English Literature: Its History and Significance for the Life of the English-Speaking World - William J. Long (book club books .TXT) 📗

English Drama; Schelling's Elizabethan Drama; Lamb's Specimens of English Dramatic Poets; Introduction to Hudson's Shakespeare: His Life, Art, and Characters; Ward's History of English Dramatic Literature; Dekker's The Gull's Hornbook, in King's Classics.

Marlowe. Works, edited by Bullen; chief plays in Temple Dramatists, Mermaid Series of English Dramatists, Morley's Universal Library, etc.; Lowell's Old English Dramatists; Symonds's introduction, in Mermaid Series; Dowden's Essay, in Transcripts and Studies.

Shakespeare. Good texts are numerous. Furness's Variorum edition is at present most useful for advanced work. Hudson's revised edition, each play in a single volume, with notes and introductions, will, when complete, be one of the very best for students' use.

Raleigh's Shakespeare, in English Men of Letters Series; Lee's Life of Shakespeare; Hudson's Shakespeare: his Life, Art, and Characters; Halliwell-Phillipps's Outlines of the Life of Shakespeare; Fleay's Chronicle History of the Life and Work of Shakespeare; Dowden's Shakespeare, a Critical Study of his Mind and Art; Shakespeare Primer (same author); Baker's The Development of Shakespeare as a Dramatist; Lounsbury's Shakespeare as a Dramatic Artist; The Text of Shakespeare (same author); Wendell's William Shakespeare; Bradley's Shakesperian Tragedy; Hazlitt's Shakespeare and Milton, in Lectures on the English Poets; Emerson's Essay, Shakespeare or the Poet; Lowell's Essay, in Among My Books; Lamb's Tales from Shakespeare; Mrs. Jameson's Shakespeare's Female Characters (called also Characteristics of Women); Rolfe's Shakespeare the Boy; Brandes's William Shakespeare; Moulton's Shakespeare as a Dramatic Artist; Mabie's William Shakespeare, Poet, Dramatist, and Man; The Shakespeare Apocrypha, edited by C. F. T. Brooke; Shakespeare's Holinshed, edited by Stone; Shakespeare Lexicon, by Schmidt; Concordance, by Bartlett; Grammar, by Abbott, or by Franz.

Ben Jonson. Texts in Mermaid Series, Temple Dramatists, Morley's Universal Library, etc.; Masques and Entertainments of Ben Jonson, edited by Morley, in Carisbrooke Library; Timber, edited by Schelling, in Athenæum Press Series.

Beaumont, Fletcher, etc. Plays in Mermaid Series, Temple Dramatists, etc.; Schelling's Elizabethan Drama; Lowell's Old English Dramatists; Lamb's Specimens of English Dramatic Poets; Fleay's Biographical Chronicle of the English Drama; Swinburne's Essays, in Essays in Prose and Poetry, and in Essays and Studies.

Bacon. Texts, Essays in Everyman's Library, etc.; Advancement of Learning in Clarendon Press Series, Library of English Classics, etc.; Church's Life of Bacon, in English Men of Letters Series; Nichol's Bacon's Life and Philosophy; Francis Bacon, translated from the German of K. Fischer (excellent, but rare); Macaulay's Essay on Bacon.

Minor Prose Writers. Sidney's Arcadia, edited by Somers; Defense of Poesy, edited by Cook, in Athenæum Press Series; Arber's Reprints, etc.; Selections from Sidney's prose and poetry in the Elizabethan Library; Symonds's Life of Sidney, in English Men of Letters; Bourne's Life of Sidney, in Heroes of the Nations; Lamb's Essay on Sidney's Sonnets, in Essays of Elia.

Raleigh's works, published by the Oxford Press; Selections by Grosart, in Elizabethan Library; Raleigh's Last Fight of the Revenge, in Arber's Reprints; Life of Raleigh, by Edwards and by Gosse. Richard Hooker's works, edited by Keble, Oxford Press; Laws of Ecclesiastical Polity, in Everyman's Library, and in Morley's Universal Library; Life, in Walton's Lives, in Morley's Universal Library; Dowden's Essay, in Puritan and Anglican.

Lyly's Euphues, in Arber's Reprints; Endymion, edited by Baker; Campaspe, in Manly's Pre-Shaksperean Drama.

North's Plutarch's Lives, edited by Wyndham, in Tudor Library; school edition, by Ginn and Company. Hakluyt's Voyages, in Everyman's Library; Jones's introduction to Hakluyt's Diverse Voyages; Payne's Voyages of Elizabethan Seamen; Froude's Essay, in Short Studies on Great Subjects.

Suggestive Questions. 1. What historical conditions help to account for the great literature of the Elizabethan age? What are the general characteristics of Elizabethan literature? What type of literature prevailed, and why? What work seems to you to express most perfectly the Elizabethan spirit?

2. Tell briefly the story of Spenser's life. What is the story or argument of the Faery Queen? What is meant by the Spenserian stanza? Read and comment upon Spenser's "Epithalamion." Why does the "Shepherd's Calendar" mark a literary epoch? What are the main qualities of Spenser's poetry? Can you quote or refer to any passages which illustrate these qualities? Why is he called the poets' poet?

3. For what is Sackville noted? What is the most significant thing about his "Gorboduc"? Name other minor poets and tell what they wrote.

4. Give an outline of the origin and rise of the drama in England. What is meant by Miracle and Mystery plays? What purposes did they serve among the common people? How did they help the drama? What is meant by cycles of Miracle plays? How did the Moralities differ from the Miracles? What was the chief purpose of the Interludes? What type of drama did they develop? Read a typical play, like "Noah's Flood" or "Everyman," and write a brief analysis of it.

5. What were our first plays in the modern sense? What influence did the classics exert on the English drama? What is meant by the dramatic unities? In what important respect did the English differ from the classic drama?

6. Name some of Shakespeare's predecessors in the drama? What types of drama did they develop? Name some plays of each type. Are any of these plays still presented on the stage?

7. What are Marlowe's chief plays? What is the central motive in each? Why are they called one-man plays? What is meant by Marlowe's "mighty line"? What is the story of "Faustus"? Compare "Faustus" and Goethe's "Faust," having in mind the story, the dramatic interest, and the literary value of each play.

8. Tell briefly the story of Shakespeare's life. What fact in his life most impressed you? How does Shakespeare sum up the work of all his predecessors? What are the four periods of his work, and the chief plays of each? Where did he find his plots? What are his romantic plays? his chronicle or historical plays? What is the difference between a tragedy and a comedy? Name some of Shakespeare's best tragedies, comedies, and historical plays. Which play of Shakespeare's seems to you to give the best picture of human life? Why is he called the myriad-minded Shakespeare? For what reasons is he considered the greatest of writers? Can you explain why Shakespeare's plays are still acted, while other plays of his age are rarely seen? If you have seen any of Shakespeare's plays on the stage, how do they compare in interest with a modern play?

9. What are Ben Jonson's chief plays? In what important respects did they differ from those of Shakespeare? Tell the story of "The Alchemist" or "The Silent Woman." Name other contemporaries and successors of Shakespeare. Give some reasons for the preëminence of the Elizabethan drama. What causes led to its decline?

10. Tell briefly the story of Bacon's life. What is his chief literary work? his chief educational work? Why is he called a pioneer of modern science? Can you explain what is meant by the inductive method of learning? What subjects are considered in Bacon's Essays? What is the central idea of the essay you like best? What are the literary qualities of these essays? Do they appeal to the intellect or the emotions? What is meant by the word "essay," and how does Bacon illustrate the definition? Make a comparison between Bacon's essays and those of some more recent writer, such as Addison, Lamb, Carlyle, Emerson, or Stevenson, having in mind the subjects, style, and interest of both essayists.

11. Who are the minor prose writers of the Elizabethan Age? What did they write? Comment upon any work of theirs which you have read. What is the literary value of North's Plutarch? What is the chief defect in Elizabethan prose as a whole? What is meant by euphuism? Explain why Elizabethan poetry is superior to the prose.

CHRONOLOGY Last Half of the Sixteenth and First Half of the Seventeenth Centuries HISTORY LITERATURE 1558. Elizabeth (_d_. 1603) 1559. John Knox in Edinburgh 1562(?). Gammer Gurton's Needle. Gorboduc 1564. Birth of Shakespeare 1571. Rise of English Puritans 1576. First Theater 1577. Drake's Voyage around the 1579. Spenser's Shepherd's Calendar. World Lyly's Euphues. North's Plutarch. 1587. Shakespeare in London. Marlowe's Tamburlaine 1588. Defeat of the Armada 1590. Spenser's Faery Queen. Sidney's Arcadia 1590-1595. Shakespeare's Early Plays 1597-1625. Bacon's Essays 1598-1614. Chapman's Homer 1598. Ben Jonson's Every Man in His Humour 1600-1607. Shakespeare's Tragedies 1603. James I (d. 1625) 1604. Divine Right of Kings 1605. Bacon's Advancement of Learning proclaimed 1607. Settlement at Jamestown, 1608. Birth of Milton Virginia 1611. Translation (King James Version) of Bible 1614. Raleigh's History 1616. Death of Shakespeare 1620. Pilgrim Fathers at 1620-1642. Shakespeare's successors. Plymouth End of drama 1620. Bacon's Novum Organum 1622. First regular newspaper, The Weekly News 1625. Charles I 1626. Death of Bacon CHAPTER VII THE PURITAN AGE (1620-1660)

I. HISTORICAL SUMMARY

The Puritan Movement. In its broadest sense the Puritan movement may be regarded as a second and greater Renaissance, a rebirth of the moral nature of man following the intellectual awakening of Europe in the fifteenth and sixteenth centuries. In Italy, whose influence had been uppermost in Elizabethan literature, the Renaissance had been essentially pagan and sensuous. It had hardly touched the moral nature of man, and it brought little relief from the despotism of rulers. One can hardly read the horrible records of the Medici or the Borgias, or the political observations of Machiavelli, without marveling at the moral and political degradation of a cultured nation. In the North, especially among the German and English peoples, the Renaissance was accompanied by a moral awakening, and it is precisely that awakening in England, "that greatest moral and political reform which ever swept over a nation in the short space of half a century," which is meant by the Puritan movement. We shall understand it better if we remember that it had two chief objects: the first was personal righteousness; the second was civil and religious liberty. In other words, it aimed to make men honest and to make them free.

Wrong Ideas of the Puritans.Such a movement should be cleared of all the misconceptions which have clung to it since the Restoration, when the very name of Puritan was made ridiculous by the jeers of the gay courtiers of Charles II. Though the spirit of the movement was profoundly religious, the Puritans were not a religious sect; neither was the Puritan a narrow-minded and gloomy dogmatist, as he is still pictured even in the histories. Pym and Hampden and Eliot and Milton were Puritans; and in the long struggle for human liberty there are few names more honored by freemen everywhere. Cromwell and Thomas Hooker were Puritans; yet Cromwell stood like a rock for religious tolerance; and Thomas Hooker, in Connecticut, gave to the world the first written constitution, in which freemen, before electing their officers, laid down the strict limits of the offices to which they were elected. That is a Puritan document, and it marks one of the greatest achievements in the history of government.

From a religious view point Puritanism included all shades of belief. The name was first given to those who advocated certain changes in the form of worship of the reformed English Church under Elizabeth; but as the ideal of liberty rose in men's minds, and opposed to it were the king and his evil counselors and the band of intolerant churchmen of whom Laud is the great example, then Puritanism became a great national movement. It included English churchmen as well as extreme Separatists, Calvinists, Covenanters, Catholic noblemen,--all bound together in resistance to despotism in Church and State, and with a passion for liberty and righteousness such as the world has never since seen. Naturally such a movement had its extremes and excesses, and it is from a few zealots and fanatics that most of our misconceptions about the Puritans arise. Life was stern in those days, too stern perhaps, and the intensity of the struggle against despotism made men narrow and hard. In the triumph of Puritanism under Cromwell severe laws were passed, many simple pleasures were forbidden, and an austere standard of living was forced upon an unwilling people. So the criticism is made that the wild outbreak of immorality which followed the restoration of Charles was partly due to the unnatural restrictions of the Puritan era. The criticism is just; but we must not forget the whole spirit of the movement. That the Puritan prohibited Maypole dancing and horse racing is of small consequence beside the fact that he fought for liberty and justice, that he overthrew despotism and made a man's life and property safe