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class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">206.
Schott, music publishers, 208, 209.
Scott, Walter, 134,
Kenilworth, 209.
Seyfried, 22, 64, 135, 212.
Shakespeare, 13, 68, 134, 139, 141, 223, 225,
Comedies of, 68,
the Tempest, 152,
a Universal man, 227,
Wagner's archetype in youth, 227.
Siegfried, 231.
Sight playing, from Ms., 63, 64.
Sixth Symphony (Pastoral), 14, 73, 78-79, 95, 122,
Dance tunes in, 78,
Dramatization of, 79,
Nature-poem, a, 78, 79,
Storm in, 78, 79.
Socrates, 161.
Solitary, Beethoven, the (quoted), 227.
Sonata in A♭, 35,
Fantasia, language of Resignation, 61,
Kreutzer, 44,
"Moonlight," 35,
opus 111, 187,
Pathetique, 26,
Pastorale, 35,
Waldstein, 11, 18, 44,
opus, 102, 129.
Sonata, the (form), 100.
Sonatas, 33, 36, 39,
Last (opus 109, 110, 111), 155,
Lofty imaginings of, 155,
Wondrous second movement of op. 111, 158,
F minor and D minor, 152.
Sonnleithner, 49, 56.
Sontag, 160, 170.
Spohr, 105.
Stadler, Abbe, 139, 167.
St. Just, 133.
St. Stephen's, Vienna, 22.
Streicher, Madame, 185, 186.
Stumpf, 139, 207, 209.
Stutterheim, Field-marshal von, 198, 208, 209.
Suite, the, earliest orchestral form, 99.
Süsmayer, 31.
Swieten, Baron von, 27, 59.
Index
Tacitus, 4, 46.
Tact, woman's, 12.
Tenth Symphony (proposed), 170, 200,
Adagio of, 173,
Allegro of, a Bacchic festival, 173,
Religious in character, 172.
Tetralogy, variations in, 157.
Thackeray, 134.
Thayer, A.W., 59, 90.
Third Leonore overture, 56, 229.
Third Mass (proposed), Kyrie of, 172
Third period, mysticism of, 100.
Third Symphony (Eroica), 11, 40 et seq., 68, 71, 73, 100, 104, 123,
Composed in spirit of altruism, 43,
First dedicated to Napoleon, 43-44,
Last movement of, 158,
Unique as a Symphony, 43.
Thomas, Theodore, 166.
Thoreau, 3, 113, 123, 161, 176, 218, 227.
Thun, Countess, 62.
Tolstoy, 45.
Tone-figure, 234.
Tone-pictures, 148.
Transposing, 31.
Treitschke, 106.
Trombones, 211,
for Solemnity, 230.
Turin, 93.
Index
Unger, Fräulein, 170.
Unrest, 4.
Index
Vander Stucken, 166.
Variation form, 231,
in the Diabelli Waltzes, 157,
in Beethoven's Symphonies, 157,
in Beethoven's Sonatas, 157.
Vienna, bombarded by French, 85,
Conservatory of, 118,
Italian element in, 58,
Population in Beethoven's time, 58,
Musical atmosphere of, 9, 10, 65,
Society, attitude toward Beethoven, 60,
its student element, 104.
Viennese, virtuosity of, 62-63,
aristocracy, 149.
Vittoria, battle of, 102, 103.
Voltaire, 218.
Index
Wagner, 4, 30, 50, 51, 56-57, 64, 66, 77, 79, 96, 120, 123, 125, 126, 127, 141, 150, 156, 157, 223,
Art-product of, 228,
biographical sketch of Beethoven, his, 228,
C♯ minor quartet, 195,
Criticisms on music, his, 227,
Disciple of Beethoven, 225, 229,
Early recognition of, in this country, 181,
Evening of life, 208,
Flying Dutchman, 79,
Industry of, 216,
Is influenced by Beethoven, 230, 231,
Literary achievement, his, 228,
Life's Problem, solution of, 236,
Life-work of, 208,
Mystic, a, 236,
Napoleonic ambition, 228,
Ninth Symphony, 163, 165,
Originality of, 230,
Poetic temperament, 52, 53,
Romanticism, his, 53, 230,
Seventh Symphony, and the, 96,
Tribute to Beethoven, 224,
Tribute to Shakespeare, 224,
Unerring poetic sense, 230,
Variation form, and the, 157, 158.
Wagner and Beethoven, Affinity between, 229,
Pioneers, 236,
their Spiritual relationship, 229,
World-weary, 236.
Wagner-Liszt correspondence, 232.
Waldstein, Count, 10, 11, 12, 28, 44.
Waterloo, battle of, 102, 110.
Weber, 139, 159, 160.
Wegeler, Dr., 12, 37.
Weihe des Hauses, 155, 169.
Weimar, 91.
Wellington, Duke of, 102, 106.
Weltschmertz, 126, 164.
Westphalia, King of, 83.
Wolfmayer, 29.
World's stage, 3.
World, torment of, 164,
and Beethoven's influence on it, 15,
ideal of, 15,
in transition, 3.
Index
Zauberflöte, 137, 185, 206.
Zehrgarten, at Bonn, 10.
Zeitgeist, the, 4.
Zelter, 91, 152.
Zmeskall, 137, 185, 206.
Zukunftsmusik, 150.
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