The Mystery of the Hasty Arrow - Anna Katharine Green (i can read with my eyes shut txt) 📗

must have been apparent to you all that a person standing where Mr. La Flèche did a moment ago would be easily visible to anyone looking up from the court or across from the opposite gallery, or even from the broad corridors at either end of the building. But would the same hold true if instead of being in front he had been behind the pedestal, as Mr. La Flèche is now? Run below, Barney; and, gentlemen, disperse yourselves in different directions and give me your opinion. Now!" he demanded after a few minutes' wait, during which there had been a scattering to right and left along the galleries, "what do you say?"

"If anyone chanced to be looking directly there, yes," was shouted up from below.

"What do you say, Coroner Price?"

"Ask the man to kneel."

The Inspector gave the word.

"Ah, that's different! The bulge of the vase hides the upper part of his head, and the pedestal itself the lower. He might shoot from his present position with impunity."

"Do you all agree?"

"Yes, yes!" came from different parts of the building.

"Then, Mr. La Flèche, here's another arrow from the same quiver. Take fresh aim and shoot."

Another breathless moment—more breathless than the other; then a second arrow flew across the court and hung quivering in the breast of the dummy.

From both ends of the gallery men came running, and leaning eagerly over the gallery-rail they watched the Coroner as he stepped again into view to make a second examination.

This time he kept them several minutes in suspense, and when he had drawn out the arrow, he looked long at the hole it had made. Then, instead of shouting his decision across the court, he could be seen leaving the gallery and coming around their way.

What had he to say? As they waited, a clock struck from some neighboring steeple—three sonorous peals! The two directors glanced at each other. Doubtless they felt the weirdness of the hour as well as of the occasion. It was a new experience for these amateurs in police procedure.

Arrived on their side, the Coroner advanced quickly. When close upon the reassembled group, he remarked quickly but with great decision:

"Mr. Travis seems to have been correct in denying that the arrow flew either from before or behind this pedestal. The first arrow sent by Mr. La Flèche entered the dummy almost at a right angle; the last departed but a little from this same line. But the real wound which I probed and located to a hair was a decidedly slanting one. It must have been sent from a place further off."

"From behind the other pedestal!" spoke up Mr. Gryce, all fire and interest at once. "Either the Englishman deceived us, or each pedestal had its man."

"We'll see! Another shot, and from behind the further pedestal, Mr. La Flèche!"

The Indian glided into view and started for the other end of the tapestry, followed by the Inspector, his detectives and the two directors. As they passed one by one across the face of the great hanging, they had the appearance not of living men but of a parade of specters, so silent their step and so somber their air. The dread of some development hitherto unacknowledged made their movements slow instead of hasty. The upper pedestal instead of the lower! Why should this possible fact make any difference in their feelings. Yet it did—perhaps because it meant deception on the part of one they had instinctively believed trustworthy, or—

But why pursue conjecture when actuality only is of moment? Let us proceed with our relation and await the result.

Arrived at the upper pedestal, Mr. La Flèche took his place, received the third arrow and presently delivered it. The Coroner, who had already started for the other side, hastily approached the dummy, made his examination and threw up his hand with the loud shout:

"The shot was made from there; the matter is settled!"

Question: Had Mr. Travis wilfully misled them, or had the presumption in his favor been strengthened by this proof that it had been shown possible for another hand than his to have shot the arrow from this same section of the gallery, without disturbing his belief that he was the only person in it at the time?

X "AND HE STOOD HERE?"

The Inspector, finding himself very much disturbed by the doubt just mentioned, felt inclined to question whether any perceptible advancement had been made by this freak business of his canny subordinate. He was hardly ready to say yes, and was not a little surprised when on his way toward the head of the staircase he heard the exultant voice of Mr. Gryce whisper in his ear:

"That's all right. We've gained a point. We know now the exact place from which the arrow was shot."

"But not who shot it."

"No—except that it was not the man Travis."

"How can you be sure of that?"

"For two reasons. This is the first one: If it is difficult to understand how a man could slip from behind the eastern pedestal and make his way along the open gallery to Room H, without attracting the attention of the officer posted opposite, how next to impossible we should find it, if thirty feet were added to his course—which is the distance between the two pedestals!"

"What was that fellow doing, that he shouldn't have seen this effort at escape, whether it involved a short flight or a long one?"

"He says he was not given detective-duty—that he was placed there to keep watch over the body of the young girl;—that at a certain moment he imagined himself to hear a stealthy footstep approaching from the farther end of the gallery, and anxious to spot the man yielding to so doubtful a curiosity, he approached the arch separating his section from the adjoining one, and stopping just inside, stood for a moment or so, listening. As this involved the turning of his back upon the court and consequently upon the opposite gallery, it gave Travis just the opportunity he needed for an unobserved escape. But I see you are not very much impressed by the reason I have advanced for believing his story and placing him where he says he was placed, behind the eastern pedestal. You doubtless think that if the officer opposite had stood long enough with his back to the court, Travis might have taken those extra thirty steps as easily as the twenty he had confessed to. Listen, then, to my second reason, or rather, step this way."

Leading his superior toward Room B, the door of which stood wide open, he paused just outside the threshold to note the effect produced upon the Inspector by what he saw inside. Evidently it was as marked with surprise as the detective had calculated upon, for with an air of great astonishment the Inspector turned upon him with the whispered exclamation:

"Travis here! where he could listen—see——"

"Yes. Take a good look at him, Inspector. It won't trouble him any. I doubt if he would notice us if we stepped into the room."

And such was the opinion of the Inspector himself, as he remarked the extreme excitement under which the Englishman was laboring. Absorbed in thoughts of his own, he was pacing the room with long strides, turning mechanically as he met some impediment, but otherwise oblivious to his surroundings, even to the point of not noting the presence of Sweetwater, who stood quietly watching him from one of the corners.

This display of feeling was certainly eloquent enough to attract anyone's attention, but what gave it impressiveness to the official mind was this: his excitement was that of triumph, not fear, of hope without any trace of confusion.

"It is not of himself he is thinking," muttered Gryce.

"And he stood here?"

"No—we left him free to move about at will, and his will carried him into full view of the whole performance."

"And Sweetwater?"

"Was near enough to note his every move, but of course kept himself well out of sight."

Then as they both stepped back from the doorway: "Mr. Travis didn't know he was being watched. He thought himself alone; and having an expressive countenance,—very expressive for an Englishman,—it was easy enough for Sweetwater to read his thoughts."

"And those thoughts?"

"Relief to find an explanation of the phenomenon he had doubtless been puzzling over for hours. The moments he had spent in hiding behind one pedestal had evidently failed to suggest that another man might have been in hiding behind the other."

"I am not surprised. Coincidences of this astonishing kind are not often met with even by us," was the Inspector's dry retort.

During the interchange of these hurried sentences, they had withdrawn still farther out of sight and hearing of the man discussed. But at this point Inspector Jackson reapproached the doorway, and entering in a manner to intercept Mr. Travis in his nervous goings to and fro, remarked in an off-hand way:

"I see that you have met with a surprise, Mr. Travis. Like ourselves, you gave little thought to what that upper pedestal might conceal."

"You are right. I never even glanced that way. But if I had, I should have seen nothing. He was well hid, exceedingly well hid, whoever he was. But he cannot escape now; you'll get him, won't you, Inspector? He could not have left the building—all say that this was impossible. He was one, then, of the people I saw moving about when I went down into the court. Find him! Find this murderer of innocence! of the sweetest, purest child——"

He turned away; grief was taking the place of indignation and revenge. At this sight the two men left him. The Inspector was at last convinced, both of the man's probity and of one stern, disconcerting fact: that the real culprit—the man whose guilty fingers had launched the fatal arrow—had been, as Travis said, one of the twenty-two persons who had been moving about for hours not only under his eyes but under those of the famous detective posted there.

XI FOOTSTEPS