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me without intermission. I lost my sleep; it was impossible for me to do anything; my brush fell from my hand; and, horrible to confess, I found myself sometimes gazing at the crossbeam with a sort of complacency. At last I could endure it no longer, and one evening I descended the ladder and hid myself behind the door of Fledermausse, hoping to surprise her fatal secret.

From that time no day passed in which I was not en route , following the old wretch, watching, spying, never losing sight of her; but she was so cunning, had a scent so subtile that, without even turning her head, she knew I was behind her.

However, she feigned not to perceive this; she went to the market, to the butcher's, like any good, simple woman, only hastening her steps and murmuring confused words.

At the close of the month I saw that it was impossible for me to attain my object in this way, and this conviction made me inexpressibly sad.

"What can I do?" I said to myself. "The old woman divines my plans; she is on her guard; every hope abandons me. Ah! old hag, you think you already see me at the end of your rope." I was continually asking myself this question: "What can I do? what can I do?" At last a luminous idea struck me. My chamber overlooked the house of Fledermausse; but there was no window on this side. I adroitly raised a slate, and no pen could paint my joy when the whole ancient building was thus exposed to me. "At last, I have you!" I exclaimed; "you cannot escape me now; from here I can see all that passes--your goings, your comings, your arts and snares. You will not suspect this invisible eye--this watchful eye, which will surprise crime at the moment it blooms. Oh, Justice, Justice! She marches slowly; but she arrives."

Nothing could be more sinister than the den now spread out before me--a great courtyard, the large slabs of which were covered with moss; in one corner, a well, whose stagnant waters you shuddered to look upon; a stairway covered with old shells; at the farther end a gallery, with wooden balustrade, and hanging upon it some old linen and the tick of an old straw mattress; on the first floor, to the left, the stone covering of a common sewer indicated the kitchen; to the right the lofty windows of the building looked out upon the street; then a few pots of dried, withered flowers--all was cracked, somber, moist. Only one or two hours during the day could the sun penetrate this loathsome spot; after that, the shadows took possession; then the sunshine fell upon the crazy walls, the worm-eaten balcony, the dull and tarnished glass, and upon the whirlwind of atoms floating in its golden rays, disturbed by no breath of air.

I had scarcely finished these observations and reflections, when the old woman entered, having just returned from market. I heard the grating of her heavy door. Then she appeared with her basket. She seemed fatigued--almost out of breath. The lace of her bonnet fell to her nose. With one hand she grasped the banister and ascended the stairs.

The heat was intolerable, suffocating; it was precisely one of those days in which all insects--crickets, spiders, mosquitoes, etc.--make old ruins resound with their strange sounds.

Fledermausse crossed the gallery slowly, like an old ferret who feels at home. She remained more than a quarter of an hour in the kitchen, then returned, spread out her linen, took the broom, and brushed away some blades of straw on the floor. At last she raised her head, and turned her little green eyes in every direction, searching, investigating carefully.

Could she, by some strange intuition, suspect anything? I do not know; but I gently lowered the slate, and gave up my watch for the day.

In the morning Fledermausse appeared reassured. One angle of light fell upon the gallery. In passing, she caught a fly on the wing, and presented it delicately to a spider established in a corner of the roof. This spider was so bloated that, notwithstanding the distance, I saw it descend from round to round, then glide along a fine web, like a drop of venom, seize its prey from the hands of the old shrew, and remount rapidly. Fledermausse looked at it very attentively, with her eyes half closed; then sneezed, and said to herself, in a jeering tone, "God bless you, beautiful one; God bless you!"

I watched during six weeks, and could discover nothing concerning the power of Fledermausse. Sometimes, seated upon a stool, she peeled her potatoes, then hung out her linen upon the balustrade.

Sometimes I saw her spinning; but she never sang, as good, kind old women are accustomed to do, their trembling voices mingling well with the humming of the wheel.

Profound silence always reigned around her; she had no cat--that cherished society of old women--not even a sparrow came to rest under her roof. It seemed as if all animated nature shrank from her glance. The bloated spider alone took delight in her society.

I cannot now conceive how my patience could endure those long hours of observation: nothing escaped me; nothing was matter of indifference. At the slightest sound I raised my slate; my curiosity was without limit, insatiable.

Toubac complained greatly.

"Master Christian," said he, "how in the devil do you pass your time? Formerly you painted something for me every week; now you do not finish a piece once a month. Oh, you painters! 'Lazy as a painter' is a good, wise proverb. As soon as you have a few kreutzers in possession, you put your hands in your pockets and go to sleep!"

I confess that I began to lose courage--I had watched, spied, and discovered nothing. I said to myself that the old woman could not be so dangerous as I had supposed; that I had perhaps done her injustice by my suspicions; in short, I began to make excuses for her. One lovely afternoon, with my eye fixed at my post of observation, I abandoned myself to these benevolent reflections, when suddenly the scene changed: Fledermausse passed through the gallery with the rapidity of lightning. She was no longer the same person; she was erect, her jaws were clinched, her glance fixed, her neck extended; she walked with grand strides, her gray locks floating behind her.

"Oh, at last," I said to myself, "something is coming, attention!" But, alas! the shadows of evening descended upon the old building, the noises of the city expired, and silence prevailed.

Fatigued and disappointed, I lay down upon my bed, when, casting my eyes toward my dormer window, I saw the room opposite illuminated. So! a traveler occupied the Green Room--fatal to strangers.

Now, all my fears were reawakened; the agitation of Fledermausse was explained--she scented a new victim.

No sleep for me that night; the rustling of the straw, the nibbling of the mice under the floor, gave me nervous chills.

I rose and leaned out of my window; I listened. The light in the room opposite was extinguished. In one of those moments of poignant anxiety, I cannot say if it was illusion or reality, I thought I saw the old wretch also watching and listening.

The night passed, and the gray dawn came to my windows; by degrees the noise and movements in the street ascended to my loft. Harassed by fatigue and emotion I fell asleep, but my slumber was short, and by eight o'clock I had resumed my post of observation.

It seemed as if the night had been as disturbed and tempestuous to Fledermausse as to myself. When she opened the door of the gallery, I saw that a livid pallor covered her cheeks and thin throat; she had on only her chemise and a woolen skirt; a few locks of reddish gray hair fell on her shoulders. She looked toward my hiding place with a dreamy, abstracted air, but she saw nothing; she was thinking of other things.

Suddenly she descended, leaving her old shoes at the bottom of the steps. "Without doubt," thought I, "she is going to see if the door below is well fastened."

I saw her remount hastily, springing up three or four steps at a time--it was terrible.

She rushed into the neighboring chamber, and I heard something like the falling of the top of a great chest; then Fledermausse appeared in the gallery, dragging a manikin after her, and this manikin was clothed like the Heidelberg student.

With surprising dexterity the old woman suspended this hideous object to a beam of the shed, then descended rapidly to the courtyard to contemplate it. A burst of sardonic laughter escaped from her lips; she remounted, then descended again like a maniac, and each time uttered new cries and new bursts of laughter.

A noise was heard near the door, and the old woman bounded forward, unhooked the manikin and carried it off; then, leaning over the balustrade with her throat elongated, her eyes flashing, she listened earnestly. The noise was lost in the distance, the muscles of her face relaxed, and she drew long breaths. It was only a carriage which had passed.

The old wretch had been frightened.

She now returned to the room, and I heard the chest close. This strange scene confounded all my ideas. What did this manikin signify? I became more than ever attentive.

Fledermausse now left the house with her basket on her arm. I followed her with my eyes till she turned the corner of the street. She had reassumed the air of a trembling old woman, took short steps, and from time to time turned her head partly around, to peer behind from the corner of her eye.

Fledermausse was absent fully five hours. For myself, I went, I came, I meditated. The time seemed insupportable. The sun heated the slate of the roof, and scorched my brain.

Now I saw, at the window, the good man who occupied the fatal Green Chamber; he was a brave peasant of Nassau, with a large three-cornered hat, a scarlet vest, and a laughing face; he smoked his pipe of Ulm tranquillity, and seemed to fear no evil.

I felt a strong desire to cry out to him: "Good man, be on your guard! Do not allow yourself to be entrapped by the old wretch; distrust yourself!" but he would not have comprehended me. Toward two o'clock Fledermausse returned. The noise of her door resounded through the vestibule. Then alone, all alone, she entered the yard, and seated herself on the interior step of the stairway; she put down her basket before her, and drew out first some packets of herbs, then vegetables, then a red vest, then a three-cornered hat, a coat of brown velvet, pants of plush, and coarse woolen hose--the complete costume of the peasant from Nassau.

For a moment I felt stunned; then flames passed before my eyes.

I recollected those precipices which entice with an irresistible power; those wells or pits, which the police have been compelled to close, because men threw themselves into them; those trees which had been cut down because they inspired men with the idea of hanging themselves; that contagion of suicides, of robberies, of murders, at certain epochs, by desperate means; that strange and subtile enticement of example, which makes you yawn because another yawns, suffer because you see another suffer, kill yourself because you see others kill themselves--and my hair stood up with horror.

How could this Fledermausse, this base, sordid creature, have derived so profound a law