are affected by what we may call the beautiful, and to have allowed for its existence even if he could not feel it. But no, he is perfectly self-satisfied, perfectly decided. And this is the more surprising because the man was in reality a hedonist. He protests finely in more than one place against those who make life subsidiary to work. He is quite clear on the point that work is only a part of life, and that to live is the object of man. Again, he states that the pursuit of innocent pleasure is a thing to which it is justifiable to devote some energy, and yet this does not make him tolerant. The truth is that he was so supremely egotistical, so entirely wrapped up in himself and his own life, that what other people did and cared for was a matter of entire indifference to him. His social tastes, and they were considerable, were all devoted to one and the same purpose. He liked staying at agreeable country houses, because it was a pleasant distraction to him and improved his health. He liked dining out, because it stimulated his digestion. All human relationships are made subservient to the same end. It never seems to him to be a duty to minister to the pleasure of others. He takes what he can get at the banquet of life, and, having secured his share, goes away to digest it. When, at the end of his life, social entertainments tried his nerves, he gave them up. When people came to see him, and he found himself getting tired or excited by conversation, if it was not convenient to him to leave the room, he put stoppers in his ears to blur the sense of the talk. What better parable of the elaborate framework of egotism on which his life was constructed could there be than the following legend, not derived from the book? One evening, the story goes, the philosopher had invited, at his club, a youthful stranger to join him in a game of billiards. The young man, who was a proficient, ran out in two breaks, leaving his rival a hopeless distance behind. When he had finished, Spencer, with a severe air, said to him: "To play billiards in an ordinary manner is an agreeable adjunct to life; to play as you have been playing is evidence of a misspent youth." A man who was not an egotist and a philosopher, however much he disliked the outcome of the game, would have attempted some phrases of commendation. But Spencer's view was, that anything which rendered a player of billiards less useful to himself, by giving him fewer opportunities in the course of a game for what he would have called healthful and pleasurable recreation, was not only not to be tolerated, but was to be morally reprobated.

As to his health, a subject which occupies the larger part of the volumes, it is evident that, though his nervous system was deranged, he was a complete hypochondriac. There is very little repining about the invalid conditions under which he lived; and it gradually dawned upon me that this was not because he had resolved to bear it in a stoical and courageous manner, but because his ill-health, seen through the rosy spectacles of the egotist, was a matter of pleasurable excitement to him; he complains a good deal of the peculiar sensations he experienced, and his broken nights, but with a solemn satisfaction in the whole experience. He never had to bear physical pain, and the worst evil from which he suffered was the boredom resulting from the way in which he had to try, or conceived that he had to try, to kill time without reading or working.

Of course one cannot help admiring the tenacious way in which he carried out his great work under unfavourable conditions. Yet there is something ridiculous in the picture of his rowing about in a boat on the Regent's Park Lake, with an amanuensis in the stern, dictating under the lee of an island until his sensations returned, and then rowing until they subsided again. As a hedonist, he distinctly calculated that his work gave the spice to his life, and that he would not have been so happy had he relinquished it. But there is nothing generous or noble about his standpoint; he liked writing and philosophising, and he preferred to do it even though it entailed a certain amount of invalidism, in the same spirit in which a man prefers to drink champagne with the prospect of suffering from the gout, rather than to renounce champagne and gout alike.

The man's face is in itself a parable. He has the high, domed forehead of the philosopher, and a certain geniality of eye; but the hard, thin-lipped mouth, with the deep lines from the nose, give him the air of an elderly chimpanzee. He has a hand like a bird's claw; and the antique shirt-front and small bow-tie denote the man who has fixed his opinions on the cut of his clothes at an early date and does not intend to modify them. Quite apart from the intense seriousness with which the sage took himself, down to the smallest details, the style of the book, dry as it is, is in itself grotesquely attractive.

There is something in the use of solemn scientific terminology, when dealing with the most trivial matters, which makes many passages irresistibly ludicrous. I wish that I could think that the writer of the following lines wrote them with any consciousness of how humorous a passage he was constructing--

"With me any tendency towards facetiousness is the result of temporary elation, either . . . caused by pleasurable health-giving change, or more commonly by meeting old friends. Habitually I observed that on seeing the Lotts after a long interval, I was apt to give vent to some witticisms during the first hour or two, and then they became rare."

I can't say that the life is a sad one, because, on the whole, it is a contented one; but it is so one-sided and so self-absorbed that one feels dried-up and depressed by it. One feels that great ability, great perseverance, may yet leave a man very cold and hard; that a man may penetrate the secrets of philosophy and yet never become wise; and one ends by feeling that simplicity, tenderness, a love of beautiful and gracious things are worth far more than great mental achievement. Or rather, I suppose, that one has to pay a price for everything, and that the price that this dyspeptic philosopher paid for his great work was to move through the world in a kind of frigid blindness, missing life after all, and bartering reality for self-satisfaction.

Curiously enough, I have at the same time been reading the life of another self-absorbed and high-minded personality--the late Dean Farrar. This is a book the piety of which is more admirable than the literary skill; but probably the tender partiality with which it is written makes it a more valuable document from the point of view of revealing personality than if it had been more critically treated.

Farrar was probably the exact opposite of Herbert Spencer in almost every respect. He was a litterateur, a rhetorician, an idealist, where Spencer was a philosopher, a scientific man, and a rationalist. Farrar admired high literature with all his heart; though unfortunately it did not clarify his own taste, but only gave him a rich vocabulary of high-sounding words, which he bound into a flaunting bouquet. He was like the bower-bird, which takes delight in collecting bright objects of any kind, bits of broken china, fragments of metal, which it disposes with distressing prominence about its domicile, and runs to and fro admiring the fantastic pattern. The fabric of Farrar's writing is essentially thin; his thoughts rarely rose above the commonplace, and to these thoughts he gave luscious expression, sticking the flowers of rhetoric, of which his marvellous memory gave him the command, so as to ornament without adorning.

Every one must have been struck in Farrar's works of fiction by the affected tone of speech adopted by his saintly and high-minded heroes. It was not affectation in Farrar to speak and write in this way; it was the form in which his thoughts naturally arranged themselves. But in one sense it was affected, because Farrar seems to have been naturally a kind of dramatist. I imagine that his self-consciousness was great, and I expect that he habitually lived with the feeling of being the central figure in a kind of romantic scene. The pathos of the situation is that he was naturally a noble-minded man. He had a high conception of beauty, both artistic