The Red House Mystery - A. A. Milne (ebook reader play store TXT) 📗

by it. After dinner she suggested dressing up as a ghost and frightening him. I thought it my duty to warn her that Mark took any joke against himself badly, but she was determined to do it. I gave way reluctantly. Reluctantly, also, I told her the secret of the passage. (There is an underground passage from the library to the bowling-green. You should exercise your ingenuity, Mr. Gillingham, in trying to discover it. Mark came upon it by accident a year ago. It was a godsend to him; he could drink there in greater secrecy. But he had to tell me about it. He wanted an audience, even for his vices.)

“I told Miss Norris, then, because it was necessary for my plan that Mark should be thoroughly frightened. Without the passage she could never have got close enough to the bowling-green to alarm him properly, but as I arranged it with her she made the most effective appearance, and Mark was in just the state of rage and vindictiveness which I required. Miss Norris, you understand, is a professional actress. I need not say that to her I appeared to be animated by no other feeling than a boyish desire to bring off a good joke—a joke directed as much against the others as against Mark.

“He came to me that night, as I expected, still quivering with indignation. Miss Norris must never be asked to the house again; I was to make a special note of it; never again. It was outrageous. Had he not a reputation as a host to keep up, he would pack her off next morning. As it was, she could stay; hospitality demanded it; but never again would she come to the Red House—he was absolutely determined about that. I was to make a special note of it.

“I comforted him, I smoothed down his ruffled feathers. She had behaved very badly, but he was quite right; he must try not to show how much he disapproved of her. And of course she would never come again—that was obvious. And then suddenly I began to laugh. He looked up at me indignantly.

“‘Is there a joke?” he said coldly.

“I laughed gently again.

“‘I was just thinking,’ I said, ‘that it would be rather amusing if you—well, had your revenge.”

“‘My revenge? How do you mean?’

“‘Well, paid her back in her own coin.’

“‘Do you mean try and frighten her?’

“‘No, no; but dressed up and pulled her leg a bit. Made her look a fool in front of the others.’ I laughed to myself again. ‘Serve her jolly well right.’

“He jumped up excitedly.

“‘By Jove, Cay!’ he cried. ‘If I could! How? You must think of a way.

“I don’t know if Beverley has told you about Mark’s acting. He was an amateur of all the arts, and vain of his little talents, but as an actor he seemed to himself most wonderful. Certainly he had some ability for the stage, so long as he had the stage to himself and was playing to an admiring audience. As a professional actor in a small part he would have been hopeless; as an amateur playing the leading part, he deserved all that the local papers had ever said about him. And so the idea of giving us a private performance, directed against a professional actress who had made fun of him, appealed equally to his vanity and his desire for retaliation. If he, Mark Albett, by his wonderful acting could make Ruth Norris look a fool in front of the others, could take her in, and then join in the laugh at her afterwards, he would indeed have had a worthy revenge!

“It strikes you as childish, Mr. Gillingham? Ah, you never knew Mark Ablett.

“‘How, Cay, how?’ he said eagerly.

“‘Well, I haven’t really thought it out,’ I protested. ‘It was just an idea.’

“He began to think it out for himself.

“‘I might pretend to be a manager, come down to see her—but I suppose she knows them all. What about an interviewer?’

“‘It’s going to be difficult,’ I said thoughtfully. ‘You’ve got rather a characteristic face, you know. And your beard—’

“‘I’d shave it off,’ he snapped.

“‘My dear Mark!’

“He looked away, and mumbled, ‘I’ve been thinking of taking it off, anyhow. And besides, if I’m going to do the thing, I’m going to do it properly.’

“‘Yes, you always were an artist,’ I said, looking at him admiringly.

“He purred. To be called an artist was what he longed for most. Now I knew that I had him.

“‘All the same,’ I went on, ‘even without your beard and moustache you might be recognizable. Unless, of course—’ I broke off.

“‘Unless what?’

“‘You pretend to be Robert.’ I began to laugh to myself again. ‘By Jove!’ I said, ‘that’s not a bad idea. Pretend to be Robert, the wastrel brother, and make yourself objectionable to Miss Norris. Borrow money from her, and that sort of thing.’

“He looked at me, with his bright little eyes, nodding eagerly.

“‘Robert,’ he said. ‘Yes. How shall we work it?’

“There was really a Robert, Mr. Gillingham, as I have no doubt you and the Inspector both discovered. And he was a wastrel and he went to Australia. But he never came to the Red House on Tuesday afternoon. He couldn’t have, because he died (unlamented) three years ago. But there was nobody who knew this, save Mark and myself, for Mark was the only one of the family left, his sister having died last year. Though I doubt, anyhow, if she knew whether Robert was alive or dead. He was not talked about.

“For the next two days Mark and I worked out our plans. You understand by now that our aims were not identical. Mark’s endeavour was that his deception should last for, say, a couple of hours; mine that it should go to the grave with him. He had only to deceive Miss Norris and the other guests; I had to deceive the world. When he was dressed up as Robert, I was going to kill him. Robert would then be dead, Mark (of course) missing. What could anybody think but that Mark had killed Robert? But you see how important it was for Mark to enter fully into his latest (and last) impersonation. Half-measures would be fatal.

“You will say that it was impossible so do the thing thoroughly enough. I answer again that you never knew Mark. He was being what he wished most to be—an artist. No Othello ever blacked himself all over with such enthusiasm as did Mark. His beard was going anyhow—possible a chance remark of Miss Norbury’s helped here. She did not like beards. But it was important for me that the dead man’s hands should not be the hands of a manicured gentleman. Five minutes playing upon the vanity of the artist settled his hands. He let the nails grow and then cut them raggedly. ‘Miss Norris would notice your hands at once,’ I had said. ‘Besides, as an artist—’

“So with his underclothes. It was hardly necessary to warn him that his pants might show above the edge of his socks; as an artist he had already decided upon Robertian pants. I bought them, and other things, in London for him. Even if I had not cut out all trace of the maker’s name, he would instinctively have done it. As an Australian and an artist, he could not have an East London address on his underclothes. Yes, we were doing the thing thoroughly, both of us; he as an artist, I as a—well, you may say murderer, if you like. I shall not mind now.

“Our plans were settled. I went to London on the Monday and wrote him a letter from Robert. (The artistic touch again.) I also bought a revolver. On the Tuesday morning he announced the arrival of Robert at the breakfast-table. Robert was now alive —we had six witnesses to prove it; six witnesses who knew that he was coming that afternoon. Our private plan was that Robert should present himself at three o’clock, in readiness for the return of the golfing-party shortly afterwards. The maid would go to look for Mark, and having failed to find him, come back to the office to find me entertaining Robert in Mark’s absence. I would explain that Mark must have gone out somewhere, and would myself introduce the wastrel brother to the tea-table. Mark’s absence would not excite any comment, for it would be generally felt—indeed Robert would suggest it—that he had been afraid of meeting his brother. Then Robert would make himself amusingly offensive to the guests, particularly, of course, Miss Norris, until he thought that the joke had gone far enough.

“That was our private plan. Perhaps I should say that it was Mark’s private plan. My own was different.

“The announcement at breakfast went well. After the golfing-party had gone off, we had the morning in which to complete our arrangements. What I was chiefly concerned about was to establish as completely as possible the identity of Robert. For this reason I suggested to Mark that, when dressed, he should go out by the secret passage to the bowling-green, and come back by the drive, taking care to enter into conversation with the lodge-keeper. In this way I would have two more witnesses of Robert’s arrival—first the lodge-keeper, and secondly one of the gardeners whom I would have working on the front lawn. Mark, of course, was willing enough. He could practise his Australian accent on the lodge-keeper. It was really amusing to see how readily he fell into every suggestion which I made. Never was a killing more carefully planned by its victim.

“He changed into Robert’s clothes in the office bedroom. This was the safest way—for both of us. When he was ready, he called me in, and I inspected him. It was extraordinary how well he looked the part. I suppose that the signs of his dissipation had already marked themselves on, his face, but had been concealed hitherto by his moustache and beard; for now that he was clean-shaven they lay open to the world from which we had so carefully hidden them, and he was indeed the wastrel which he was pretending to be.

“‘By Jove, you’re wonderful,’ I said.

“He smirked, and called my attention to the various artistic touches which I might have missed.

“‘Wonderful,’ I said to myself again. ‘Nobody could possibly guess.’

“I peered into the hall. It was empty. We hurried across to the library; he got into the passage and made off. I went back to the bedroom, collected all his discarded clothes, did them up in a bundle and returned with them to the passage. Then I sat down in the hall and waited.

“You heard the evidence of Stevens, the maid. As soon as she was on her way to the Temple in search of Mark, I stepped into the office. My hand was in my side-pocket, and in my hand was the revolver.

“He began at once in his character of Robert—some rigmarole about working his passage over from Australia; a little private performance for my edification. Then in his natural voice, gloating over his well-planned retaliation on Miss Norris, he burst out, ‘It’s my turn now. You wait.’ It was this which Elsie heard. She had no business to be there and she might have ruined everything, but as it turned out it was the luckiest thing which could have happened. For it was the one piece of evidence which I wanted; evidence, other than my own, that Mark and Robert were in the room together.

“I said nothing. I was not going to take the risk of being heard to speak in that room. I just smiled at the poor little fool, and took out my