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this Mill-Pack contract in his safe deposit box at the bank. That takes care of the weapon and the motive; only the opportunity is needed, and that came on the 22nd of December, when Mr. Fleming brought home that Confederate Leech & Rigdon .36 he had just bought. It was just a piece of luck that both revolvers were alike in caliber and general type, but it wouldn't have made a lot of difference. Nobody was paying much attention to details, and Dunmore was on the scene to misdirect any attention anybody would pay to anything.

"Now, we come to the mechanics of the thing; the modus operandi, or, as it is professionally known, the M.O. You remember what happened that evening. Nelda had gone out. You and Geraldine were listening to the radio in the parlor, over there. Varcek had gone up to his lab. Mr. Fleming was alone in the gunroom, working on his new revolver. And Fred Dunmore said he was going to take a bath. What he did, of course, was to draw a tub full of water, undress, put on his bathrobe and slippers, hide the .36 Colt under the bathrobe, and then go across the hall to the gunroom, where he found Mr. Fleming sitting on that cobbler's bench, putting the finishing touches on the Leech & Rigdon. So he fired at close range, wiped the prints off the Colt with an oily rag, put it in Lane Fleming's right hand, put the rag in his left, grabbed up the Leech & Rigdon, and scuttled back to his bathroom, deadlatching and shutting the gunroom door as he went out. This last, of course, was a delaying tactic, to give him time to establish his bathtub alibi."

He lifted the cocktail glass to his lips. These vodka Martinis were strong, and three of them before dinner was leaning way over backward maintaining the tradition of the hard-drinking private eye, but Gladys was working on her third, and no client was going to drink him under.

"So, in the privacy of his bathroom, he kicked out of his slippers, threw off his robe, hid the Leech & Rigdon, probably in a space between the tub and the wall that I found while we were searching the house, the night before the shooting of Dunmore, and jumped into the tub, there to await developments. As soon as he heard Varcek's uproar in the hall, he could emerge, dripping bathwater and innocence, to find out what the fuss was all about.... Do you know anything about something called General Semantics?" he asked suddenly.

"Yes. Before I married Lane, I went around with a radio ad-writer," she told him. "He was a nice boy, but he'd get drunker than a boiled owl about once a month, and weep about his crimes against sanity and meaning. He'd recite long excerpts from his professional creations, and show how he had been deliberately objectifying words and identifying them with the things for which they stood, and confusing orders of abstraction, and juggling multiordinal meanings. He was going to lend me his Koran, a book called Science and Sanity, and then he took a job with an ad agency in Chicago, and I got married, and—"

Rand nodded. "Then you realize that the word is not the thing spoken of, and that the inference is not the description, and that we cannot know 'all' about anything. Etcetera," he added hastily, like a Papist signing himself with the Cross. "Well, some considerable disregard of these principles seems to have existed in this case. Dunmore is seen in a bathrobe, his feet bare and making wet tracks on the floor, his hair wet, etcetera. Straightaway, one and all appear to have assumed that he was in the tub, splashing soapsuds around, while Lane Fleming was being shot. And Anton Varcek, who can be taken as an example of what S. I. Hayakawa was talking about when he spoke of people behaving like scientists inside but not outside their laboratories, saw Lane Fleming dead, with an object labeled 'revolver' in his hand, and, because of his verbal identifications and semantic reactions, immediately included the inference of an accident in his description of what he had seen. That was just an extra dividend of luck for Dunmore; it got the whole crowd of you thinking in terms of accidental shooting.

"Well, from there out, everything would have been a wonderful success for Dunmore, except for one thing. Arnold Rivers must have heard, somehow, that Lane Fleming had been shot with a Confederate .36 that he'd bought somewhere that day, and that the revolver was in the hands of this coroner of yours. So Arnold, with his big chisel well ground, went to see if he could manage to get it out of the coroner for a few dollars. And when he saw it, lo! it was the .36 Colt that he'd sold to Dunmore about a month before."

Gladys set down her glass. "So!" she said. "Things begin to explain themselves!"

"You may say so, indeed," Rand told her. "And what do you suppose Rivers did with this little item of information? Why, as nearly as I can reconstruct it, he did a very foolish thing. He tried to blackmail a man who had committed a murder. He told Fred Dunmore he'd keep his mouth shut about the .36 Colt, if Dunmore would get him the Fleming collection. He wanted that instead of cash, because he could get more out of it, in a few years, than Dunmore could ever scrape, and in the meantime, the prestige of handling that collection would go a long way toward repairing his rather dilapidated reputation. Fred should have bumped him off, right then; it would have been the cheapest and easiest way out, and he'd probably be alive and uncaught today if he had. But he was willing to pay ten thousand dollars to save himself the trouble, and that's what he told you Rivers had offered for the collection. The ten thousand Dunmore told you Rivers was willing to pay was really the ten thousand he was willing to pay, himself, to keep Rivers quiet.

"Then I was introduced into the picture, and, as you know, one of my first acts was to go to Rivers's shop and sneer scornfully at Rivers's supposed offer of ten thousand. And, right away, Rivers upped it to twenty-five thousand. You'll recall, no doubt, that Mr. Fleming had a life-insurance policy, one of these partnership mutual policies, which gave both Dunmore and Varcek exactly twenty-five thousand apiece. I assume that Rivers had found out about that.

"I thought, at the time, that it was peculiar that Rivers would jump his own offer up, without knowing what anybody else was offering for the collection. I see, now, that it wasn't his own money he was being so generous with. And there was another incident, while I was at Rivers's shop, that piqued my curiosity. Rivers had in his shop a .36 Leech & Rigdon revolver, and I had been informed that it was a revolver of that type that Mr. Fleming had brought home the evening he was killed. I thought at the time that it was curious that two Confederate arms of the same type and make should show up this far north, but my main idea in buying it was the possibility that I might use it, in some way as circumstances would permit, to throw a scare into somebody. Rivers was quite willing to let me have it until he found out that I would be staying at this house, and then he tried to back out of the sale and offered me seventy-five dollars' credit on anything else in the shop, if I'd return it to him. Well, I'd known that Mr. Fleming had been about to start suit against Rivers over a crooked deal Rivers had put over on him, and I knew that if Mr. Fleming's death had been murder, there had been a substitution of revolvers. So I showed the gun I'd bought from Rivers to Philip Cabot, who had seen the revolver Mr. Fleming had bought, and he recognized it. It hasn't been established just how Rivers got the Leech & Rigdon, and never will be; the only people who knew were Rivers and Dunmore, and both are in the proverbial class of non-talebearers. I assume that Dunmore gave it to Rivers as a sort of down payment on Rivers's silence, and to get rid of it.

"Well, you remember Dunmore's angry incredulity when I told him that Rivers was offering twenty-five thousand instead of ten thousand. One would have thought, on the face of it, that he would have been glad; as Nelda's husband, he would share in the higher price being paid for the collection. But when you realize that Rivers was buying the collection out of Dunmore's pocket, his reaction becomes quite understandable. I daresay I signed Arnold Rivers's death-warrant, right there."

"I'll bet your conscience bothers you about that," Gladys remarked.

"Oh, sure; it's been gnawing hell out of me, ever since," Rand told her cheerfully. "But, right away, Dunmore decided to kill Rivers. He called him on the phone as soon as he left the table—here I'm speaking by the book; I walked in on him, in the gunroom, as he was completing the call, though I didn't know it at the time—and arranged to see him that evening. Probably to devise ways and means of dealing with the Jeff Rand menace, for an ostensible reason.

"So that night, Dunmore killed Rivers, with a bayonet. And here we have some more Aristotelian confusion of orders of abstraction. The bayonet is defined, verbally, as a 'soldier's weapon,' so Farnsworth and Mick McKenna and the rest of them bemused themselves with suspects like Stephen Gresham and Pierre Jarrett, and ignored Dunmore, who'd never had an hour's military training in his life. I'd like to check up on what picture-shows Dunmore had been seeing in the week or so before the killing. I'll bet anything he'd been to one of these South-Pacific banzai-operas. And speaking of confusing orders of abstraction, Mick McKenna and his merry men pulled a classic in that line. They saw Dunmore's automobile, verbally defined as a 'gray Plymouth coupé' in Rivers's drive at the estimated time of the murder. Pierre Jarrett has a car of that sort, so they included the inferential idea of Pierre Jarrett's ownership of the car so described.

"Well, that's about all there is to it. Of course, I showed Fred Dunmore the Leech & Rigdon, and told him it was the gun I'd gotten from the coroner. That was all he needed to tell him that I was onto the murder, and probably onto him as the murderer. But he had evidently assumed that already; that was after he'd assembled my .38 and that .25 automatic, and was planning to double-kill me and Anton Varcek. At that, he'd have probably killed me, if I hadn't been wearing that bulletproof vest of McKenna's. I owe Mick for my life; I'll have to buy him a drink, sometime, to square that."

"Well, how about Walters, and the pistols he stole?" Gladys asked. "Didn't that have anything to do with it?"

"No. It was a result of Mr. Fleming's death, of course. I understand that the situation here had deteriorated rather abruptly after Mr. Fleming's death. Walters was about fed up on the way things were here, and he was going to hand in his notice. Then he decided that he ought to have a stake to tide him over till he could get another buttling job, so he started higrading the collection."

Gladys nodded. "I suppose he decided, after Lane's death, that he didn't owe anybody here anything. Too bad he didn't wait, though. The situation has remedied itself, and that's something else I owe you."

"Yes? I noticed that there was nobody here but you," Rand mentioned.

"Oh, Anton's gone to New York. The Rockefeller Foundation

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