My Lady Nicotine - Sir James Matthew Barrie (best life changing books txt) 📗

appetite has fallen off, but I am smoking more than ever, and it is notorious that I experience sudden chills and thrills. Is this passion? No, I am not done; I have only begun.

"In 'As You Like It,' you remember, the love symptoms are described at length. But is _Rosalind_ to be taken seriously? Besides, though she wore boy's clothes, she had only the woman's point of view. I have consulted Stevenson's chapters on love in his delightful 'Virginibus Puerisque,' and one of them says, 'Certainly, if I could help it, I would never marry a wife who wrote.' Then I noticed a book published after that one, and entitled 'The New Arabian Nights, by Mr. and Mrs. Robert Louis Stevenson.' I shut 'Virginibus Puerisque' with a sigh, and put it away.

"But this inquiry need not, I feel confident, lead to nothing. Negatively I know love; for I do not require to be told what it is not, and I have my ideal. Putting my knowledge together and surveying it dispassionately in the mass, I am inclined to think that this is really love.

"I may lay down as Proposition I. that surging, tempestuous passion comes involuntarily. You are heart-whole, when, as it were, the gates of your bosom open, in she sweeps, and the gates close. So far this is a faithful description of my case. Whatever it is, it came without any desire or volition on my part, and it looks as if it meant to stay. What I ask myself is--first, What is it? secondly, Where is it? thirdly, Who is it? and fourthly, What shall I do with it? I have thus my work cut out for me.

"What is it? I reply that I am stumped at once, unless I am allowed to fix upon an object definitely and precisely. This, no doubt, is arguing in a circle; but Descartes himself assumed what he was to try to prove. This, then, being permitted, I have chosen my object, and we can now go on again. What is it? Some might evade the difficulty by taking a middle course. You are not, they might say, in love as yet, but you are on the brink of it. The lady is no idol to you at present, but neither is she indifferent. You would not walk four miles in wet weather to get a rose from her; but if she did present you with a rose, you would not wittingly drop it down an area. In short, you have all but lost your heart. To this I reply simply, love is not a process, it is an event. You may unconsciously be on the brink of it, when all at once the ground gives way beneath you, and in you go. The difference between love and not-love, if I may be allowed the word, being so wide, my inquiry should produce decisive results. On the whole, therefore, and in the absence of direct proof to the contrary, I believe that the passion of love does possess me.

"Where is it? This is the simplest question of the four. It is in the heart. It fills the heart to overflowing, so that if there were one drop more the heart would run over. Love is thus plainly a liquid: which accounts to some extent for its well-recognized habit of surging. Among its effects this may be noted: that it makes you miserable if you be not by the loved one's side. To hold her hand is ecstasy, to press it, rapture. The fond lover--as it might be myself--sees his beloved depart on a railway journey with apprehension. He never ceases to remember that engines burst and trains run off the line. In an agony he awaits the telegram that tells him she has reached Shepherd's Bush in safety. When he sees her talking, as if she liked it, to another man, he is torn, he is rent asunder, he is dismembered by jealousy. He walks beneath her window till the policeman sees him home; and when he wakes in the morning, it is to murmur her name to himself until he falls asleep again and is late for the office. Well, do I experience such sensations, or do I not? Is this love, after all? Where are the spills?

"I have been taking for granted that I know who it is. But is this wise? Nothing puzzles me so much as the way some men seem to know, by intuition, as it were, which is the woman for whom they have a passion. They take a girl from among their acquaintance, and never seem to understand that they may be taking the wrong one. However, with certain reservations, I do not think I go too far in saying that I know who she is. There is one other, indeed, that I have sometimes thought--but it fortunately happens that they are related, so that in any case I cannot go far wrong. After I have seen them again, or at least before I propose, I shall decide definitely on this point.

"We have now advanced as far as Query IV. Now, what is to be done? Let us consider this calmly. In the first place, have I any option in the matter, or is love a hurricane that carries one hither and thither as a bottle is tossed in a chopping sea? I reply that it all depends on myself. Rosalind would say no; that we are without control over love. But Rosalind was a woman. It is probably true that a woman cannot conquer love. Man, being her ideal in the abstract, is irresistible to her in the concrete. But man, being an intellectual creature, can make a magnificent effort and cast love out. Should I think it advisable, I do not question my ability to open the gates of my heart and bid her go. That would be a serious thing for her; and, as man is powerful, so, I think, should he be merciful. She has, no doubt, gained admittance, as it were, furtively; but can I, as a gentleman, send away a weak, confiding woman who loves me simply because she cannot help it? Nay, more, in a pathetic case of this kind, have I not a certain responsibility? Does not her attachment to me give her a claim upon me? She saw me, and love came to her. She looks upon me as the noblest and best of my sex. I do not say I am; it may be that I am not. But I have the child's happiness in my hands; can I trample it beneath my feet? It seems to be my plain duty to take her to me.

"But there are others to consider. For me, would it not be the better part to show her that the greatest happiness of the greatest number should be my first consideration? Certainly there is nothing in a man I despise more than conceit in affairs of this sort. When I hear one of my sex boasting of his 'conquests,' I turn from him in disgust. 'Conquest' implies effort; and to lay one's self out for victories over the other sex always reminds me of pigeon-shooting. On the other hand, we must make allowances for our position of advantage. These little ones come into contact with us; they see us, athletic, beautiful, in the hunting-field or at the wicket; they sit beside us at dinner and listen to our brilliant conversation. They have met us, and the mischief is done. Every man--except, perhaps, yourself and Jimmy--knows the names of a few dear girls who have lost their hearts to him--some more, some less. I do not pretend to be in a different position from my neighbors, or in a better one. To some slight extent I may be to blame. But, after all, when a man sees cheeks redden and eyes brighten at his approach, he loses prudence. At the time he does not think what may be the consequences. But the day comes when he sees that he must take heed what he is about. He communes with himself about the future, and if he be a man of honor he maps out in his mind the several courses it is allowed him to follow, and chooses that one which he may tread with least pain to others. May that day for introspection come to few as it has come to me. Love is, indeed, a madness in the brain. Good-night."

When he finished I would wake up, open the door for Marriot, and light him to his sleeping-chamber with a spill.


CHAPTER IX.


JIMMY.

With the exception of myself, Jimmy Moggridge was no doubt the most silent of the company that met so frequently in my rooms. Just as Marriot's eyebrows rose if the cane chair was not empty when he strode in, Jimmy held that he had a right to the hearth-rug, on which he loved to lie prone, his back turned to the company and his eyes on his pipe. The stem was a long cherry-wood, but the bowl was meerschaum, and Jimmy, as he smoked, lay on the alert, as it were, to see the meerschaum coloring. So one may strain his eyes with intent eagerness until he can catch the hour-hand of a watch in action. With tobacco in his pocket Jimmy could refill his pipe without moving, but sometimes he crawled along the hearth-rug to let the fire-light play more exquisitely on his meerschaum bowl. In time, of course, the Arcadia Mixture made him more and more like the rest of us, but he retained his individuality until he let his bowl fall off. Otherwise he only differed from us in one way. When he saw a match-box he always extracted a few matches and put them dreamily into his pocket. There were times when, with a sharp blow on Jimmy's person, we could doubtless have had him blazing like a chandelier.

Jimmy was a barrister--though this is scarcely worth mentioning--and it had been known to us for years that he made a living by contributing to the _Saturday Review_. How the secret leaked out I cannot say with certainty. Jimmy never forced it upon us, and I cannot remember any paragraphs in the London correspondence of the provincial papers coupling his name with _Saturday_ articles. On the other hand, I distinctly recall having to wait one day in his chambers while Jimmy was shaving, and noticing accidentally a long, bulky envelope on his table, with the _Saturday Review's_ mystic crest on it. It was addressed to Jimmy, and contained, I concluded, a bundle of proofs. That was so long ago as 1885. If further evidence is required, there is the undoubted fact, to which several of us could take oath, that, at Oxford, Jimmy was notorious for his sarcastic pen--nearly being sent down, indeed, for the same. Again, there was the certainty that for years Jimmy had been engaged upon literary work of some kind. We had been with him buying the largest-sized scribbling paper in the market; we had heard him muttering to himself as if in pain: and we had seen him correcting proof-sheets. When we caught him at them he always thrust the proofs into a drawer which he locked by putting his leg on it--for the ordinary lock was broken--and remaining in that position till we had retired. Though he rather shunned the subject as a rule, he admitted to us that the work was journalism and not a sarcastic history of the nineteenth century, on which we felt he would come out strong. Lastly, Jimmy had lost the brightness of his youth, and was become silent and moody, which is well known to be the result of writing satire.

Were it not