A History of English Literature - George Saintsbury (romantic books to read .TXT) 📗
- Author: George Saintsbury
- Performer: -
Book online «A History of English Literature - George Saintsbury (romantic books to read .TXT) 📗». Author George Saintsbury
"For do but consider what an excellent thing sleep is: it is so inestimable a jewel that, if a tyrant would give his crown for an hour's slumber, it cannot be bought: of so beautiful a shape is it, that though a man lie with an Empress, his heart cannot be at quiet till he leaves her embracements to be at rest with the other: yea, so greatly indebted are we to this kinsman of death, that we owe the better tributary, half of our life to him: and there is good cause why we should do so: for sleep is that golden chain that ties health and our bodies together. Who complains of want? of wounds? of cares? of great men's oppressions? of captivity? whilst he sleepeth? Beggars in their beds take as much pleasure as kings: can we therefore surfeit on this delicate Ambrosia? can we drink too much of that whereof to taste too little tumbles us into a churchyard, and to use it but indifferently throws us into Bedlam? No, no, look upon Endymion, the moon's minion, who slept three score and fifteen years, and was not a hair the worse for it. Can lying abed till noon (being not the three score and fifteenth thousand part of his nap) be hurtful?
"Besides, by the opinion of all philosophers and physicians, it is not good to trust the air with our bodies till the sun with his flame-coloured wings hath fanned away the misty smoke of the morning, and refined that thick tobacco-breath which the rheumatic night throws abroad of purpose to put out the eye of the element: which work questionless cannot be perfectly finished till the sun's car-horses stand prancing on the very top of highest noon: so that then (and not till then) is the most healthful hour to be stirring. Do you require examples to persuade you? At what time do Lords and Ladies use to rise but then? Your simpering merchants' wives are the fairest lyers in the world: and is not eleven o'clock their common hour? they find (no doubt) unspeakable sweetness in such lying, else they would not day by day put it so in practice. In a word, mid-day slumbers are golden; they make the body fat, the skin fair, the flesh plump, delicate and tender; they set a russet colour on the cheeks of young women, and make lusty courage to rise up in men; they make us thrifty, both in sparing victuals (for breakfasts thereby are saved from the hell-mouth of the belly) and in preserving apparel; for while we warm us in our beds our clothes are not worn.
"The casements of thine eyes being then at this commendable time of the day newly set open, choose rather to have thy wind-pipe cut in pieces than to salute any man. Bid not good-morrow so much as to thy father, though he be an emperor. An idle ceremony it is and can do him little good; to thyself it may bring much harm: for if he be a wise man that knows how to hold his peace, of necessity must he be counted a fool that cannot keep his tongue."
The voluminous work in pamphlet kind of Nicholas Breton, still more the verse efforts closely akin to it of Samuel Rowlands, John Davies of Hereford and some others, must be passed over with very brief notice. Dr. Grosart's elaborate edition of the first-named has given a vast mass of matter very interesting to the student of literature, but which cannot be honestly recommended to the general reader. Breton, whose long life and perpetual literary activity fill up great part of our whole period, was an Essex gentleman of a good family (a fact which he never forgot), and apparently for some time a dependent of the well-known Countess of Pembroke, Sidney's sister. A much older man than most of the great wits of Elizabeth's reign, he also survived most of them, and his publications, if not his composition, cover a full half century, though he was nel mezzo del cammin at the date of the earliest. He was probably born some years before the middle of the sixteenth century, and certainly did not die before the first year of Charles I. If we could take as his the charming lullaby of The Arbour of Amorous Devices he would stand (if only as a kind of "single-speech") high as a poet. But I fear that Dr. Grosart's attribution of it to him is based on little external and refuted by all internal evidence. His best certain thing is the pretty "Phillida and Corydon" idyll, which may be found in England's Helicon or in Mr. Ward's Poets. But I own that I can never read this latter without thinking of two lines of Fulke Greville's in the same metre and on no very different theme—
Quiet she, he passion-rent,"
which are simply worth all the works of Breton, prose and verse, unless we count the Lullaby, put together. In the mots rayonnants, the mots de lumière, he is sadly deficient. But his work (which is nearly as plentiful in verse as in prose) is, as has been said, very interesting to the literary student, because it shows better perhaps than anything else the style of literature which a man, disdaining to condescend to burlesque or bawdry, not gifted with any extraordinary talent, either at prose or verse, but possessed of a certain literary faculty, could then produce with a fair chance of being published and bought. It cannot be said that the result shows great daintiness in Breton's public. The verse, with an improvement in sweetness and fluency, is very much of the doggerel style which was prevalent before Spenser; and the prose, though showing considerable faculty, if not of invention, yet of adroit imitation of previously invented styles, is devoid of distinction and point. There are, however, exercises after Breton's own fashion in almost every popular style of the time—euphuist romances, moral treatises, packets of letters, collections of jests and short tales, purely religious tractates, characters (after the style later illustrated by Overbury and Earle), dialogues, maxims, pictures of manners, collections of notes about foreign countries,—in fact, the whole farrago of the modern periodical. The pervading characteristics are Breton's invariable modesty, his pious and, if I may be permitted to use the word, gentlemanly spirit, and a fashion of writing which, if not very pointed, picturesque, or epigrammatic, is clear, easy, and on the whole rather superior, in observance of the laws of grammar and arrangement, to the work of men of much greater note in his day.
The verse pamphlets of Rowlands (whom I have not studied as thoroughly as most others), Davies, and many less voluminous men, are placed here with all due apology for the liberty. They are seldom or never of much formal merit, but they are interesting, first, because they testify to the hold which the mediæval conception of verse, as a general literary medium as suitable as prose and more attractive, had upon men even at this late time; and secondly, because, like the purely prose pamphlets, they are full of information as to the manners of the time. For Rowlands I may refer to Mr. Gosse's essay. John Davies of Hereford, the writing-master, though he has been carefully edited for students, and is by no means unworthy of study, has had less benefit of exposition to the general reader. He was not a genius, but he is a good example of the rather dull man who, despite the disfavour of circumstance, contrives by much assiduity and ingenious following of models to attain a certain position in literature. There are John Davieses of Hereford in every age, but since the invention and filing of newspapers their individuality has been not a little merged. The anonymous journalist of our days is simply to the historian such and such a paper, volume so-and-so, page so much, column this or that. The good John Davies, living in another age, still stands as nominis umbra, but with a not inconsiderable body of work to throw the shadow.
One of the most remarkable, and certainly one of not the least interesting developments of the Elizabethan pamphlet remains to be noticed. This is the celebrated series of "Martin Marprelate" tracts, with the replies which they called forth. Indeed the popularity of this series may be said to have given a great impulse to the whole pamphleteering system. It is somewhat unfortunate that this interesting subject has never been taken up in full by a dispassionate historian of literature, sufficiently versed in politics and in theology. In mid-nineteenth century most, but by no means all of the more notable tracts were reprinted by John Petheram, a London bookseller, whose productions have since been issued under the well-known imprint of John Russell Smith, the publisher of the Library of Old Authors. This gave occasion to a review in The Christian Remembrancer, afterwards enlarged and printed as a book by Mr. Maskell, a High Churchman who subsequently seceded to the Church of Rome. This latter accident has rather unfavourably and unfairly affected later judgments of his work, which, however, is certainly not free from party bias. It has scarcely been less unlucky that the chief recent dealers with the matter, Professor Arber (who projected a valuable reprint of the whole series in his English Scholars' Library, and who prefaced it with a quite invaluable introductory sketch), and Dr. Grosart, who also included divers Anti-Martinist tracts in his privately printed Works of Nashe, are very strongly prejudiced on the Puritan side.[40] Between these authorities the dispassionate inquirer who attacks the texts for himself is likely to feel somewhat in the position of a man who exposes himself to a cross fire. The Martin Marprelate controversy, looked at without prejudice but with sufficient information, shows itself as a very early example of the reckless violence of private crotcheteers on the one hand, and of the rather considerable unwisdom of the official defenders of order on the other. "Martin's" method was to a certain extent an anticipation of the famous move by which Pascal, fifty years later, "took theology out of the schools into drawing-rooms," except that Martin and his adversaries transferred the venue rather to the tap-room than to the drawing-room. The controversy between the framers of the Church of England in its present state, and the hot gospellers who, with Thomas Cartwright at their head, denied the proposition (not deniable or denied now by any sane and scholarly disputant) that church discipline and government are points left to a great extent undefined in the Scriptures, had gone on for years before Martin appeared. Cartwright and Whitgift had fought, with a certain advantage of warmth and eloquence on Cartwright's side, and with an immense preponderance of logical cogency on Whitgift's. Many minor persons had joined in the
Comments (0)