Higher Lessons in English - Alonzo Reed and Brainerd Kellogg (uplifting novels TXT) 📗

an adjective, or an adverb.+ [Footnote: See Lesson 92 and footnote.]

Analysis and Parsing.

1. The leaves fall very quietly.

leaves | fall ========|====== The | quietly very

+Oral Analysis+.—Very quietly is a modifier of the predicate; quietly is the principal word of the group; very modifies quietly; the leaves is the modified subject; fall very quietly is the modified predicate.

+Parsing+.—_Quietly_ is an adverb modifying fall, telling the manner; very is an adverb modifying quietly, telling the degree.

2. The old, historic Charter Oak was blown down. 3. The stern, rigid Puritans often worshiped there. 4. Bright-eyed daisies peep up everywhere. 5. The precious morning hours should not be wasted. 6. The timely suggestion was very kindly received. 7. We turned rather abruptly. 8. A highly enjoyable entertainment was provided. 9. The entertainment was highly enjoyed. 10. Why will people exaggerate so! 11. A somewhat dangerous pass had been reached quite unexpectedly. 12. We now travel still more rapidly. 13. Therefore he spoke excitedly. 14. You will undoubtedly be very cordially welcomed. 15. A furious equinoctial gale has just swept by. 16. The Hell Gate reef was slowly drilled away.

 

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LESSON 15.

COMPOSITION—ADVERBS.

+Caution+.—So place adverbs that there can be no doubt as to what you intend them to modify. Have regard to the sound also.

+Direction+.—_Place the, italicized words below in different positions, and note the effect on the sound and the sense_:—

1. I immediately ran out. 2. Only one was left there. 3. She looked down proudly. 4. Unfortunately, this assistance came too late.

+Direction+.—_Construct on each of these subjects three sentences having modified subjects and modified predicates_:–

For punctuation, see Lesson 21.

+Model+. –- clouds –-. 1. Dark, heavy, threatening clouds are slowly gathering above. 2. Those, brilliant, crimson clouds will very soon dissolve. 3. Thin, fleecy clouds are scudding over.

l. –- ocean –-. 2. –- breeze –-. 3. –- shadows –-. 4. –- rock –-. 5. –- leaves –-.

+Direction+.—_Compose sentences in which these adverbs shall modify verbs_:—

Heretofore, hereafter, annually, tenderly, inaudibly, legibly, evasively, everywhere, aloof, forth.

+Direction+.—_Compose sentences in which five of these adverbs shall modify adjectives, and five shall modify adverbs_:—

Far, unusually, quite, altogether, slightly, somewhat, much, almost, too, rather.

 

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LESSON 16.

REVIEW.

TO THE TEACHER.—In all school work, but especially here, where the philosophy of the sentence and the principles of construction are developed in progressive steps, success depends largely on the character of the reviews.

Let reviews be, so far as possible, topical. Require frequent outlines of the work passed over, especially of what is taught in the “Introductory Hints.” The language, except that of Rules and Definitions, should be the pupil’s own, and the illustrative sentences should be original.

+Direction+.—_Review from Lesson 8 to Lesson 15, inclusive_.

Give the substance of the “Introductory Hints” (tell, for example, what three things such words as tick, are, and remain do in the sentence, what office they have in common, what such words are called, and why; what common office such words as ripe, the, and eight have, in what three ways they perform it, what such words are called, and why, etc.). Repeat and illustrate definitions and rules; illustrate what is taught of the capitalization and the abbreviation of names, and of the position of adjectives and adverbs.

 

Exercises on the Composition of the Sentence and the Paragraph.

(SEE PAGES 150-153.)

TO THE TEACHER.—After the pupil has learned a few principles of analysis and construction through the aid of short detached sentences that exclude everything unfamiliar, he may be led to recognize these same principles in longer related sentences grouped into paragraphs. The study of paragraphs selected for this purpose may well be extended as an informal preparation for what is afterwards formally presented in the regular lessons of the text-book.

These “Exercises” are offered only as suggestions. The teacher must, of course, determine where and how often this composition should be introduced.

We invite special attention to the study of the paragraph.

 

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LESSON 17.

PREPOSITIONAL PHRASES AND PREPOSITIONS.

+Introductory Hints+.—To express our thoughts with greater exactness we may need to expand a word modifier into several words; as, A long ride brought us there = A ride of one hundred miles brought us to Chicago. These groups of words, of one hundred miles and to Chicago—the one substituted for the adjective long, the other for the adverb there—we call +Phrases+. A phrase that does the work of an adjective is called an +Adjective Phrase+. A phrase that does the work of an adverb is called an +Adverb Phrase+.

As adverbs modify adjectives and adverbs, they may modify their equivalent phrases; as, The train stops only at the station. They sometimes modify only the introductory word of the phrase—this introductory word being adverbial in its nature; as, He sailed nearly around the globe.

That we may learn the office of such words as of, to, and at, used to introduce these phrases, let us see how the relation of one idea to another may be expressed. Wealthy men. These two words express two ideas as related. We have learned to know this relation by the form and position of the words. Change these, and the relation is lost—_men wealth_. But by using of before wealth the relation is restored–_men of wealth_. The word of, then, shows the relation between the ideas expressed by the words men and wealth.

All such relation words are called +Prepositions+ (Lat. prae, before, and positus, placed—their usual position being before the noun with which they form a phrase).

A phrase introduced by a preposition is called a +Prepositional Phrase+. This, however, is not the only kind of phrase.

+DEFINITION.—A Phrase is a group of words denoting related ideas, and having a distinct office, but not expressing a thought+.

+DEFINITION.—A Preposition is a word that introduces a phrase modifier, and shows the relation, in sense, of its principal word to the word modified.+

Analysis and Parsing.

1. The pitch of the musical note depends upon the rapidity of vibration.

TO THE TEACHER.—See suggestions in Lesson 12, concerning the use of diagrams.

pitch depends ==========|================= The of upon note rapidity -––- -–––— the musical the of vibration -––—

+Explanation+.—The diagram of the phrase is made up of a slanting line standing for the introductory word, and a horizontal line representing the principal word. Under the latter are drawn the lines which represent the modifiers of the principal word.

+Oral Analysis+.–The and the adjective phrase of the musical note are modifiers of the subject; the adverb phrase upon the rapidity of vibration is a modifier of the predicate. Of introduces the first phrase, and note is the principal word; the and musical are modifiers of note; upon introduces the second phrase, and rapidity is the principal word; the and the adjective phrase of vibration are modifiers of rapidity; of introduces this phrase, and vibration is the principal word.

TO THE TEACHER.—See suggestions in Lesson 12, concerning oral analysis.

+Parsing+.—Of is a preposition showing the relation, in sense, of note to pitch; etc., etc.

TO THE TEACHER.—Insist that, in parsing, the pupils shall give specific reasons instead of general definitions.

2. The Gulf Stream can be traced along the shores of the United States by the blueness of the water. 3. The North Pole has been approached in three principal directions. 4. In 1607, Hudson penetrated within six hundred miles of the North Pole. [Footnote: “1607” may be treated as a noun, and “six hundred” as one adjective.] 5. The breezy morning died into silent noon. 6. The Delta of the Mississippi was once at St. Louis. 7. Coal of all kinds has originated from the decay of plants. 8. Genius can breathe freely only in the atmosphere of freedom.

in _____below atmosphere just ___________ Falls ______ only the

+Explanation+.–-Only modifies the whole phrase, and just modifies the preposition.

9. The Suspension Bridge is stretched across the Niagara river just below the Falls. 10. In Mother Goose the cow jumps clear over the moon. 11. The first standing army was formed in the middle of the fifteenth century. 12. The first astronomical observatory in Europe was erected at Seville by the Saracens. 13. The tails of some comets stretch to the distance of 100,000,000 miles. 14. The body of the great Napoleon was carried back from St. Helena to France.

 

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LESSON 18.

COMPOSITION-PREPOSITIONAL PHRASES.

+COMMA-RULE.—Phrases that are placed out of their usual order [Footnote: For the usual order of words and phrases, see Lesson 51.] and made emphatic, or that are loosely connected with the rest of the sentence, should be set off by the comma.+ [Footnote: An expression in the body of a sentence is set off by two commas; at the beginning or at the end, by one comma.]

+Remark.+—This rule must be applied with caution. Unless it is desired to make the phrase emphatic, or to break the continuity of the thought, the growing usage among writers is not to set it off.

+Direction.+—_Tell why the comma is, or is not, used in these sentences_:—

1. Between the two mountains lies a fertile valley. 2. Of the scenery along the Rhine, many travelers speak with enthusiasm. 3. He went, at the urgent request of the stranger, for the doctor. 4. He went from New York to Philadelphia on Monday. 5. In the dead of night, with a chosen band, under the cover of a truce, he approached.

+Direction+.—_Punctuate such of these sentences as need punctuation_:—

1. England in the eleventh century was conquered by the Normans. 2. Amid the angry yells of the spectators he died. 3. For the sake of emphasis a word or a phrase may be placed out of its natural order. 4. In the Pickwick Papers the conversation of Sam Weller is spiced with wit. 5. New York on the contrary abounds in men of wealth. 6. It has come down by uninterrupted tradition from the earliest times to the present day.

+Direction+.—_See in how many places the phrases in the sentences above may stand without obscuring the thought._

+Caution+.—So place phrase modifiers that there can be no doubt as to what yon intend them to modify. Have regard to the sound also.

+Direction+.—_Correct these errors in position, and use the comma when needed_:—

1. The honorable member was reproved for being intoxicated by the president. 2. That small man is speaking with red whiskers. 3. A message was read from the President in the Senate. 4. With his gun toward the woods he started in the morning. 5. On Monday evening on temperance by Mr. Gough a lecture at the old brick church was delivered.

+Direction+.—_Form a sentence out of each of these groups of words_:—

(Look sharply to the arrangement and the punctuation.)

1. Of mind of splendor under the garb often is concealed poverty. 2. Of affectation of the young fop in the face impertinent an was seen smile. 3. Has been scattered Bible English the of millions by hundreds of the earth over the face. 4. To the end with no small difficulty of the journey at last through deep roads we after much fatigue came. 5. At the distance a flood of flame from the line from thirty iron mouths of twelve hundred yards of the enemy poured forth.

+Direction+.—_See into how many good,