Telepathy - W. W. Baggally (books to read for 13 year olds .TXT) 📗

I will now proceed to state the reasons which lead me to the conclusion that Yoga Rama was able to see, although apparently blindfolded.

1. The bandages were removed from his eyes by Mr. Marriott, who had blindfolded him at the commencement of the performance. While this was being done I had my face about two feet away from Yoga Rama's face and I carefully noted the position of each article as it was being removed. The lower edge of the porous plaster was above the tip of the performer's nose, and the edge of the white handkerchief above the edge of the plaster, and above the edge of the handkerchief was the edge of the crimson scarf. The edges of the handkerchief and scarf were sufficiently high up, so that, had the blindfolding depended only on these, he could have seen under them. The gloves which had been placed on the handkerchief need not be taken into account, as the folded pieces of paper on his eyes prevented them from pressing into the sockets of Yoga Rama's eyes, and he, by merely closing the eyes and bringing the eyebrows well down when he was being blindfolded and then opening his eyes and lifting the eyebrows well up, could displace the gloves from their original position and cause them to rise, as a conjurer well knows; therefore the blindfolding really depended on the position of the porous plaster. Now when Mr. Marriott placed the plaster over the pieces of paper he took care that the lower edges of both pieces should be on one of the lines of holes which existed in the plaster as shown in the accompanying engraving (which is taken from a photograph).

He also took care that the lower edge of the plaster should stick against Yoga Rama's cheeks. On examining the plaster just before it was removed we found that the lower edge no longer stuck against the performer's cheeks. There were hollow spaces between the bridge of his nose and his cheeks through which he could have seen with a downward glance. The point now arises whether he used both his eyes or only one. I noticed that Yoga Rama always kept the right side of his face towards the sitters when trying the experiments. If the reader will look at the engraving, which shows the exact position of the folded pieces of paper at the time of the removal of the plaster from Yoga Rama's face, he will see that the piece of paper which covered his right eye is no longer on the same line of holes as the left piece, but is higher up, and, what is most suspicious, he will note some pieces of tissue paper which were stuck on the plaster by Yoga Rama and were under the pieces of folded paper, which prevented these from adhering to the plaster; thus by an upper movement of the eyebrows Yoga Rama succeeded in raising the folded piece of paper which covered his right eye, and with this eye he glanced under the plaster and watched the movements of the sitter's hands, etc.

2. As I have stated above, Yoga Rama always kept the right side of his head towards the person with whom he was experimenting. He tried one experiment with a gentleman who sat in the second row of the stalls. He then turned his body round so that the right side of his face was in the same position relatively to this gentleman as it had been to the sitters on the stage. Moreover, the lights in the body of the theatre were not alight when Yoga Rama was trying his alleged thought-readings with the members of the Committee on the stage, but when he experimented with the gentleman in the stalls, one of the electric chandeliers in the body of the theatre, not far from the gentleman, was immediately lit, thus enabling Yoga Rama to watch the movements of the gentleman's right hand when tracing the letters of the name he had chosen on the palm of his left hand, and giving the taps corresponding to the number of the letters.

3. At the conclusion of the performance, after the bulk of the audience had left, some persons remained in the foyer of the theatre, and a discussion arose, during which some of the persons present asserted that Yoga Rama had brought about his results by supernormal means. Mr. Marriott, Mr. Guttwoch, and I denied this. At that moment Yoga Rama came into the foyer, and he was accused by us of having been able to see. He asserted that he had not seen, and to prove it offered to try some experiments while a handkerchief was held tightly against his eyes. Mr. Guttwoch held a handkerchief against his eyes. As Yoga Rama was not now able to see, he resorted to a different method from the one he used on the stage. He held the wrist of the left hand of a lady with the thumb and three fingers of his right hand, while his forefinger rested against the back of the lady's hand. He then asked her to trace the letters of the name thought of with the forefinger of her right hand on the palm of her left hand, which was being held by him. He was able to tell the name, but only after repeated tracing of the letters by the lady. Yoga Rama not being able to be guided by sight as in his stage performances, now guided himself by the sense of touch. Although I have never before carried out an experiment of this nature myself, when Miss Newton and I returned to the rooms of the Society for Psychical Research I tried the experiment with her. I closed my eyes and held her wrist, and was able to feel the letter which she traced on the palm of her hand. Manifestly this is a difficult trick to perform, and requires great practice. I noticed that Yoga Rama chose the hand of a lady in preference to that of a gentleman, obviously because a lady's hand is thinner than that of a man, and the motion of her finger would be more easily felt.

What convinced me more than any of the above reasons that Yoga Rama was able to see during his performance is the following fact. I placed the sticking plaster over my eyes after it had been taken from Yoga Rama's eyes and, to my surprise, I found I could perfectly well see through it. The numerous small holes with which it was perforated allowed me to do this.

The audience at the "Little Theatre" had had their expectations raised that they were to witness manifestations of the occult powers of the mind through the mediumship of an Abyssinian Yogi, instead of which they witnessed an ordinary conjuring entertainment by a man who previously to assuming the name of "Yoga [sic] Rama" was known as Professor A. D. Pickens of Conduit Street, London.

Besides the method used by Yoga Rama for producing his so-called thought transference, there are others resorted to by public entertainers. The one most in use is by means of a verbal code. The letters of the alphabet are substituted and a word can be conveyed by the agent asking a series of questions, each question beginning with a substituted letter. The percipient has to remember what letters the substituted ones represent; he takes note of the first letter only of each question, puts them together in his mind, and thus gets the word that it is the intention of the agent to convey.

I have made a table (shown opposite) which shows one of these systems.

If the name "Alfred" is to be conveyed, it can be done by the following questions:—