Tarzan and the Golden Lion - Edgar Rice Burroughs (electronic reader .TXT) 📗
- Author: Edgar Rice Burroughs
- Performer: -
Book online «Tarzan and the Golden Lion - Edgar Rice Burroughs (electronic reader .TXT) 📗». Author Edgar Rice Burroughs
“No,” said Owaza, “but I cannot dispose of it this side of the coast.”
“I know where you can dispose of it within two days’ march,” replied the old chief.
“Where?” demanded Owaza. “And who here in the interior will buy it?”
“There is a white man who will give you a little piece of paper for it and you can take that paper to the coast and get the full value of your gold.”
“Who is this white man?” demanded Owaza, “and where is he?”
“He is a friend of mine,” said the chief, “and if you wish I will take you to him on the morrow, and you can bring with you all your gold and get the little piece of paper.”
“Good,” said Owaza, “and then I shall not have to pay the carriers but a very small amount.”
The carriers were glad, indeed, to learn the next day that they were not to go all the way to the coast, for even the lure of payment was not sufficient to overcome their dislike to so long a journey, and their fear of being at so great a distance from home. They were very happy, therefore, as they set forth on a two days’ march toward the northeast. And Owaza was happy and so was the old chief, who accompanied them himself, though why he was happy about it Owaza could not guess.
They had marched for almost two days when the chief sent one of his own men forward with a message.
“It is to my friend,” he said, “to tell him to come and meet us and lead us to his village.” And a few hours later, as the little caravan emerged from the jungle onto a broad, grassy plain, they saw not far from them, and approaching rapidly, a large band of warriors. Owaza halted.
“Who are those?” he demanded.
“Those are the warriors of my friend,” replied the chief, “and he is with them. See?” and he pointed toward a figure at the head of the blacks, who were approaching at a trot, their spears and white plumes gleaming in the sunshine.
“They come for war and not for peace,” said Owaza tearfully.
“That depends upon you, Owaza,” replied the chief.
“I do not understand you,” said Owaza.
“But you will in a few minutes after my friend has come.”
As the advancing warriors approached more closely Owaza saw a giant white at their head—a white whom he mistook for Esteban—the confederate he had so traitorously deserted. He turned upon the chief. “You have betrayed me,” he cried.
“Wait,” said the old chief; “nothing that belongs to you shall be taken from you.”
“The gold is not his,” cried Owaza. “He stole it,” and he pointed at Tarzan who had approached and halted before him, but who ignored him entirely and turned to the chief.
“Your runner came,” he said to the old man, “and brought your message, and Tarzan and his Waziri have come to see what they could do for their old friend.”
The chief smiled. “Your runner came to me, O Tarzan, four days since, and two days later came this man with his carriers, bearing golden ingots toward the coast. I told him that I had a friend who would buy them, giving him a little piece of paper for them, but that, of course, only in case the gold belonged to Owaza.”
The ape-man smiled. “You have done well, my friend,” he said. “The gold does not belong to Owaza.”
“It does not belong to you, either,” cried Owaza. “You are not Tarzan of the Apes. I know you. You came with the four white men and the white woman to steal the gold from Tarzan’s country, and then you stole it from your own friends.”
The chief and the Waziri laughed. The ape-man smiled one of his slow smiles.
“The other was an impostor, Owaza,” he said, “but I am Tarzan of the Apes, and I thank you for bringing my gold to me. Come,” he said, “it is but a few more miles to my home,” and the ape-man compelled Owaza to direct his carriers to bear the golden ingots to the Greystoke bungalow. There Tarzan fed the carriers and paid them, and the next morning sent them back toward their own country, and he sent Owaza with them, but not without a gift of value, accompanied with an admonition that the black never again return to Tarzan’s country.
When they had all departed, and Tarzan and Jane and Korak were standing upon the veranda of the bungalow with Jad-bal-ja lying at their feet, the ape-man threw an arm about his mate’s shoulders.
“I shall have to retract what I said about the gold of Opar not being for me, for you see before you a new fortune that has come all the way from the treasure vaults of Opar without any effort on my part.”
“Now, if someone would only bring your diamonds back,” laughed Jane.
“No chance of that,” said Tarzan. “They are unquestionably at the bottom of the Ugogo River,” and far away, upon the banks of the Ugogo, in the village of Obebe, the cannibal, Esteban Miranda lay in the filth of the hut that had been assigned to him, gloating over the fortune that he could never utilize as he entered upon a life of captivity that the stubbornness and superstition of Obebe had doomed him to undergo.
TRANSCRIBER NOTES
Misspelled words and printer errors have been corrected. Where multiple spellings occur, majority use has been employed.
Punctuation has been maintained except where obvious printer errors occur.
Illustrations by James Allen St. John (1872-1957) were moved to facilitate page layout. The cover is the original first edition cover, also illustrated by James Allen St. John.
End of Project Gutenberg's Tarzan and the Golden Lion, by Edgar Rice Burroughs
*** END OF THIS PROJECT GUTENBERG EBOOK TARZAN AND THE GOLDEN LION ***
***** This file should be named 58874-h.htm or 58874-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/5/8/8/7/58874/
Produced by Al Haines, Cindy Beyer & the online Distributed
Proofreaders Canada team at http://www.pgdpcanada.net
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7
Comments (0)