Armadale - Wilkie Collins (summer reading list .TXT) 📗

delicious grass." He turned, noticed two of the servants talking together near the shrubbery, and asked for news of the master of the house.

The men pointed with a smile in the direction of the gardens; Mr. Armadale had gone that way more than an hour since, and had met (as had been reported) with Miss Milroy in the grounds. Midwinter followed the path through the shrubbery, but, on reaching the flower garden, stopped, considered a little, and retraced his steps. "If Allan has met with the young lady," he said to himself, "Allan doesn't want me." He laughed as he drew that inevitable inference, and turned considerately to explore the beauties of Thorpe Ambrose on the other side of the house.

Passing the angle of the front wall of the building, he descended some steps, advanced along a paved walk, turned another angle, and found himself in a strip of garden ground at the back of the house.

Behind him was a row of small rooms situated on the level of the servants' offices. In front of him, on the further side of the little garden, rose a wall, screened by a laurel hedge, and having a door at one end of it, leading past the stables to a gate that opened on the high-road. Perceiving that he had only discovered thus far the shorter way to the house, used by the servants and trades-people, Midwinter turned back again, and looked in at the window of one of the rooms on the basement story as he passed it. Were these the servants' offices? No; the offices were apparently in some other part of the ground-floor; the window he had looked in at was the window of a lumber-room. The next two rooms in the row were both empty. The fourth window, when he approached it, presented a little variety. It served also as a door; and it stood open to the garden at that moment.

Attracted by the book-shelves which he noticed on one of the walls, Midwinter stepped into the room.

The books, few in number, did not detain him long; a glance at their backs was enough without taking them down. The Waverley Novels, Tales by Miss Edgeworth, and by Miss Edgeworth's many followers, the Poems of Mrs. Hemans, with a few odd volumes of the illustrated gift-books of the period, composed the bulk of the little library. Midwinter turned to leave the room, when an object on one side of the window, which he had not previously noticed, caught his attention and stopped him. It was a statuette standing on a bracket--a reduced copy of the famous Niobe of the Florence Museum. He glanced from the statuette to the window, with a sudden doubt which set his heart throbbing fast. It was a French window. He looked out with a suspicion which he had not felt yet. The view before him was the view of a lawn and garden. For a moment his mind struggled blindly to escape the conclusion which had seized it, and struggled in vain. Here, close round him and close before him--here, forcing him mercilessly back from the happy present to the horrible past, was the room that Allan had seen in the Second Vision of the Dream.

He waited, thinking and looking round him while he thought. There was wonderfully little disturbance in his face and manner; he looked steadily from one to the other of the few objects in the room, as if the discovery of it had saddened rather than surprised him. Matting of some foreign sort covered the floor. Two cane chairs and a plain table comprised the whole of the furniture. The walls were plainly papered, and bare--broken to the eye in one place by a door leading into the interior of the house; in another, by a small stove; in a third, by the book-shelves which Midwinter had already noticed. He returned to the books, and this time he took some of them down from the shelves.

The first that he opened contained lines in a woman's handwriting, traced in ink that had faded with time. He read the inscription--"Jane Armadale, from her beloved father. Thorpe Ambrose, October, 1828." In the second, third, and fourth volumes that he opened, the same inscription re-appeared. His previous knowledge of dates and persons helped him to draw the true inference from what he saw. The books must have belonged to Allan's mother; and she must have inscribed them with her name, in the interval of time between her return to Thorpe Ambrose from Madeira and the birth of her son. Midwinter passed on to a volume on another shelf--one of a series containing the writings of Mrs. Hemans. In this case, the blank leaf at the beginning of the book was filled on both sides with a copy of verses, the writing being still in Mrs. Armadale's hand. The verses were headed "Farewell to Thorpe Ambrose," and were dated "March, 1829"--two months only after Allan had been born.

Entirely without merit in itself, the only interest of the little poem was in the domestic story that it told.

The very room in which Midwinter then stood was described--with the view on the garden, the window made to open on it, the bookshelves, the Niobe, and other more perishable ornaments which Time had destroyed. Here, at variance with her brothers, shrinking from her friends, the widow of the murdered man had, on her own acknowledgment, secluded herself, without other comfort than the love and forgiveness of her father, until her child was born. The father's mercy and the father's recent death filled many verses, happily too vague in their commonplace expression of penitence and despair to give any hint of the marriage story in Madeira to any reader who looked at them ignorant of the truth. A passing reference to the writer's estrangement from her surviving relatives, and to her approaching departure from Thorpe Ambrose, followed. Last came the assertion of the mother's resolution to separate herself from all her old associations; to leave behind her every possession, even to the most trifling thing she had, that could remind her of the miserable past; and to date her new life in the future from the birthday of the child who had been spared to console her--who was now the one earthly object that could still speak to her of love and hope. So the old story of passionate feeling that finds comfort in phrases rather than not find comfort at all was told once again. So the poem in the faded ink faded away to its end.

Midwinter put the book back with a heavy sigh, and opened no other volume on the shelves. "Here in the country house, or there on board the wreck," he said, bitterly, "the traces of my father's crime follow me, go where I may." He advanced toward the window, stopped, and looked back into the lonely, neglected little room. "Is this chance?" he asked himself. "The place where his mother suffered is the place he sees in the Dream; and the first morning in the new house is the morning that reveals it, not to him, but to me. Oh, Allan! Allan! how will it end?"

The thought had barely passed through his mind before he heard Allan's voice, from the paved walk at the side of the house, calling to him by his name. He hastily stepped out into the garden. At the same moment Allan came running round the corner, full of voluble apologies for having forgotten, in the society of his new neighbors, what was due to the laws of hospitality and the claims of his friend.

"I really haven't missed you," said Midwinter; "and I am very, very glad to hear that the new neighbors have produced such a pleasant impression on you already."

He tried, as he spoke, to lead the way back by the outside of the house; but Allan's flighty attention had been caught by the open window and the lonely little room. He stepped in immediately. Midwinter followed, and watched him in breathless anxiety as he looked round. Not the slightest recollection of the Dream troubled Allan's easy mind. Not the slightest reference to it fell from the silent lips of his friend.

"Exactly the sort of place I should have expected you to hit on!" exclaimed Allan, gayly. "Small and snug and unpretending. I know you, Master Midwinter! You'll be slipping off here when the county families come visiting, and I rather think on those dreadful occasions you won't find me far behind you. What's the matter? You look ill and out of spirits. Hungry? Of course you are! unpardonable of me to have kept you waiting. This door leads somewhere, I suppose; let's try a short cut into the house. Don't be afraid of my not keeping you company at breakfast. I didn't eat much at the cottage; I feasted my eyes on Miss Milroy, as the poets say. Oh, the darling! the darling! she turns you topsy-turvy the moment you look at her. As for her father, wait till you see his wonderful clock! It's twice the size of the famous clock at Strasbourg, and the most tremendous striker ever heard yet in the memory of man!"

Singing the praises of his new friends in this strain at the top of his voice, Allan hurried Midwinter along the stone passages on the basement floor, which led, as he had rightly guessed, to a staircase communicating with the hall. They passed the servants' offices on the way. At the sight of the cook and the roaring fire, disclosed through the open kitchen door, Allan's mind went off at a tangent, and Allan's dignity scattered itself to the four winds of heaven, as usual.

"Aha, Mrs. Gripper, there you are with your pots and pans, and your burning fiery furnace! One had need be Shadrach, Meshach, and the other fellow to stand over that. Breakfast as soon as ever you like. Eggs, sausages, bacon, kidneys, marmalade, water-cresses, coffee, and so forth. My friend and I belong to the select few whom it's a perfect privilege to cook for. Voluptuaries, Mrs. Gripper, voluptuaries, both of us. You'll see," continued Allan, as they went on toward the stairs, "I shall make that worthy creature young again; I'm better than a doctor for Mrs. Gripper. When she laughs, she shakes her fat sides, and when she shakes her fat sides, she exerts her muscular system; and when she exerts her muscular system--Ha! here's Susan again. Don't squeeze yourself flat against the banisters, my dear; if you don't mind hustling me on the stairs, I rather like hustling you. She looks like a full-blown rose when she blushes, doesn't she? Stop, Susan! I've orders to give. Be very particular with Mr. Midwinter's room: shake up his bed like mad, and dust his furniture till those nice round arms of yours ache again. Nonsense, my dear fellow! I'm not too familiar with them; I'm only keeping them up to their work. Now, then, Richard! where do we breakfast? Oh, here. Between ourselves, Midwinter, these splendid rooms of mine are a size too large for me; I don't feel as if I should ever be on intimate terms with my own furniture. My views in life are of the snug and slovenly sort--a kitchen chair, you know, and a low ceiling. Man wants but little here below, and wants that little long. That's not exactly the right quotation; but it expresses my meaning, and we'll let alone correcting it till the next opportunity."

"I beg your pardon," interposed Midwinter, "here is something waiting for you which you have not noticed yet."

As he spoke, he pointed a little impatiently to a letter lying on the breakfast-table. He could conceal the ominous discovery which he had made that morning, from Allan's knowledge; but he could not conquer the