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by small pieces of cardboard at the corners. The "double" was requested to insert its hand between the plates when the medium was entranced. Upon the plates being developed, the imprint of a hand (the same hand) was found on both plates; i.e. a photograph of the top, and of the under side of a hand. This was repeated again, under more stringent conditions. The hand again appeared.

It was then decided to repeat the experiment with the rolled film in the bottle. The experiment was again made; the film was developed when the medium reclined on the couch on the opposite side of the room, and a very large hand was again found to have impressed itself upon the film. It had evidently succeeded in curling itself round the rolled film in the closed bottle!

The question is: First, Do the facts occur? And if they do, what is the cause of them? What is the nature of these fluidic hands? To whom do they belong? Of what are they constituted? Are they the hands of a spirit, or mere exteriorizations from the body of the medium—materializations, only partially independent?

Without attempting to answer these questions in this place, I will conclude by pointing out two facts, which seem to me of considerable importance. The first is that many nervous and mentally abnormal patients may be mediums were the pains taken to ascertain that fact. I know of one famous alienist who confided to me his belief that a very large percentage of mediumistic cases could be found in hospitals for hysterical patients or in wards for the mentally unbalanced. The trouble is that experiments tending to ascertain the truth of such a theory are never tried. Had not Dr. Ochorowicz been interested in things psychic, Mlle. Tomczyk would simply have been cured by him in the general routine manner and dismissed. The world would thus have been deprived of one of the most remarkable mediums on record!

In the second place, these fluidic hands are almost identical in many ways with those presented by Eusapia Palladino at her best. The materialized hands, of varying degrees of density and formation, attached to long, shadowy arms, are exactly like the hands so often materialized at her séances—hands which are at times small, and at other times enormous. They no more resembled the hands of the medium than chalk resembles cheese.

16. This brings me to a final reflection, which I should like to mention before leaving this branch of our discussion. It concerns the question of darkness and its effect upon genuine mediumistic phenomena. Whether this effect be primarily physical, physiological, or psychological, the fact remains that it exists; and the researches of Dr. Ochorowicz have tended to confirm this very strongly. His work has shown us (or rather confirmed us more strongly in the belief) that the question of light is a highly important one, and that the greater the degree of darkness, ceteris paribus, the better and the more startling the phenomena.

Now, there has always existed a sort of a priori assumption that this should be so. Light, as we know, does bring about chemical reactions, and even exerts a definite physical force or pressure. Even so gross and so powerful a form of physical energy as wireless telegraphy is greatly interfered with by reason of the sun's rays (ultra-violet rays), and, of course, photographic plates are at once rendered useless by an instant's exposure to the sun. Again, it is known that sunlight has a more or less destructive influence upon all forms of animal and vegetable protoplasm, and it is very soon fatal to many of the lower forms of life. This being so, it has always appeared to me perfectly reasonable to suppose that the energy of the light-rays should interfere most seriously with the delicate and subtle forces and forms of energy which are liberated in the séance room. The old objection: "Why must these things always be done in the dark?" has appeared to me very short-sighted and inconsistent with all the facts above mentioned.

But, further! It is highly probable that life of any kind can only originate in the dark. Certainly, conception invariably takes place in complete darkness, and the whole period of embryonic development is passed in that condition. Again, inter-stellar space is, of course, absolutely black and devoid of any form of light save the faint twinklings of the far-off stars. Without the surface of some globe to reflect the sun's rays, no light of any kind would be possible; so that if life were conveyed across space, from star to star, upon infinitesimal specks of dust, under the influence of light pressure, as postulated by Arrhenius (Worlds in the Making, pp. 212-30), this life must exist, and in a sense originate, in the blackness of inter-stellar space.[10] And, finally, if life on our globe originated, as many think, in the ocean's depths,[11] this must have been in the densest darkness, since light penetrates but a few fathoms below the surface of the ocean. Below that all is blackness, complete and eternal. No light penetrates to that depth—nor has it for millions of years! Yet it is in this region that life is thought to have originated! As G. W. Warder expressed it (The Universe a Vast Electric Organism, pp. 60-1):

"During this period of primeval 'darkness upon the face of the waters' the resistless electric waves of the sun were beating upon the cloud-enwrapped surface of the planet. It was the formative period of elementary life, and the descendants and successors of that mighty host of living beings have to this day to lay the foundations of their being in similar conditions of darkness. Creative energy in its first stages of living form operates in dense darkness, and the first life upon the planet began and perfected itself in the age when midnight gloom enveloped the globe."

This fact—that life originated in darkness, and that the power of life can only be exercised in darkness—is, it seems to me, a most significant one when viewed in the light of our studies, and seems to point to the conclusion that the "darkness" said to be essential at spiritistic circles is indeed necessary; and that, when delicate and subtle forms of life and energy are being manifested, they are likely to become disrupted by the sudden introjection of a coarse and powerful form of energy, such as light, so that this "condition," said to be necessary by all mediums, is probably in reality essential; and their claim, far from being absurd, is well founded, and in accordance with well-established scientific facts.

17. So far as to the physical phenomena. We must now turn to the mental manifestations, and discuss one or two points in connection with them before concluding.

Hitherto we have considered the process of communication (granting such to exist) solely from the physical and physiological sides, and not from the psychological. There is a great deal to be said in this latter connection, however, though I shall endeavour to be as brief as possible.

Take, for instance, the question of symbolism.

Our dreams, as we know, are largely symbolic, the work of Freud and others having proved this beyond all doubt. It is highly probable that the ravings of delirium are also of this nature, though no one, so far as I know, has yet devoted any serious attention to their study. Certainly it is true in mediumistic phenomena; for, in trance conditions, a larger number of messages, tests, and visions seen are of this nature and character—the symbolism often being so elaborate that the original thought is not perceived. As Mr. Coates remarked: "When a 'psychometer' places a geological specimen to his forehead, and describes an 'antediluvian monster,' roaring and walking about, no one but a very shallow individual would imagine for a moment that the psychometer was actually seeing the original," but rather that he obtained a faint and dream-like impression of the world at that epoch, and his subconscious impression was symbolized in the creature seen. A better example is, perhaps, furnished by the following: a gentleman of my acquaintance visited a certain trance-medium, and, among other things, she described a large key. This meant nothing to him at first; but later, and after some apparent effort, the medium succeeded in catching (and conveying) the idea that the key was symbolic of success—unlocking the door of happiness, etc.—whereupon all she had said fell naturally into place.

Why this symbolism? The probable answer to this question is that the "message" cannot be given directly, and that this symbolic method of presentation must be resorted to in order to get the message through at all. There is good evidence to show that a pictorial method is resorted to, very largely, by the soi-disant spirits—mediums seeing what they describe, very often, when the more direct auditory method is not resorted to. The "spirit" presents somehow to the mind of the medium a picture, which is described and often interpreted by the medium. Often this interpretation is quite erroneous—resembling a defective analysis of a dream. Because of this the message is not recognized. Yet the source of the message may have been perfectly "veridical."

Let me illustrate this a little more fully. Suppose you desired to tell a Chinaman, who spoke not a word of English, to fetch a certain object from the next room. It would be useless for you to say "watch," because he would not know what the word meant. Probably you would tap your waistcoat pocket, pretend to take out a watch, wind it, look at the hands, etc., in your endeavour to convey to him your meaning. If this was not recognized, for any reason, you would have the utmost difficulty in conveying your meaning to him—and equal difficulty in telling him to fetch the watch from the next room.

Now, suppose these antics—or somewhat similar ones—were resorted to by a "spirit" in his attempt to convey the word watch—perhaps to remind the sitter of a particular watch he used to wear. The medium might well proceed as follows: "He taps his stomach, and looks at a spot over his left side.... He seems to wish to convey the impression that he suffered much from his bowels—perhaps a cancer on the left side. Yes, he seems to be taking something away from his body; evidently they removed some growth, and he wishes to convey the idea that something was taken from him.... Now he is examining his hands; he is looking intently. He is doing something with his fingers.... I can't see what it is ... a little movement. Was he connected with machinery in life? Now he is pointing to the door ..." etc.

Such an interpretation of the facts, it will be observed, while describing all his actions, is wholly misleading in interpretation; the symbolism has been entirely perverted and misconstrued. And inasmuch as the subject probably never died of cancer, had no bowel trouble, underwent no operation, and was never connected with machinery, it is highly probable that the "message" would be put down wholly to the medium's subliminal, or even to guessing or conscious fraud. Yet, it will be observed, the message was, in its inception, wholly "veridical"—the fault lying in the erroneous symbolic interpretation of the medium.

There is evidence to show that other forms of symbolism are adopted also—applying to the auditory as well as to the visual presentation of the messages. Names afford some of the best evidence for this; e.g. in the sitting of Mrs. Verrall with Mrs. Thompson, November 2, 1899 (Proceedings, xvii. pp. 240-41), "Nelly," the control, gave the names "Merrifield, Merriman, Merrythought, Merrifield," and later went on: "I am muddled. I will tell you how names come to us. It's like

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